Dear Jassi arrives with echoes of Madonna’s 1989 hit “Dear Jessie” and its sugary promise of pink elephants and lemonade, but none of that turns out to be forthcoming in Tarsem Singh Dhandwar’s beautiful and brutal sixth feature. Instead, we have perhaps the most disturbing bait-and-switch since George Sluizer’s original iteration of The Vanishing, a Punjabi Juliet-meets-Romeo story that’s much harsher that any so-far-filmed version of West Side Story and a whole lot funnier. This dissonance takes a while to reveal itself, but when it does, the shock is visceral. The fact that almost everything is true is the killer blow, and the shockwave of that reverberates through the poignant final credits, a static shot that forces the audience, or maybe just simply dares them, to think about what they’ve just seen.
Immigrant stories have been big in 2023, but the troubling core of Dear Jassi is actually an emigrant story,...
Immigrant stories have been big in 2023, but the troubling core of Dear Jassi is actually an emigrant story,...
- 10/9/2023
- by Damon Wise
- Deadline Film + TV
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
BAMcinématek
A number of Oshima and Godard films play together in a new series.
Metrograph
Films from Keaton and Bergman have screenings.
Garrel’s Les Hautes Solitudes has been held over; Midnight Cowboy and Chungking Express also play.
Museum of the Moving Image
The Scorsese series continues with a The Color of Money–The Hustler...
BAMcinématek
A number of Oshima and Godard films play together in a new series.
Metrograph
Films from Keaton and Bergman have screenings.
Garrel’s Les Hautes Solitudes has been held over; Midnight Cowboy and Chungking Express also play.
Museum of the Moving Image
The Scorsese series continues with a The Color of Money–The Hustler...
- 3/3/2017
- by Nick Newman
- The Film Stage
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