This little-known De Palma comedy (made right between some of his biggest hits like "Carrie" and "Blow Out") is notable as one of the earliest films to anticipate the "reality show" phenomenon, but otherwise it's mostly just a curio for his followers. His direction has less flair than usual (there IS one great shot from inside a popcorn bucket!), and the script, apparently written by seven (!) people, is all over the map. But the biggest problem is that it's not very funny. Saved, somewhat, by the sweet chemistry between Nancy Allen (at her prettiest) and Keith Gordon; De Palma obviously sensed that he struck gold there, and paired them again in the next year's "Dressed To Kill". I don't know, maybe see "Home Movies" as an appetizer for that one. ** out of 4.
10 Reviews
A film casserole
bkoganbing8 July 2015
After two highly successful commercial ventures in Carrie and The Fury, Brian DePalma apparently decided he needed a little fun and frolic. So Home Movies was made using the talents of a lot of people who appeared in DePalma projects.
Home movies is like a film casserole where a lot of his film students got to step to the plate and take their best shot. Roughly speaking the film centers around Keith Gordon the younger brother of Gerrit Graham. They are the sons of Vincent Gardenia a philandering doctor and Mary Davenport his clueless wife.
Graham is set to marry former hooker Nancy Allen. He's rather full of himself and also a latently gay individual. But he's the eldest and chosen one and Gordon is the nerdy younger brother who spends his time filming some of the private moments of the family, a little cinema verite for his film professor Kirk Douglas.
Watching Home Movies I got the impression I was not being let in on an inside joke. And I rather resented the situation.
It all seemed like a colossal waste of time for all involved. The name players must have owed DePalma big time to appear here.
Home movies is like a film casserole where a lot of his film students got to step to the plate and take their best shot. Roughly speaking the film centers around Keith Gordon the younger brother of Gerrit Graham. They are the sons of Vincent Gardenia a philandering doctor and Mary Davenport his clueless wife.
Graham is set to marry former hooker Nancy Allen. He's rather full of himself and also a latently gay individual. But he's the eldest and chosen one and Gordon is the nerdy younger brother who spends his time filming some of the private moments of the family, a little cinema verite for his film professor Kirk Douglas.
Watching Home Movies I got the impression I was not being let in on an inside joke. And I rather resented the situation.
It all seemed like a colossal waste of time for all involved. The name players must have owed DePalma big time to appear here.
Wonderful freewheeling score by Pino Donaggio
PimpinAinttEasy25 April 2016
Warning: Spoilers
Dear Pino Donaggio,
your great score was wasted on this awful home video film. Brian De Palma returns to his late 60s roots of making inventive socially conscious films. But the film is mostly boring rather than inventive or socially conscious. Your brilliant and freewheeling score is played throughout the film even when the music does not suit the scene at all. A young man who is "an extra in his own life" is encouraged by an acting coach - the Maestro (Kirk Douglas) to film scenes from his own life and the antics of his dysfunctional family. The family consists of his intellectual alpha-male brother and his beautiful fiancée (Karen Allen), womanizing doctor dad and suspicious mother. Shot on 16 mm, the film is completely unfunny and has none of the clever dialog, interesting characters or social commentary of De Palma's great late 60s output. There is a racist and morally repugnant police officer whose character, like the rest of the film is completely uninspired. Your score and the lovely Karen Allen helped me get through the film, Pino. Home Movies is to De Palma's Greetings what Raising Cain would be to Sisters.
Best Regards, Pimpin.
(5/10)
your great score was wasted on this awful home video film. Brian De Palma returns to his late 60s roots of making inventive socially conscious films. But the film is mostly boring rather than inventive or socially conscious. Your brilliant and freewheeling score is played throughout the film even when the music does not suit the scene at all. A young man who is "an extra in his own life" is encouraged by an acting coach - the Maestro (Kirk Douglas) to film scenes from his own life and the antics of his dysfunctional family. The family consists of his intellectual alpha-male brother and his beautiful fiancée (Karen Allen), womanizing doctor dad and suspicious mother. Shot on 16 mm, the film is completely unfunny and has none of the clever dialog, interesting characters or social commentary of De Palma's great late 60s output. There is a racist and morally repugnant police officer whose character, like the rest of the film is completely uninspired. Your score and the lovely Karen Allen helped me get through the film, Pino. Home Movies is to De Palma's Greetings what Raising Cain would be to Sisters.
Best Regards, Pimpin.
(5/10)
A different side of De Palma
rbmoviereviewsdotcom26 January 2001
This film is totally unlike anything I've ever seen from De Palma. It's a dysfunctional family comedy filmed with purposely shoddy production to get over the premise that we are really watching a home movie shot by the main character.
Kirk Douglas plays The Maestro, a film instructor who starts his new class off by showing his recent failure to make Keith Gordon the star of his own movie. Gordon is one of those people who exist without anyone really knowing it. He doesn't appear to have any friends and his family doesn't give him the time of day. His father (the late Vincent Gardenia) is a quack doctor who cheats on his wife with his nurse (and probably his female patients). His mother (Mary Davenport) is too concerned about this, continually wavering on whether to divorce him or accept all the blame for not being able to satisfy him. The rest of the time, she's interested in what her good son that she's so proud of even though she doesn't understand him in the least is up to. Gerrit Graham is an elitist who essentially lives and teaches naturalism and sexism at Now College. He'd rather plant his seed in the ground than in Nancy Allen, but since it's not possible for man to do that yet, he decides he'll marry her if he can convert her to his ways. Allen is an interesting choice for him to try to convert because she's a whore who drinks, smokes, and eats evil fast food. She totally worships him so she attempts to give it all up for a life with him that's, all things considered, less of a life than she had before because a woman in his world essentially can't do anything.
Since Gordon's life is an utter bore, Douglas gets him to film things that the average Joe would pay to see. Thus, Gordon decides to try to catch his father in the act to help his mom get the divorce and to steal Allen away from his brother, who has always been the center of attention and one that won in the past, by convincing her that she's fine as she is.
The movie is absurd, but generally in a way that's humorous without going overboard. It's definitely somewhat farcical in its look at filmmaking by the inexperienced and this quirky family.
Graham does an excellent job of playing his wacky character that considers himself to be of the utmost knowledge, but can't convey his points in a way where anyone understands them (he explains with lines like those who know know). What makes it even funnier is that he's held in such high regard, yet his disciples consist of about 5 rejects that just pretend to understand and buy into his philosophies to his tirades and/or being verbally berated.
Allen has a tougher role than in her other films with De Palma, as she tries to be a good girl but she's constantly being tempted, so she gets to have some interesting personality shifts. She's been in better films, but this is the one where she really stands out as someone that could really act.
The thing with the style is De Palma seems to waver between whether he wants us to believe it's all a home movie or not. At some points we see Gordon going under cover in a Soul Man kind of outfit to spy on his father, but most of the time it's obvious that Gordon isn't filming and, based on the camera angles, not believable that anyone else could be without being seen. To make things more bizarre, Douglas just appears out of nowhere, even popping up in a tree at one point while Gordon is failing to catch his dad in action. The only true breaks in the style are a few dreamy shots of Allen that make her look really beautiful, perhaps so the filmmakers in the film can be described as hacks that luck into a nice scene once every couple of days.
In terms of style, the animation opening is what steals the show. Not that the animations are technical in any way, but it sets up the whole movie by introducing all the characters and the caricatures of them are quite humorous.
It seems like De Palma was just having fun with this one. If you take this at face value than it's easy to rank on because it's got its share of implausibilities. If you don't focus on who is filming the movie then it's solid because the actions of the characters are believable (considering what the characters are like) and the progression is logical. As a whole it's a mess, but an enjoyable one that was years ahead of its time. It's out there, but if you like movies with weird families such as Some Girls and didn't find the production of Blair Witch to be a detriment then this is another to check out. I'm glad this isn't De Palma's regular style because we would have been robbed of some great, highly stylish films, but as a one-time experiment it's successful enough and a cool kind of different. I think most people would like his far more conventional comedy Wise Guys better, but I found this story far more humorous and a lot less goofy. 7/10
Kirk Douglas plays The Maestro, a film instructor who starts his new class off by showing his recent failure to make Keith Gordon the star of his own movie. Gordon is one of those people who exist without anyone really knowing it. He doesn't appear to have any friends and his family doesn't give him the time of day. His father (the late Vincent Gardenia) is a quack doctor who cheats on his wife with his nurse (and probably his female patients). His mother (Mary Davenport) is too concerned about this, continually wavering on whether to divorce him or accept all the blame for not being able to satisfy him. The rest of the time, she's interested in what her good son that she's so proud of even though she doesn't understand him in the least is up to. Gerrit Graham is an elitist who essentially lives and teaches naturalism and sexism at Now College. He'd rather plant his seed in the ground than in Nancy Allen, but since it's not possible for man to do that yet, he decides he'll marry her if he can convert her to his ways. Allen is an interesting choice for him to try to convert because she's a whore who drinks, smokes, and eats evil fast food. She totally worships him so she attempts to give it all up for a life with him that's, all things considered, less of a life than she had before because a woman in his world essentially can't do anything.
Since Gordon's life is an utter bore, Douglas gets him to film things that the average Joe would pay to see. Thus, Gordon decides to try to catch his father in the act to help his mom get the divorce and to steal Allen away from his brother, who has always been the center of attention and one that won in the past, by convincing her that she's fine as she is.
The movie is absurd, but generally in a way that's humorous without going overboard. It's definitely somewhat farcical in its look at filmmaking by the inexperienced and this quirky family.
Graham does an excellent job of playing his wacky character that considers himself to be of the utmost knowledge, but can't convey his points in a way where anyone understands them (he explains with lines like those who know know). What makes it even funnier is that he's held in such high regard, yet his disciples consist of about 5 rejects that just pretend to understand and buy into his philosophies to his tirades and/or being verbally berated.
Allen has a tougher role than in her other films with De Palma, as she tries to be a good girl but she's constantly being tempted, so she gets to have some interesting personality shifts. She's been in better films, but this is the one where she really stands out as someone that could really act.
The thing with the style is De Palma seems to waver between whether he wants us to believe it's all a home movie or not. At some points we see Gordon going under cover in a Soul Man kind of outfit to spy on his father, but most of the time it's obvious that Gordon isn't filming and, based on the camera angles, not believable that anyone else could be without being seen. To make things more bizarre, Douglas just appears out of nowhere, even popping up in a tree at one point while Gordon is failing to catch his dad in action. The only true breaks in the style are a few dreamy shots of Allen that make her look really beautiful, perhaps so the filmmakers in the film can be described as hacks that luck into a nice scene once every couple of days.
In terms of style, the animation opening is what steals the show. Not that the animations are technical in any way, but it sets up the whole movie by introducing all the characters and the caricatures of them are quite humorous.
It seems like De Palma was just having fun with this one. If you take this at face value than it's easy to rank on because it's got its share of implausibilities. If you don't focus on who is filming the movie then it's solid because the actions of the characters are believable (considering what the characters are like) and the progression is logical. As a whole it's a mess, but an enjoyable one that was years ahead of its time. It's out there, but if you like movies with weird families such as Some Girls and didn't find the production of Blair Witch to be a detriment then this is another to check out. I'm glad this isn't De Palma's regular style because we would have been robbed of some great, highly stylish films, but as a one-time experiment it's successful enough and a cool kind of different. I think most people would like his far more conventional comedy Wise Guys better, but I found this story far more humorous and a lot less goofy. 7/10
"He plunged into the depth of anonymity...forever, an extra."
moonspinner552 August 2016
Nebbish teenager, with squabbling parents and a megalomaniacal older brother, is mentored by a professor at Now College to stop being invisible and become the star of his own life. Hot property Brian De Palma filmed this low-budget movie alongside his filmmaking students at Sarah Lawrence College, perhaps in an attempt to reconnect with his roots as an independent maker of revue comedies (if true, the film could surely use Robert De Niro and Allen Garfield to give it a lift). There's no wit or sting in the writing (credited to six people, working from De Palma's original treatment)--it's all just a lark, a flagging, in-jokey experiment. It might have been easier to watch had the exteriors not been so dark and the interiors so muddy; the picture is a visual insult. Nancy Allen is a plus as a tootsie who gets to know her rabbit, and Pino Donaggio contributed an eclectic score. * from ****
Waste of talent, and insult to the audience - should have remained a student film
g_imdb-4324 October 2019
"Home Movies" is an anomaly for a director who had already made top-quality pictures like "Carrie" and "Phantom of the Paradise." Stylistically, it's reminiscent of his earlier "Greetings" and "Hi Mom," except that those movies are brilliant social commentary, but this movie falls flat, with just a few good laughs at the end.
De Palma could blame his student crew, but De Palma takes credit for the story and the directing, which are clearly the weakest elements of the movie (along with the acting and lighting). The credits say it was shot on a Panavision camera - what a waste!
Perhaps the movie's only pleasure is how incredibly young Kirk Douglas looks - I kept double-checking the credits to see that it was really Kirk and not Michael. But unfortunately, his story element - the "wrap-around" - is by far the worst part of the story.
Also, the "Artiflx" DVD version of "Home Movies" looks like a home movie - blurry, dark, with video noise and ringing. The "official" version is hard-to-get and expensive. Save yourself the trouble and don't get either!
I gave this movie three stars on the prodigy of its actors and director, but without that context, this would be a one-star movie - at best!
De Palma could blame his student crew, but De Palma takes credit for the story and the directing, which are clearly the weakest elements of the movie (along with the acting and lighting). The credits say it was shot on a Panavision camera - what a waste!
Perhaps the movie's only pleasure is how incredibly young Kirk Douglas looks - I kept double-checking the credits to see that it was really Kirk and not Michael. But unfortunately, his story element - the "wrap-around" - is by far the worst part of the story.
Also, the "Artiflx" DVD version of "Home Movies" looks like a home movie - blurry, dark, with video noise and ringing. The "official" version is hard-to-get and expensive. Save yourself the trouble and don't get either!
I gave this movie three stars on the prodigy of its actors and director, but without that context, this would be a one-star movie - at best!
The Maestro
BandSAboutMovies22 June 2023
Warning: Spoilers
Never forget that Brian De Palma started in the underground and initially had setbacks in Hollywood before coming back to be a success. He didn't forget the fight.
He didn't forget his alma mater Sarah Lawrence College either.
Home Movies was created as a hands-on training exercise for students he was teaching at Sarah Lawrence. They were given the responsibilities of raising money, arranging the shooting schedule and editing the film, all under De Palma's supervision. Students like Gilbert Adler (the producer of Tales from the Crypt for HBO and the House On Haunted Hill remake), Sam Irvin (Oblivion, Elvira's Haunted Hills), Mark Rosman (The House On Sorority Row) and Charlie Loventhal (My Demon Lover) all went on to produce and direct their own films.
Kirk Douglas plays The Maestro - he's credited with the film - a teacher tor loosely modeled on De Palma while Keith Gordon is one of his pupils who films everything that happens. So much of this movie - and what happens to Gordon's character, much like what would later happen to him in Dressed To Kill - were modeled on events from De Palma's young life, particularly his sibling rivalry, having a mother prone to dramatic outbursts and a father who was always cheating.
He was able to get Vincent Gardenia as dad, Geritt Graham as the older brother and Nancy Allen as his fiancee.
In addition to De Palma, it had six writers: Loventhal, Kim Ambler, Dana Edelman, Robert Harders, Stephen Le May and Gloria Norris, who was Woody Allen's assistant on Stardust Memories, A Midsummer Night's Sex Comedy and Zelig.
It's ramshackle and often self-indigent, but still an interesting reminder of where De Palma came from.
He didn't forget his alma mater Sarah Lawrence College either.
Home Movies was created as a hands-on training exercise for students he was teaching at Sarah Lawrence. They were given the responsibilities of raising money, arranging the shooting schedule and editing the film, all under De Palma's supervision. Students like Gilbert Adler (the producer of Tales from the Crypt for HBO and the House On Haunted Hill remake), Sam Irvin (Oblivion, Elvira's Haunted Hills), Mark Rosman (The House On Sorority Row) and Charlie Loventhal (My Demon Lover) all went on to produce and direct their own films.
Kirk Douglas plays The Maestro - he's credited with the film - a teacher tor loosely modeled on De Palma while Keith Gordon is one of his pupils who films everything that happens. So much of this movie - and what happens to Gordon's character, much like what would later happen to him in Dressed To Kill - were modeled on events from De Palma's young life, particularly his sibling rivalry, having a mother prone to dramatic outbursts and a father who was always cheating.
He was able to get Vincent Gardenia as dad, Geritt Graham as the older brother and Nancy Allen as his fiancee.
In addition to De Palma, it had six writers: Loventhal, Kim Ambler, Dana Edelman, Robert Harders, Stephen Le May and Gloria Norris, who was Woody Allen's assistant on Stardust Memories, A Midsummer Night's Sex Comedy and Zelig.
It's ramshackle and often self-indigent, but still an interesting reminder of where De Palma came from.
A GENUINELY STRANGE FILM
KatMiss28 July 2001
Brian DePalma's "Home Movies" is a genuinely strange film. It is hard to believe that DePalma made this. It doesn't have the superb technical credits that you come to expect from him. It doesn't have a logical story (for DePalma that is). And it doesn't have the big budgets DePalma's films are accustomed to ("Sisters" has a budget of 500,000 bucks; this film was made on a few thousand)
What it does have is a goofy charm that most Hollywood comedies lack these days. The story is nonsense, but that's a good thing in this case. And the low budget is appropriate because it suits the story. Most of the cast are from other DePalma films, of which I'll let you know.
The film stars Kirk Douglas ("The Fury")as The Maestro (the video title), a teacher who films his life constantly. He attempts to have his prize pupil Keith Gordon ("Dressed to Kill")do the same, but he has problems of his own. The object of his affection is Nancy Allen ("Dressed to Kill", "Carrie", "Blow Out"), a hooker who has too many vices for her own good. The problem? She is attached to Gordon's brother (wonderfully played by Gerrit Graham, who appeared in most of DePalma's early films and just about stole "Soup for One"), who is a nut.
All this is established within the first 25 minutes or so and the film's success depends on all of the surprises DePalma sets up, so I won't reveal any more. Some people might be turned off of "Home Movies" possibly due to the content, but more probably due to the visual style. Today's audiences are accustomed to gloss and if they don't get it, they protest. If you are one of those people, I just want to say three words: SHAME ON YOU!!!!!!!! How dare you criticize a film just because it doesn't look glossy like Hollywood product does? "Pi", a film I admired highly, had the same dilemma. Made on a shoestring budget, the film's grittiness helped it more than hurt it and the same goes for "Home Movies".
DePalma shoots on 16mm and makes the film look like someone's home movies, which is appropriate since the Kirk Douglas character is constantly filming his own life (and others). Also, give DePalma credit for helping his students get a first credit (the film was made as a class project for Sarah Lawrence College). Robby Benson did a similar thing in 1990 with "Modern Love" and was heavily criticized, despite the fact that it was a good, strong film. "Home Movies" isn't as strong as his more accomplished thrillers, but it is a very entertaining movie that had me smiling most of the way. And how can you hate any movie that casts Gerrit Graham as a slimeball?
*** out of 4 stars
What it does have is a goofy charm that most Hollywood comedies lack these days. The story is nonsense, but that's a good thing in this case. And the low budget is appropriate because it suits the story. Most of the cast are from other DePalma films, of which I'll let you know.
The film stars Kirk Douglas ("The Fury")as The Maestro (the video title), a teacher who films his life constantly. He attempts to have his prize pupil Keith Gordon ("Dressed to Kill")do the same, but he has problems of his own. The object of his affection is Nancy Allen ("Dressed to Kill", "Carrie", "Blow Out"), a hooker who has too many vices for her own good. The problem? She is attached to Gordon's brother (wonderfully played by Gerrit Graham, who appeared in most of DePalma's early films and just about stole "Soup for One"), who is a nut.
All this is established within the first 25 minutes or so and the film's success depends on all of the surprises DePalma sets up, so I won't reveal any more. Some people might be turned off of "Home Movies" possibly due to the content, but more probably due to the visual style. Today's audiences are accustomed to gloss and if they don't get it, they protest. If you are one of those people, I just want to say three words: SHAME ON YOU!!!!!!!! How dare you criticize a film just because it doesn't look glossy like Hollywood product does? "Pi", a film I admired highly, had the same dilemma. Made on a shoestring budget, the film's grittiness helped it more than hurt it and the same goes for "Home Movies".
DePalma shoots on 16mm and makes the film look like someone's home movies, which is appropriate since the Kirk Douglas character is constantly filming his own life (and others). Also, give DePalma credit for helping his students get a first credit (the film was made as a class project for Sarah Lawrence College). Robby Benson did a similar thing in 1990 with "Modern Love" and was heavily criticized, despite the fact that it was a good, strong film. "Home Movies" isn't as strong as his more accomplished thrillers, but it is a very entertaining movie that had me smiling most of the way. And how can you hate any movie that casts Gerrit Graham as a slimeball?
*** out of 4 stars
a fun trifle from Mr. De Palma that takes advantage of inexperience
Quinoa198424 February 2008
The bulk of the crew on Brian De Palma's Home Movies were his college students, but if you asked me where it looks it the most it's hard to say. De Palma decided to make it a challenge in as much that he thrusted these kids (one of whom Mark Romanek) into their first real foray into film-making, but he also lessened some of the possible stress on the situation in two ways: he took some of the same freewheeling, seemingly improvisational approach that he took with his early satires (the great Hi, Mom and the decent Greetings), and he also made it a silly comedy based around his obsessions and personal history. It's a send-up of self-made stardom, adultery, male dominant control, and the craftiness in the craft of film-making, and it's very funny.
But to say how funny it is or why would have to reveal too much of the plot, which I'd rather leave open ended for those who might find this in their local video store's obscure picks. All I'll say is that Kirk Douglas plays the Maestro (introduced by a hilarious lot of egotistical opening titles), teaching a class about how he faltered in getting a young man, Dennis Bird (Keith Gordon) to move on from being just an "extra" in his life to being the star of his own making. Gordon's Dennis is the youngest in the Bird family, which includes an adulterous doctor father, a weepy and half-crazy (and half all-for-attention) mother, and a brother, James (the scene stealing meat-head played by Gerrit Graham with the same tenacity as in Phantom of Paradise), who teaches a summer class on Spartanism to a bunch of impressionable youths. He's also getting engaged to Kristina (always gorgeous Nancy Allen), but there's some trouble and friction in their possible "socio-economic contract".
Meanwhile, Dennis meets the Maestro while acting as a Peeping Tom up in a tree, and becomes an amateur filmmaker. Now, as this all sounds, it's a little stuck together in cheap style and rough edges, which adds to its charm. It's made almost as if De Palma knows it's something of a fluke, and just wants to get his students as enthusiastic as possible about the process; it wouldn't be as much fun having them on, for example, Casualtues of War. And as one of De Palma's experimental comedies, it provides for the director, through a better than expected script from his pupils, to express some of his nuttiest scenes, including some scenes where Kristina has to unleash the "rabbit", and the running gag with Gordon dressed in black face and an afro sneaking around at night. It's not anywhere near a great comedy, but for what De Palma was after it's a success.
In short, it's a low-key hoot, and De Palma fans looking for some ridiculous and crazy gags and character development won't be disappointed.
But to say how funny it is or why would have to reveal too much of the plot, which I'd rather leave open ended for those who might find this in their local video store's obscure picks. All I'll say is that Kirk Douglas plays the Maestro (introduced by a hilarious lot of egotistical opening titles), teaching a class about how he faltered in getting a young man, Dennis Bird (Keith Gordon) to move on from being just an "extra" in his life to being the star of his own making. Gordon's Dennis is the youngest in the Bird family, which includes an adulterous doctor father, a weepy and half-crazy (and half all-for-attention) mother, and a brother, James (the scene stealing meat-head played by Gerrit Graham with the same tenacity as in Phantom of Paradise), who teaches a summer class on Spartanism to a bunch of impressionable youths. He's also getting engaged to Kristina (always gorgeous Nancy Allen), but there's some trouble and friction in their possible "socio-economic contract".
Meanwhile, Dennis meets the Maestro while acting as a Peeping Tom up in a tree, and becomes an amateur filmmaker. Now, as this all sounds, it's a little stuck together in cheap style and rough edges, which adds to its charm. It's made almost as if De Palma knows it's something of a fluke, and just wants to get his students as enthusiastic as possible about the process; it wouldn't be as much fun having them on, for example, Casualtues of War. And as one of De Palma's experimental comedies, it provides for the director, through a better than expected script from his pupils, to express some of his nuttiest scenes, including some scenes where Kristina has to unleash the "rabbit", and the running gag with Gordon dressed in black face and an afro sneaking around at night. It's not anywhere near a great comedy, but for what De Palma was after it's a success.
In short, it's a low-key hoot, and De Palma fans looking for some ridiculous and crazy gags and character development won't be disappointed.
It's hard to rate a film like this one...and perhaps it's not fair to do so.
planktonrules26 November 2022
The story about how "Home Movies" was made make it a very unusual film! Brian De Palma was apparently teaching a film class and he got his students to make this movie....with the help of a few established actors, such as Kirk Douglas and Vincent Gardenia. Originally, I don't think it was intended as a film to be released to theaters and it had a minimal budget. But somehow as they made the film, they were able to get some stars and the budget skyrocketed.
Because it was an experimental film, the story was made using 20 different students as directors. As a result of this and the other non-professionals making the movie, it comes off as rather disjoint and strange. But again, the movie was NOT intended to be a typical movie...more an odd experimental one. So despite it's many shortcomings I really don't want to attack it or put it down for its limitations. Plus, several actors in the film went on to some starring roles, such as Nancy Allen and Keith Gordon.
This is a movie more for the curious than for anyone wanting to see a traditional movie. If you are curious, it's on YouTube and can be viewed for free.
Because it was an experimental film, the story was made using 20 different students as directors. As a result of this and the other non-professionals making the movie, it comes off as rather disjoint and strange. But again, the movie was NOT intended to be a typical movie...more an odd experimental one. So despite it's many shortcomings I really don't want to attack it or put it down for its limitations. Plus, several actors in the film went on to some starring roles, such as Nancy Allen and Keith Gordon.
This is a movie more for the curious than for anyone wanting to see a traditional movie. If you are curious, it's on YouTube and can be viewed for free.
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