25
Metascore
6 reviews · Provided by Metacritic.com
- 37Washington PostGary ArnoldWashington PostGary ArnoldThe director, J. Lee Thompson, was once a proficient craftsman. Not all that long ago he and Quinn were associated on the prestigious hit The Guns of Navarone. You can't help wondering what they, along with Mason and Neal, talked about between the takes of this howler. [29 Mar 1979, p.D15]
- 30The New York TimesVincent CanbyThe New York TimesVincent CanbyThe performances are very, very bad, and the mountains boring.
- 30Time OutTime OutMcDowell's comically histrionic performance is, in fact, the single redeeming feature in this lamentably simplistic and unpleasant piffle.
- 30TV Guide MagazineTV Guide MagazineThe script is a jumbled bag of war-movie cliches, and hack director J. Lee Thompson--who surpassed himself precisely once, with Cape Fear--is on auto-pilot throughout.
- 30NewsweekDavid AnsenNewsweekDavid AnsenDirector J. Lee Thompson has come a long, depressing way since the days of The Guns of Navarone: his film is sloppily edited, murkily photographed and shot through with a mean streak of sadism unredeemed by its clumsy camp value. [12 Mar 1979, p.89]
- 25The Globe and Mail (Toronto)Jay ScottThe Globe and Mail (Toronto)Jay ScottThe Family is running from The Hun (Malcolm McDowell). The Family is not running as fast as I would like to have run from The Passage. [29 Mar 1979]