User Reviews

This film was made in the wrong era. It should have been made in the '40s. This film seemed to be out of time and place. The wonderful twists in plot and stories and the never ending drive in its pace towards the final conclusion is just wonderful. For being such a low budget film, it was finely crafted and well-made. Since it is against the policy of IMDB, I cannot give away its ending, but it does make a comment that no matter how smart or brilliant one may be, yet one does not have it all figured out. Watching this film for the first time on Masterpiece Theater, many years ago was a religious experience. Most of the items on Masterpiece seemed to be too intellectual for me or beyond my experience, but this film was exceptional. Finally, the film's conclusion is this, 1. One does pay for one's sins in this life (There is no forgiveness). 2. Robert Burns' poem "Mice and Men" rings true here.

I first saw this years ago on mystery - PBS. Had to wait years to find the video, and can't find it on DVD, however if you ever get a chance to see one great mind blowing movie - do see this movie. Very well written and acted the movie has a get even love triangle murder and intrigue, but so believable!! I can still say the lines of this movie years after seeing it. Its that good! Involving some of the great independent actors of today , The 2 couples and how their lives intertwine in a murder for revenge movie, is well worth seeking out and watching!! I think you can rent it. Make sure you get the whole version, the VHS has some cut out from even the aired version on PBS and that makes more sense and shows more of the "who controls who" which is part of the mind twist to the movie (without giving it away). Great movie, one that you'll be talking about for a long time.

This engaging dramatic love story was my first taste of the beautiful & captivating Cherie Lunghi. A film which tugs at the heart strings of the viewer and takes them from the thrill & excitement of love to it's deceit and betrayal. This enthralling 2-part movie has kept me returning to view it over 2 decades and I never tire of watching it.

Recommended as an excellent introduction to the charms of Miss Lunghi, with notable performances of Jonathan Pryce and Carmen du Sautoy.

Wicked! Witty! Wonderful! One of the best psychological suspense thrillers to be brought to the screen, this movie might've have been easily subtitled "Spite & Malice", but never have the two vices been served up so divinely! Cherie Lunghi shines!

A delightful work, this film is based upon the award-winning first novel by French writer Hubert Monteilhet, LES MANTES RELIGIEUSES, a cunningly vivid epistolary crime novel transposed effectively to cinema by the late Philip Mackie, noted for his adaptations of classical literature, such as with short tales of Saki. Shown upon occasion on public television in a serialised but complete version, MANTIS has, however, been rather harshly chopped for home video distribution, having over 30 minutes cut away, primarily from the significant introductory portion of the scenario, and crucial voice-over narration is also excised. Monteilhet's original depicts a crime of passion engaging Paul Canova (Pinkas Braun), professor in the Ancient History Department, University of Rouen, along with his wife Vera (Carmen du Sautoy), his secretary/lover Beatrice (Cherie Lunghi), and his research assistant Christian (Jonathan Pryce). It would be read to one's advantage before one watches the film, and is widely available in English translation. The original title indicates plural mantises, altered to singular for the English made film, and since a strong element of uncertainty is attendant upon which of the female characters is the eponym, the amendment in number produces ongoing subtextual and semantic contradiction. As the entire novel is comprised of letters, memoranda, and such, it is plain that changes are necessary to bring the book to the screen, but Mackie retains its quintessence, providing engrossing scenes and smart dialogue, in addition to a goodly measure of suspense, for an audience. Canova's wife and son die after short illnesses, and when their nurse,Vera, promptly is wed to the widowed and grieving professor, after which he makes his new wife sole beneficiary of his inherited fortune totalling six million Swiss francs, Canova's Zurich based insurance company quite understandably becomes suspicious, although its assigned investigator fails to discover a sign of conspiracy in the two deaths. Nonetheless, a viewer will cradle suspicions due to unpredictable behaviour by the featured characters, notably after Christian, who has shown negligible interest in women, abruptly marries Paul's newly hired secretary (and inamorata) who is pregnant from an earlier relationship, and a typically Gallic framework is established, to include deception, adultery, blackmail and homicide. We are kept asea by an inventive production marked by such ingenious gambits as having obviously meaningful conversations intentionally being held too far off to be heard, and a good deal of intensity is developed through a storyline in which there is more than a trace of wit to leaven the action. Jack Gold directs with well-styled purpose and fine attention to detail, pacing the work to benefit a talented cast, and the somewhat hurried ending does not seriously detract from the preceding skilled playing of the principals. There are numerous accomplished acting turns, but the film belongs to the two female leads, with the laurels garnered, in spite of Lunghi's well-shaded effort, to du Sautoy, the Royal Shakespeare Company actress who, as is her wont, creates a character that remains in the mind of a viewer. The film is actually shot in its setting of Rouen, Normandie, and its environs, and benefits from the designs of Robert Cartwright, adroit editing from Keith Palmer, along with apt minimalist scoring by composer Carl Davis, a specialist with latter-day scores for restored silent films. Especially in its uncut edition, MANTIS becomes more of a character study than a crime based thriller, consistently offering creative and well-executed sequences by cast and crew.

"Les Mantes Religieuses " (= Praying Mantis" was brilliantly transferred to the TV screen by Jack Gold an efficient director ("Catholics" "the Medusa touch" ). It was not an easy task ,for it is an epistolary novel a la Choderlos de Laclos's "Les Liaisons Dangereuses" . The story of these praying mantis who eat the male cause they are deadlier than he is,and finally eats each other is full of suspense and black humor,Monteilhet's forte.Cherie Lunghi ( her angelic face works wonders)was ideally cast in this story and all the supporting actors are up to scratch.

Montheilet,who was also a historian ,wrote interesting historical novels about Nero and Joan of Arc.