Directed by
Henri Safran |
Writing Credits
Tutte Lemkow | ... | (adapted by) & |
Dido Merwin | ... | (adapted by) & |
Henri Safran | ... | (adapted by) |
Henrik Ibsen | ... | (play) |
Peter Smalley | ... | (additional material) |
John Lind | ... | (uncredited) |
Cast (in credits order) verified as complete
Liv Ullmann | ... | Gina | |
Jeremy Irons | ... | Harold | |
Lucinda Jones | ... | Henrietta | |
John Meillon | ... | Old Ackland | |
Arthur Dignam | ... | Gregory | |
Michael Pate | ... | Wardle | |
Rhys McConnochie | ... | Mr. Roland | |
Colin Croft | ... | Mellison | |
Marion Edward | ... | Mrs. Summers | |
Peter De Salis | ... | Peters | |
Jeff Truman | ... | Johnson | |
Clive Marshall | ... | Gray | |
Robert Bruning | ... | Large Gentleman | |
Desmond Tester | ... | Elderly Guest | |
Georgie Stirling | ... | Caretaker | |
Dale Aspin | ... | Animal Handler |
Produced by
Basil Appleby | ... | co-producer |
Phillip Emanuel | ... | producer |
Music by
Simon Walker |
Cinematography by
Peter James |
Editing by
Don Saunders |
Production Design by
Darrell Lass |
Art Direction by
Igor Nay |
Set Decoration by
Ken Muggleston |
Costume Design by
David Rowe |
Makeup Department
Suzie Clements | ... | hair stylist |
Helen Evans | ... | makeup artist |
Mara Schiavetti | ... | hairdresser: Liv Ullmann |
Production Management
Rosanne Andrews-Baxter | ... | unit manager |
Sue Wild | ... | production manager (as Susan Wild) |
Second Unit Director or Assistant Director
Kim Anning | ... | second assistant director |
David Munro | ... | first assistant director |
Steve Otton | ... | third assistant director |
Art Department
Brian Edmonds | ... | props buyer |
Mike Fowlie | ... | stand-by props |
Olivia Isherwood | ... | assistant set dresser |
Billy Malcolm | ... | scenic artist |
Fiona Mohr | ... | art department runner |
Ray Pedler | ... | scenic artist |
Caroline Polin | ... | assistant stand-by props |
Sound Department
Syd Butterworth | ... | sound recordist |
Julian Ellingworth | ... | sound mixer |
Les Fiddess | ... | dubbing editor |
Noel Quinn | ... | boom operator |
Phil Judd | ... | adr engineer (uncredited) |
Special Effects by
Alan Maxwell | ... | special effects coordinator |
Camera and Electrical Department
Danny Batterham | ... | camera operator |
Sam Bienstock | ... | electrical best boy |
Gary Carden | ... | assistant grip |
Reg Garside | ... | best boy |
Jonathon Hughes | ... | generator operator |
Darrin Keough | ... | camera attachment |
Graeme Mardell | ... | grip |
Andrew McLean | ... | focus puller |
Mick Morris | ... | gaffer |
Conrad Slack | ... | clapper loader |
Matt Slattery | ... | electrics |
Jim Townley | ... | still photographer |
Casting Department
Mitch Mathews | ... | casting consultant |
Costume and Wardrobe Department
Fiona Nichols | ... | stand-by wardrobe |
Terry Thorley | ... | wardrobe supervisor |
Editorial Department
Greg Doherty | ... | laboratory liaison |
Marianne Rodwell | ... | assistant editor |
Simon Smithers | ... | assistant editor |
Music Department
Mark Isaacs | ... | orchestrator |
Pete Walker | ... | music mixer (as Peter Walker) |
Script and Continuity Department
Sian Hughes | ... | continuity |
Additional Crew
Fran Burke | ... | titles |
Deborah Cole | ... | producer's secretary (as Debra Vole) |
Suzanne Donnolley | ... | production secretary |
Mitch Mathews | ... | dialogue coach |
Valerie Williams | ... | production accountant |
Thanks
Ray Beattie | ... | special thanks |
Robyn Campbell-Jones | ... | special thanks |
Bonnie Harris | ... | special thanks |