Director best known for Georgy Girl, a romantic comedy set in 60s London
The film and TV director Silvio Narizzano, who has died aged 84, handled several genres throughout his career, including black comedies, period pieces, social dramas, action thrillers and horror movies. But one picture, his swinging London romantic comedy Georgy Girl (1966), stands out from the rest of his eclectic filmography.
Georgy Girl was part of the trend in which British cinema shifted the focus from provincial life and back to the metropolis, celebrating new freedoms and social possibilities. Narizzano, influenced by the French New Wave and his chic contemporaries Richard Lester, John Schlesinger and Tony Richardson, explored such "shocking" subjects as abortion, illegitimacy, adultery and sexual promiscuity with a light touch. The film, which took its cue from the jaunty title song by the Seekers, had superb performances from Lynn Redgrave as the virginal and plain Georgina; Charlotte Rampling...
The film and TV director Silvio Narizzano, who has died aged 84, handled several genres throughout his career, including black comedies, period pieces, social dramas, action thrillers and horror movies. But one picture, his swinging London romantic comedy Georgy Girl (1966), stands out from the rest of his eclectic filmography.
Georgy Girl was part of the trend in which British cinema shifted the focus from provincial life and back to the metropolis, celebrating new freedoms and social possibilities. Narizzano, influenced by the French New Wave and his chic contemporaries Richard Lester, John Schlesinger and Tony Richardson, explored such "shocking" subjects as abortion, illegitimacy, adultery and sexual promiscuity with a light touch. The film, which took its cue from the jaunty title song by the Seekers, had superb performances from Lynn Redgrave as the virginal and plain Georgina; Charlotte Rampling...
- 7/29/2011
- by Ronald Bergan
- The Guardian - Film News
There's updating, and then there's taking the piss.
Disney Pictures has closed months of negotiations to capture the film rights to Agatha Christie’s detective Miss Marple says The Hollywood Reporter.
In surprising news though, the studio is making drastic changes in their approach to the character of Jane Marple. Gone is the elderly spinster who resides in the quaint pre-WW2 village of St. Mary Mead. In this version she'll be a young, modern day and possibly American city girl - and no, this is not a satire.
Jennifer Garner is set to produce through her Vandalia Films and will likely star in the new adaptation. Mark Frost, who co-created "Twin Peaks" and penned the "Fantastic Four" movies, will be penning the script.
The changeover is rather disturbing to say the least. The entire point of the character is that her small English village life and kind, unassuming outward appearance...
Disney Pictures has closed months of negotiations to capture the film rights to Agatha Christie’s detective Miss Marple says The Hollywood Reporter.
In surprising news though, the studio is making drastic changes in their approach to the character of Jane Marple. Gone is the elderly spinster who resides in the quaint pre-WW2 village of St. Mary Mead. In this version she'll be a young, modern day and possibly American city girl - and no, this is not a satire.
Jennifer Garner is set to produce through her Vandalia Films and will likely star in the new adaptation. Mark Frost, who co-created "Twin Peaks" and penned the "Fantastic Four" movies, will be penning the script.
The changeover is rather disturbing to say the least. The entire point of the character is that her small English village life and kind, unassuming outward appearance...
- 3/29/2011
- by Garth Franklin
- Dark Horizons
There's much to enjoy in Agatha Christie. Here's a selection of five of her best moments
The Murder of Roger Ackroyd (1926)
Although it's widely viewed as her masterpiece, the critics initially accused Christie of not playing fair. Breaking previous rules of detective fiction, the novel sees Hercule Poirot investigate Ackroyd's murder and slowly and spectacularly unravelling the mystery of the suicide of the woman Ackroyd loved. We won't spoil the twist for you.
The Body in the Library (1942)
"You've been dreaming, Dolly," Colonel Bantry tells his wife. "Bodies are always being found in libraries in books. I've never known a case in real life." Christie wrote in her foreword to this Miss Marple mystery that she wanted to do a variation on a well-known theme, with "a highly orthodox and conventional library" but "a wildly improbable and highly sensational body". She provides the reader with red herrings galore before Marple works out whodunnit.
The Murder of Roger Ackroyd (1926)
Although it's widely viewed as her masterpiece, the critics initially accused Christie of not playing fair. Breaking previous rules of detective fiction, the novel sees Hercule Poirot investigate Ackroyd's murder and slowly and spectacularly unravelling the mystery of the suicide of the woman Ackroyd loved. We won't spoil the twist for you.
The Body in the Library (1942)
"You've been dreaming, Dolly," Colonel Bantry tells his wife. "Bodies are always being found in libraries in books. I've never known a case in real life." Christie wrote in her foreword to this Miss Marple mystery that she wanted to do a variation on a well-known theme, with "a highly orthodox and conventional library" but "a wildly improbable and highly sensational body". She provides the reader with red herrings galore before Marple works out whodunnit.
- 10/1/2010
- by Alison Flood
- The Guardian - Film News
More than 4m copies of Agatha Christie's 80 whodunnits are bought around the world every year. But is she really as good as her fans say, or have they just lost the plot?
To me, they're not so much whodunnits as idontgeddits. I have tried many times over the years to get into Agatha Christie's books. It should be easy. I'm an omnivorous (if you're being polite; undiscriminating if you're not) reader. I am no fan of the modern world and particularly not of the gore that increasingly besplatters it whenever the words "murder mystery" or "crime fiction" heave into view.
But I have always found Christie unreadable. Frank Skinner in his autobiography explains that he can't enjoy fiction – any fiction – because the minute he opens a book to read "Alan walked into the room", he thinks, "No, he didn't. There was no Alan. There is no room. You...
To me, they're not so much whodunnits as idontgeddits. I have tried many times over the years to get into Agatha Christie's books. It should be easy. I'm an omnivorous (if you're being polite; undiscriminating if you're not) reader. I am no fan of the modern world and particularly not of the gore that increasingly besplatters it whenever the words "murder mystery" or "crime fiction" heave into view.
But I have always found Christie unreadable. Frank Skinner in his autobiography explains that he can't enjoy fiction – any fiction – because the minute he opens a book to read "Alan walked into the room", he thinks, "No, he didn't. There was no Alan. There is no room. You...
- 10/1/2010
- by Lucy Mangan
- The Guardian - Film News
Agatha Christie novels are the standard against which all other detective novels I read are measured. Within her vast collection, I prefer the stories featuring Hercule Poirot, with his mustaches, love of hot chocolate and omelets, and his "little gray cells," but in a pinch I will pick up a Miss Marple. I always find Miss Marple novels to be a little bit sillier, but they are generally still rather clever and I get a huge kick out of Miss Marple's calling female characters who tend to date/marry often "nymphomaniacs." (Seriously, nymphomaniacs are brought up in almost every Miss Marple novel. It kind of makes me wonder what was going on with Dame Christie.) Sadly, no nymphomaniacs appear in The Body in the Library, but it still managed to be a highly entertaining read.
The Body in the Library begins with the corpse of a mysterious and unknown woman...
The Body in the Library begins with the corpse of a mysterious and unknown woman...
- 4/7/2010
- by Dustin Rowles
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