User Reviews

Starting at 40 minutes in, this movie did something that doesn't happen often - it surprised me again and again.

The movie begins generically enough: three drug addicted brothers living in a rural Tennessee town have no money for drugs. They decide to rob a pharmacy. The youngest brother, 15 years-old, is the lookout. He has a walkie-talkie to warn the others, however, the walkie-talkie fails when a cop shows up. The cop enters the pharmacy to investigate, surprises the two older brothers. One of them has a shotgun, and when startled, he fires, killing the officer.

The three brothers flee but are eventually caught by the tough local sheriff. Once they reach the jail, the brothers are `roughed up' by the hard-ass deputy bent on revenge. The youngest brother is charged as an adult, despite being a juvenile and only having been an accessory. There is a female social worker whose cause is keeping juveniles out of the adult criminal system and has close ties with a drug smuggler/kingpin.

The set-up may sound generic, as do the characters, but they are anything but generic. They were written realistically and portrayed with a depth that refuses to dehumanize them into stereotypes. There is no `bad' person in this movie and there is no `good' person, just people who find themselves in situations both in and out of their control.

The local sheriff runs the jail `his way' and he is not going to do any favors for the 15-year-old cop killer, but he has a deep respect for human dignity, and even has depth and emotion enough to realize that this boy still has a chance for a life. So much so, that once it's been determined the boy will be tried as an adult, he encourages, even advises, the social worker on ways to help the boy. This sheriff sees the difference between law and justice, and while his job is to maintain the former, he has an enlightened understanding of the latter and has remorse for his inability to affect justice and shows great empathy and sympathy for those caught in between.

The social worker works to protect juveniles who are being charged as adults. She cares too much for the people she represents, and has given her life to her cause. One of her main benefactors is a drug smuggler. This presents an interesting moral dilemma, as he admits his main reason for helping is because he wants "...those kids back on the street, they're my customers 'bout five steps down the line," while sublimely giving us the feeling there is more to it than that -- maybe he secretly cares, maybe he subconsciously feels guilty, maybe he is in love with the woman, more likely a combination of all three - realistic. She happily accepts his money because she feels the ends justify the means. We also find out that she likes to recreationally use cocaine, but only when visiting him because it's free and she is too poor to afford it on her own.

The drug dealer is also a surprise, he is intellectual and actually seems like a nice guy, separate from the bad things he does and the even worse things he probably has to do in the course of his job.

Soon after this the movie takes a turn that I will not reveal, I will only say that these people make hard choices, as the title implies. They make both bad decisions and good decisions, in a more realistic way then I have seen in a long time, and the ending is anything but predictable.

"Hard Choices" is a movie that is difficult to figure out, because it is anything but predictable. Characters that you already have stereotyped, suddenly shift gears with revelations you couldn't anticipate. Ultimately this is a movie about friendship, and unconditional giving. It is also well acted, with nice locations, and is full of surprises. If originality is high on your list of a movie's enjoyable criteria, then seek this one out. Watch for J.T. Walsh as a deputy, and John Sayles also makes an appearance. For such an unknown film, "Hard Choices" is one I wouldn't hesitate to recommend, and I'm doing just that. ..... - MERK

This independently produced, shoestring budget drama spins a taut but plausible tale of an Appalachian teenager imprisoned for his largely innocent role in an ill-fated robbery, and the young social worker who takes the law into her own hands by breaking him out of jail. The scenario may sound trite, but thanks in large part to a first-rate script and excellent acting there isn't a cliché in sight. The film places believable characters into an honest background of rural poverty, providing more dramatic intensity with a fraction of the resources than any megabuck Hollywood blockbuster. The only shortcoming (and this is strictly a subjective reaction, to be sure) is the redneck rock 'n' roll soundtrack; it may be appropriate, but the music is godawful.

I saw this when it opened in NYC by mistake. I thought I was going to see another movie in the same theater. I stayed and in fact came back to see it again. It had some very good scenes, especially the early prison scene, and you really hope they do get away. I even made contact with the producer and thought I could do something on his next movie, but it was called rollerboys and the script was terrible so I didn't even bother to see it. From what I hear it is one of the all time bombs. But see Hard Choices if you can.

Film begins very well and continues well until social worker frees her increasingly loved charge from prison from which he would be sent to a hard core prison where his youthful handsome looks would make him a victim. Somehow I found it a bit hard to swallow her change from Bonnie Good to Bonnie of Clyde mien, and afterward, as stated, the film becomes less interesting, less beautifully photographed, and only the good ending redeems something from a story which held your interest and was believable but gradually becomes a criminal romance story. Well acted,and considering the low budget, impressive nonetheless.

I couldn't believe my professor assigned this movie for a class. Ugh.

The production values are not too great, and the score is AWFUL!

In general, it feels like a corny 80s sex fantasy drawn out for 90 minutes.

But without a lot of sex.

Some of the nature scenes are very pretty, and it's almost in the so-bad-it's-fun category.

But not quite.

Definitely not recommended, unless you're having a bad-obscure-80s movie film fest.

And maybe not even then.

HARD CHOICES begins with a young boy in a small town who dreams about flying planes. One day his brother and another guy take him on a joyride, which culminates in the murder of a store clerk in a botched robbery. That's the end of the kid. The kid is a victim of circumstance but not to the law who put him in a cell with the hard criminals.

HARD CHOICES begins in almost documentary fashion. We observe the Tennessee backwoods where Bobby lives. Up until the crime the movie seems painfully routine - I guess that's the idea - and then the murder. The middle text of the movie is with Bobby in prison, and he's a hearbreaker. A female social worker(Margaret Klennck) comes to visit him. Bobby's attracted to her and she to him and then the unpredictable happens.

HARD CHOICES, gritty and rough, contains moments of pure revelation. The sad course of Bobby's life and the shocking but touching affair with the woman whch is both senstive as it is hot and forbidden.. That's unpredictable enough but things escalate, the movie becomes a sombre thriller and anything's possible.

I didn't recognize any of the actors in this movie, although John Sayles plays a kind hearted drug dealer with a crush on the woman. This movie come to think of it is full of hard choices and Rick King the director never makes the material predictable or soapy. In the end, all we can hope is for Bobby to have some kind of life., maybe flying a plane. This is a great film, the kind of film that cries out to be discovered on video and cable.

DG

STAR STAR STAR STAR (out of four)

Many movies are typical story's we've all seen. That's what I was watching until one person came along and changed everything. The story now is in a place you have no idea where it's going or how it will end. The drug dealer is like no one you have seen before and given that this review is in 2015 and the film was 1985 his talent is now known for you can witness his beginnings. The film also has another star actor in his early work to look out for as he became an A rated star. If you're like me and like a low budget movie that goes way beyond it's limits, brings you actors making a name for themselves and no other film to compare it to you won't be disappointed.

Fifteen-year-old Gary McCleery (as Bobby Lipscomb) skips school, hangs around with his older brothers, and dreams of flying airplanes. One evening, he makes the "Hard Choice" and joins drug-addicted Martin Donovan (as Josh Lipscomb) and trigger happy John Snyder (as Ben Lipscomb) in a "Food Market" robbery. Unfortunately, Mr. Snyder kills a police officer, who happens upon the scene. The three brothers are quickly apprehended. Mr. McCleery hopes to be tried as a juvenile; but, Tennessee judges rule he is to be tried as an adult. When things look bleakest for young McCleery, social worker Margaret Klenck (as Laura Stephens) steps in to improve his treatment in prison and the courts; she is only partially successful. Then, Ms. Klenck makes a "Hard Choice" of her own…

According to the sleeve, this film got excellent reviews; and, the quotes are from reliable sources. Perhaps some of these reviewers will consider re-evaluation "Hard Choices"? It really isn't all that believable a story. McCleery doesn't seem much like a 15-year-old, and Klenck's character development is disappointing (to say the least). However, they, and the other performers, do as well as they can (with the story). It's great to see Mr. Donovan in an early role; strangely, he and Snyder are abandoned during the running time. Writer-director John Sayles is good, also, as Klenck's coke companion. The photography, by Tom Hurwitz, is a major strength.

**** Hard Choices (1985) Rick King ~ Gary McCleery, Margaret Klenck, John Sayles, Martin Donovan