Directed by
| Ann Turner | ||
Writing Credits
| Ann Turner | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Gordon Glenn | ... | producer |
| Bryce Menzies | ... | executive producer |
| Ian Pringle | ... | associate producer |
| Timothy White | ... | producer |
Music by
| Chris Neal | ||
Cinematography by
| Geoffrey Simpson | ||
Editing by
| Ken Sallows | ||
Casting By
| Liz Mullinar | ||
Production Design by
| Peta Lawson | ||
Costume Design by
| Rose Chong | ||
Makeup Department
| Nik Dorning | ... | creature makeup effects designer / creature makeup effects supervisor |
| Carolyn Nott | ... | hair stylist / makeup artist |
| Suzy Retallick | ... | assistant makeup artist |
Production Management
| Leigh Ammitzboll | ... | unit manager |
| Lynda House | ... | production supervisor |
Second Unit Director or Assistant Director
| Phil Jones | ... | first assistant director |
| Chris Odgers | ... | second assistant director |
Art Department
| Danae Gunn | ... | art department runner |
| Murray Kelly | ... | props buyer |
| Brian Lang | ... | stand-by props |
| Harvey Mawson | ... | props buyer |
Sound Department
| Peter Burgess | ... | sound editor |
| Lloyd Carrick | ... | sound recordist |
| Tim Chau | ... | foley editor |
| James Currie | ... | sound mixer |
| Chris Goldsmith | ... | boom operator |
| Phil Heywood | ... | re-recording mixer |
| Jennifer Hortin | ... | assistant sound editor |
| Pete Smith | ... | sound mixer (as Peter D. Smith) |
Special Effects by
| Jeff Little | ... | special effects technician |
| Brian Pearce | ... | special effects supervisor |
| Peter Stubbs | ... | special effects supervisor |
Visual Effects by
| Tom Meares | ... | restoration colorist |
Camera and Electrical Department
| Geoff Elliott | ... | assistant grip |
| Werner Gerlach | ... | best boy |
| Jaems Grant | ... | director of photography: second unit |
| Sonia Leber | ... | clapper loader |
| Steve Macdonald | ... | focus puller (as Steve McDonald) |
| Brendan Shanley | ... | key grip |
| Christopher Stevenson | ... | assistant grip |
| Trevor Toune | ... | gaffer |
| Martin Turner | ... | focus puller |
Casting Department
| Gregory Apps | ... | casting: Melbourne (as Greg Apse) |
| Colette Mann | ... | children's casting |
| Kelly O'Shea | ... | extras casting |
| Jackie Quilter | ... | children's casting |
Costume and Wardrobe Department
| Phil Eagles | ... | wardrobe supervisor |
| Gail Mayes | ... | stand-by wardrobe |
Editorial Department
| Jenny Price | ... | assistant editor |
Location Management
| Daniel Scharf | ... | location manager |
Script and Continuity Department
| Julie Bates | ... | continuity |
| Sue Smith | ... | script consultant |
Additional Crew
| Eleanor Bilston | ... | production assistant |
| Mandy Carter | ... | associate accountant |
| Lisa Chambers | ... | production runner |
| Monika Gehrt | ... | production accountant |
| Sue Stephens | ... | production coordinator |
| Oliver Streeton | ... | edge numbering |
| David Wong | ... | title designer |
Thanks
| Karin Altmann | ... | thanks |
| Annette Blonski | ... | thanks |
| Michael Brindley | ... | thanks |
| Penny Chapman | ... | thanks |
| Hilary Furlong | ... | thanks |
| Rivka Hartman | ... | thanks |
| Michael Jenkins | ... | thanks |
| Ross Matthews | ... | thanks |
| Jackie McKimmie | ... | thanks |
| Peter Tammer | ... | thanks |
