If the 14th annual TCM Classic Film Festival had an official focus, it was on the 100th anniversary of Warner Bros., from the opening night premiere selection of a restoration of “Rio Bravo” to a celebration of the 50th anniversary of “The Exorcist.” Almost equal in emphasis, though, by virtue of the guests brought in, was a celebration of the ingenues-turned-leading-ladies of the 1960s, who now represent the elder guard of a Hollywood golden age — Angie Dickinson, Ann-Margret and Shirley Jones.
Dickinson had the highest profile of any star at the festival, being the belle of the ball at the Thursday screening of “Rio Bravo” in the big house at the Tcl Chinese Theatres, where most of the screenings were held. But there was just as much outpouring of affection for Ann-Margret, who turned up for a Q&a (and birthday cake) following “Bye Bye Birdie” on Saturday, and Jones,...
Dickinson had the highest profile of any star at the festival, being the belle of the ball at the Thursday screening of “Rio Bravo” in the big house at the Tcl Chinese Theatres, where most of the screenings were held. But there was just as much outpouring of affection for Ann-Margret, who turned up for a Q&a (and birthday cake) following “Bye Bye Birdie” on Saturday, and Jones,...
- 4/18/2023
- by Chris Willman
- Variety Film + TV
Oscar-nominated actress Amy Irving is ready to release her first album.
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
The performer tells The Hollywood Reporter that Born In a Trunk, featuring 10 cover songs pulled from her life and career, will be released digitally on April 7. “Why Don’t You Do Right?” — the first single which Irving sang as Jessica Rabbit in Who Framed Roger Rabbit — will be available on digital platforms on March 3.
Irving, 69, made her film debut in Brian De Palma’s Carrie in 1976 and two years later was in supernatural thriller The Fury. Her role in Yentl earned her an Oscar nomination for best supporting actress and she scored best actress Golden Globes nominations for Crossing Delancey and Anastasia: The Mystery of Anna. She also has a number of stage credits, earning an Obie Award for her off-Broadway performance in a production of The Road to Mecca.
Born In a Trunk also features Irving covering songs...
- 2/15/2023
- by Mesfin Fekadu
- The Hollywood Reporter - Movie News
Writer, director and actor Michael Showalter joins hosts Josh Olson and Joe Dante to discuss his favorite movies.
Show Notes: Movies Referenced In This Episode
Wet Hot American Summer (2001)
The Eyes of Tammy Faye (2021)
The Baxter (2005)
Hello, My Name Is Doris (2015)
Runaway Daughters (1994)
Clueless (1995)
Bagdad Cafe (1987)
Coda (2021)
The Long Goodbye (1973) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Jaws (1975) – Josh Olson’s trailer commentary
Do The Right Thing (1989)
Sugarbaby (1985)
City Slickers (1991)
Attack! (1956) – Glenn Erickson’s Blu-ray review
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Pee-Wee’s Big Adventure (1985)
Pretty In Pink (1986)
Escape From New York (1981) – Neil Marshall’s trailer commentary
Hamburger: The Motion Picture (1986)
The Warriors (1979)
The Thing (1982) – Jesus Treviño’s trailer commentary, Glenn Erickson’s Blu-ray review
Innerspace (1987) – Glenn Erickson’s Blu-ray review
Christine (1983)
Crossing Delancey (1988)
Annie Hall (1977) – Robert Weide’s trailer commentary
When Harry Met Sally… (1989)
The Fugitive (1993)
The Big Sick (2017) – Glenn Erickson’s Blu-ray review
Between The Lines...
Show Notes: Movies Referenced In This Episode
Wet Hot American Summer (2001)
The Eyes of Tammy Faye (2021)
The Baxter (2005)
Hello, My Name Is Doris (2015)
Runaway Daughters (1994)
Clueless (1995)
Bagdad Cafe (1987)
Coda (2021)
The Long Goodbye (1973) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Jaws (1975) – Josh Olson’s trailer commentary
Do The Right Thing (1989)
Sugarbaby (1985)
City Slickers (1991)
Attack! (1956) – Glenn Erickson’s Blu-ray review
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Pee-Wee’s Big Adventure (1985)
Pretty In Pink (1986)
Escape From New York (1981) – Neil Marshall’s trailer commentary
Hamburger: The Motion Picture (1986)
The Warriors (1979)
The Thing (1982) – Jesus Treviño’s trailer commentary, Glenn Erickson’s Blu-ray review
Innerspace (1987) – Glenn Erickson’s Blu-ray review
Christine (1983)
Crossing Delancey (1988)
Annie Hall (1977) – Robert Weide’s trailer commentary
When Harry Met Sally… (1989)
The Fugitive (1993)
The Big Sick (2017) – Glenn Erickson’s Blu-ray review
Between The Lines...
- 4/5/2022
- by Kris Millsap
- Trailers from Hell
Most people, cinephiles or not, know Carol Kane as Valerie, bossy wife to Billy Crystal’s Miracle Max in “The Princess Bride.” Her face may have been tough to recognize under all that old age make-up, but her distinctive warble is unmistakable, causing new generations to fall in love with her as Kimmy’s eccentric landlady Lillian in “Unbreakable Kimmy Schmidt.”
But Kane wasn’t always the incomparable character actress we know and love today, and younger audiences may be surprised to learn that her early career included some more dramatic turns, most notably in her Oscar-nominated performance in Joan Micklin Silver’s 1975 masterpiece “Hester Street,” which is receiving renewed interest with a gorgeous 4k restoration from the Cohen Film Collection.
In “Hester Street,” the young Kane plays a Jewish immigrant who arrives in New York to find her husband (Steven Keats) already happily assimilated into American life. She has...
But Kane wasn’t always the incomparable character actress we know and love today, and younger audiences may be surprised to learn that her early career included some more dramatic turns, most notably in her Oscar-nominated performance in Joan Micklin Silver’s 1975 masterpiece “Hester Street,” which is receiving renewed interest with a gorgeous 4k restoration from the Cohen Film Collection.
In “Hester Street,” the young Kane plays a Jewish immigrant who arrives in New York to find her husband (Steven Keats) already happily assimilated into American life. She has...
- 9/9/2021
- by Jude Dry
- Indiewire
A look at all the stars in movies, TV, music, sports and media we’ve lost this year
Mike Fenton
The “E.T.” and “Back to the Future” casting director died Jan. 1. He was 85 years old.
Joan Micklin Silver
The director known for acclaimed films “Hester Street” and “Crossing Delancey” died Jan. 1 due to vascular dementia. She was 85.
Gerry Marsden
Gerry Marsden, lead signer of the British pop band Gerry and the Pacemakers, died Jan. 3 after an infection of the heart. He was 78.
Kerry Vincent
“Food Network Challenge” judge and cake designing expert Kerry Vincent passed away Jan. 4. She was 75 years old.
Tanya Roberts
Former Bond Girl and star of “A View to Kill” and “That 70s Show” Tanya Roberts was confirmed dead Jan. 5 after initial misleading reports that she had passed away, then was still alive. Roberts died of a urinary tract infection that spread to other organs, and she was 65 years old.
Mike Fenton
The “E.T.” and “Back to the Future” casting director died Jan. 1. He was 85 years old.
Joan Micklin Silver
The director known for acclaimed films “Hester Street” and “Crossing Delancey” died Jan. 1 due to vascular dementia. She was 85.
Gerry Marsden
Gerry Marsden, lead signer of the British pop band Gerry and the Pacemakers, died Jan. 3 after an infection of the heart. He was 78.
Kerry Vincent
“Food Network Challenge” judge and cake designing expert Kerry Vincent passed away Jan. 4. She was 75 years old.
Tanya Roberts
Former Bond Girl and star of “A View to Kill” and “That 70s Show” Tanya Roberts was confirmed dead Jan. 5 after initial misleading reports that she had passed away, then was still alive. Roberts died of a urinary tract infection that spread to other organs, and she was 65 years old.
- 4/26/2021
- by Samson Amore, Margeaux Sippell and Andrea Towers
- The Wrap
Film-maker best known for the 1988 romantic comedy Crossing Delancey
A sensitivity to cultural differences, a playful looseness with actors, and a nose for the churn and thrust of interpersonal relationships were among the characteristics of the film-maker Joan Micklin Silver, who has died aged 85 of vascular dementia. She was 40 when she made her debut with Hester Street (1975), the story of a young Russian-Jewish woman arriving in late-19th-century New York only to struggle to match her husband’s aplomb in adapting to their adopted culture.
Shot in black and white and scripted largely in Yiddish with subtitles, the film was self-distributed by her husband, Raphael D Silver, known as Ray, who worked in real estate. He volunteered to produce it after being appalled by the sexist responses his wife received; one studio executive had told her that “women directors are just one more problem we don’t need”. The picture attracted rapturous reviews,...
A sensitivity to cultural differences, a playful looseness with actors, and a nose for the churn and thrust of interpersonal relationships were among the characteristics of the film-maker Joan Micklin Silver, who has died aged 85 of vascular dementia. She was 40 when she made her debut with Hester Street (1975), the story of a young Russian-Jewish woman arriving in late-19th-century New York only to struggle to match her husband’s aplomb in adapting to their adopted culture.
Shot in black and white and scripted largely in Yiddish with subtitles, the film was self-distributed by her husband, Raphael D Silver, known as Ray, who worked in real estate. He volunteered to produce it after being appalled by the sexist responses his wife received; one studio executive had told her that “women directors are just one more problem we don’t need”. The picture attracted rapturous reviews,...
- 1/14/2021
- by Ryan Gilbey
- The Guardian - Film News
The late film-maker Joan Micklin Silver exploded the cliches of modern romances. If only others would do the same
The director Joan Micklin Silver, who died last week, was – to use the kind of cliche she abhorred – a pioneer. She was a female director at a time when studio executives were more than comfortable with being openly sexist, telling Silver: “Women directors are one more problem we don’t need.”
She made distinctly Jewish movies, as opposed to the kind of Jewish-lite movies that were – and are still – Hollywood’s more usual style. Her two greatest films, Hester Street (1975), about a Jewish immigrant couple (Steven Keats and Carol Kane) on the Lower East Side in the 1890s, and the peerless 1988 romcom Crossing Delancey, about a modern young woman (Amy Irving) who is reluctantly fixed up with a pickle seller (Peter Riegert), are to When Harry Met Sally what the Netflix...
The director Joan Micklin Silver, who died last week, was – to use the kind of cliche she abhorred – a pioneer. She was a female director at a time when studio executives were more than comfortable with being openly sexist, telling Silver: “Women directors are one more problem we don’t need.”
She made distinctly Jewish movies, as opposed to the kind of Jewish-lite movies that were – and are still – Hollywood’s more usual style. Her two greatest films, Hester Street (1975), about a Jewish immigrant couple (Steven Keats and Carol Kane) on the Lower East Side in the 1890s, and the peerless 1988 romcom Crossing Delancey, about a modern young woman (Amy Irving) who is reluctantly fixed up with a pickle seller (Peter Riegert), are to When Harry Met Sally what the Netflix...
- 1/8/2021
- by Hadley Freeman
- The Guardian - Film News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Joan Micklin Silver on the set of Chilly Scenes of Winter (1979). Trailblazing filmmaker Joan Micklin Silver, best known for films Hester Street (1975) and Crossing Delancey (1988), has died. In an interview with Film Comment in 2017, Silver described the will she possessed as a woman filmmaker who wished to spotlight stories about female relationships and women's labor: "I didn’t want to feel like the woman director. I wanted to feel like one of many women directors."The 71st edition of the Berlin Film Festival will be replacing this year's physical event with a virtual European Film Market in March, and a "mini-festival with a series of onsite world premieres" in June.The International Film Festival Rotterdam has also announced the lineup for this year's hybrid multi-part 50th edition, to be presented between February 1-...
- 1/6/2021
- MUBI
One of the few women film-makers working in Hollywood in the 1970 and 80s was best known for her Jewish-themed films set in New York’s Lower East Side
Joan Micklin Silver, the American film-maker best known for the Jewish-inflected romcom Crossing Delancey and the largely Yiddish-language immigrant romance Hester Street, has died aged 85. The New York Times reported that Silver’s daughter Claudia said the cause of death was vascular dementia.
Silver was both one of the few female directors operating in US cinema in the 1970s, as well as one of the few film-makers that tackled specifically Jewish material – still a rarity in a Hollywood that had traditionally been dominated by Jewish figures in production and studio roles.
Joan Micklin Silver, the American film-maker best known for the Jewish-inflected romcom Crossing Delancey and the largely Yiddish-language immigrant romance Hester Street, has died aged 85. The New York Times reported that Silver’s daughter Claudia said the cause of death was vascular dementia.
Silver was both one of the few female directors operating in US cinema in the 1970s, as well as one of the few film-makers that tackled specifically Jewish material – still a rarity in a Hollywood that had traditionally been dominated by Jewish figures in production and studio roles.
- 1/2/2021
- by Andrew Pulver
- The Guardian - Film News
Joan Micklin Silver, a film director who broke several barriers for female filmmakers, died Thursday at her Manhattan home. She was 85 and her death was attributed to vascular dementia by her daughter.
Silver’s 1975 film Hester Street, the story of an immigrant Jewish couple on the Lower East Side of Manhattan set in the 1890s, was turned down by various studios as “too ethnic.” Silver also faced discrimination as a female film director. So backed by family members, she made the movie on a low budget in 34 days. The black and white film was in Yiddish with English subtitles.
Ms. Silver’s husband, Raphael D. Silver, was a tireless supporter. A commercial real estate developer, he financed the film and even worked to get it distribution. The film went on to earn $5 million after its October 1975 debut, a massive increase from its $370,000 budget. Actress Carol Kane was nominated for a Best Actress Academy Award.
Silver’s 1975 film Hester Street, the story of an immigrant Jewish couple on the Lower East Side of Manhattan set in the 1890s, was turned down by various studios as “too ethnic.” Silver also faced discrimination as a female film director. So backed by family members, she made the movie on a low budget in 34 days. The black and white film was in Yiddish with English subtitles.
Ms. Silver’s husband, Raphael D. Silver, was a tireless supporter. A commercial real estate developer, he financed the film and even worked to get it distribution. The film went on to earn $5 million after its October 1975 debut, a massive increase from its $370,000 budget. Actress Carol Kane was nominated for a Best Actress Academy Award.
- 1/2/2021
- by Bruce Haring
- Deadline Film + TV
Joan Micklin Silver, the trailblazing director behind “Hester Street” and “Crossing Delancey,” died on Thursday in Manhattan due to vascular dementia, her daughter Claudia Silver told the New York Times. She was 85.
Silver was outspoken about her experiences confronting sexism, misogyny and anti-Semitism within the entertainment industry.
“I came of age for film at a time when sexism was pretty strong. And although I could get work as a writer, I couldn’t get work as a director at all. And I had the experience of watching young men who had made shorts as I had, prize-winning shorts as I had, moving on to directing films and I couldn’t do it,” Silver said in a 2005 interview with the Directors Guild of America.
In 1975, she wrote and directed the indie film “Hester Street,” a low-budget production based on Abraham Cahan’s novella “Yekl” about a young Jewish couple who emigrated...
Silver was outspoken about her experiences confronting sexism, misogyny and anti-Semitism within the entertainment industry.
“I came of age for film at a time when sexism was pretty strong. And although I could get work as a writer, I couldn’t get work as a director at all. And I had the experience of watching young men who had made shorts as I had, prize-winning shorts as I had, moving on to directing films and I couldn’t do it,” Silver said in a 2005 interview with the Directors Guild of America.
In 1975, she wrote and directed the indie film “Hester Street,” a low-budget production based on Abraham Cahan’s novella “Yekl” about a young Jewish couple who emigrated...
- 1/2/2021
- by J. Clara Chan
- The Wrap
Joan Micklin Silver, who forged her own way as a female director in the 1970s and ’80s and helmed seven features including “Crossing Delancey” and “Hester Street,” died Thursday in Manhattan. She was 85.
Her daughter, Claudia Silver, told the New York Times the cause was vascular dementia.
The 1975 independent film “Hester Street” was the story of a Jewish immigrant couple in the 1890s. The low-budget black and white film, in Yiddish with English subtitles, proved a hard sell to studios, and was eventually financed by her husband, real estate developer Raphael D. Silver. It won rave reviews and earned $5 million at the box office, an impressive amount at the time. The 21-year old Carol Kane was nominated for a best actress Oscar for her role as the wife, Gitl.
The 1988 romantic comedy “Crossing Delancey” was also set in Manhattan’s Lower East Side Jewish community. Starring Amy Irving, Sylvia Miles and Peter Riegert,...
Her daughter, Claudia Silver, told the New York Times the cause was vascular dementia.
The 1975 independent film “Hester Street” was the story of a Jewish immigrant couple in the 1890s. The low-budget black and white film, in Yiddish with English subtitles, proved a hard sell to studios, and was eventually financed by her husband, real estate developer Raphael D. Silver. It won rave reviews and earned $5 million at the box office, an impressive amount at the time. The 21-year old Carol Kane was nominated for a best actress Oscar for her role as the wife, Gitl.
The 1988 romantic comedy “Crossing Delancey” was also set in Manhattan’s Lower East Side Jewish community. Starring Amy Irving, Sylvia Miles and Peter Riegert,...
- 1/2/2021
- by Pat Saperstein
- Variety Film + TV
Joan Micklin Silver, the director of films like “Crossing Delancy,” “Hester Street,” and “Between the Lines” died on Thursday at the age of 85, The New York Times reports. Her daughter, Claudia Silver, told the paper that the cause of death was vascular dementia. In addition to Claudia, Silver’s survivors include two other daughters, Dina and Marisa Silver; a sister, Renee; and five grandchildren. Her long-time husband, Raphael D. Silver, died at age 83 in 2013 after a skiing accident in Park City, Utah.
An indie pioneer who first got her start writing a series of educational films for companies like Encyclopedia Britannica and the Learning Corporation of America in the 1970s, Silver was long aware of the barriers that would likely prevent her from entering into the male-dominated filmmaking milieu.
And yet the Omaha native soon made her own opportunities, including writing and directing her first film, the low-budget drama 1975 “Hester Street.
An indie pioneer who first got her start writing a series of educational films for companies like Encyclopedia Britannica and the Learning Corporation of America in the 1970s, Silver was long aware of the barriers that would likely prevent her from entering into the male-dominated filmmaking milieu.
And yet the Omaha native soon made her own opportunities, including writing and directing her first film, the low-budget drama 1975 “Hester Street.
- 1/1/2021
- by Kate Erbland
- Indiewire
Joan Micklin Silver, the pioneering independent female director behind Hester Street and Crossing Delancey, among many other titles, who fought to bring Jewish stories to the silver screen, has died. She was 85.
Silver died on Thursday at her home in Manhattan of vascular dementia, Silver’s daughter, Claudia, told The New York Times.
Born and raised in Omaha, Nebraska to Russian Jewish parents, Silver left home to attend Sarah Lawrence College in New York. Not long after her graduation in 1956, Silver married the son of a Cleveland-based Zionist rabbi, Raphael D. Silver, and the couple settled in Cleveland, where Silver taught ...
Silver died on Thursday at her home in Manhattan of vascular dementia, Silver’s daughter, Claudia, told The New York Times.
Born and raised in Omaha, Nebraska to Russian Jewish parents, Silver left home to attend Sarah Lawrence College in New York. Not long after her graduation in 1956, Silver married the son of a Cleveland-based Zionist rabbi, Raphael D. Silver, and the couple settled in Cleveland, where Silver taught ...
Joan Micklin Silver, the pioneering independent female director behind Hester Street and Crossing Delancey, among many other titles, who fought to bring Jewish stories to the silver screen, has died. She was 85.
Silver died on Thursday at her home in Manhattan of vascular dementia, Silver’s daughter, Claudia, told The New York Times.
Born and raised in Omaha, Nebraska to Russian Jewish parents, Silver left home to attend Sarah Lawrence College in New York. Not long after her graduation in 1956, Silver married the son of a Cleveland-based Zionist rabbi, Raphael D. Silver, and the couple settled in Cleveland, where Silver taught ...
Silver died on Thursday at her home in Manhattan of vascular dementia, Silver’s daughter, Claudia, told The New York Times.
Born and raised in Omaha, Nebraska to Russian Jewish parents, Silver left home to attend Sarah Lawrence College in New York. Not long after her graduation in 1956, Silver married the son of a Cleveland-based Zionist rabbi, Raphael D. Silver, and the couple settled in Cleveland, where Silver taught ...
Tony Sokol Jun 12, 2019
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
- 6/13/2019
- Den of Geek
Sylvia Miles, who earned two Oscar nominations – one for her memorable role as a poodle-owning Upper East Side matron who hooks up with Jon Voight’s hustler in Midnight Cowboy and one for a five and a-half minute scene with Robert Mitchum in Farewell My Lovely – has died.
Her friend, publicist Mauricio Padilha, confirmed to The New York Times that Miles died Wednesday in Manhattan. Padilha said she died in an ambulance on the way to a hospital. She was 94.
Miles was nominated for Best Supporting Actress Oscars for her roles in Midnight Cowboy and in 1975’s Farewell My Love She also appeared in Wall Street and its sequel Wall Street: Money Never Sleeps, among numerous other movies, plays and TV series.
Miles was also a long-time fixture on the New York party scene, often carousing with Andy Warhol and his Factory crowd. She was notable for her continuing appearances...
Her friend, publicist Mauricio Padilha, confirmed to The New York Times that Miles died Wednesday in Manhattan. Padilha said she died in an ambulance on the way to a hospital. She was 94.
Miles was nominated for Best Supporting Actress Oscars for her roles in Midnight Cowboy and in 1975’s Farewell My Love She also appeared in Wall Street and its sequel Wall Street: Money Never Sleeps, among numerous other movies, plays and TV series.
Miles was also a long-time fixture on the New York party scene, often carousing with Andy Warhol and his Factory crowd. She was notable for her continuing appearances...
- 6/12/2019
- by Denise Petski
- Deadline Film + TV
While this reviewer is always up for a tub of popcorn and a screening of 'Crossing Delancey' or 'Muriel's Wedding,' Suzy Conn's spirited Chick Flick, The Musical is more accurately aimed at connoisseurs of the genre those whose everyday conversation is packed with quotes from Nora Ephron screenplays and who are experts at determining which chardonnays go with Barbra and which with Meryl.
- 3/8/2019
- by Michael Dale
- BroadwayWorld.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.News Luca Guadagnino's Suspiria.The lineup for this year's Venice Film Festival has been announced. In-competition titles include Carlos Reygadas' open-relationship romance Where Life is Born (the auteur's first feature in 5 years), Shinya Tsukamoto's much-anticipated samurai film Killing, and Jennifer Kent's The Nightingale, a Gothic revenge story set in Tasmania. The Venice Documentaries section joins an eclectic range of heavy-hitters, from Gastón Solnicki (Kékszakállú) and once-retiree Tsai Ming-liang, to Errol Morris and Frederick Wiseman, whose Ex-Libris: The New York Public Library screened in competition at the festival last year.Meanwhile, the 2018 Toronto International Film Festival has followed suit, releasing the names of the films set to premiere at its Special Presentations and Galas. Notably, this edition reunites the festival with Barry Jenkins, whose James Baldwin adaptation If Beale Street Could Talk will have its world premiere.
- 7/25/2018
- MUBI
Joan Micklin Silver’s Crossing Delancey, her studio romantic comedy about a thirtysomething trying to escape her Lower East Side roots, is the epitome of the New York Woman series the Quad has been running all month. After a difficult experience at United Artists with her 1979 masterpiece Chilly Scenes of Winter, Silver took on her biggest production yet, an adaptation of Susan Sandler’s stage play, Crossing Delancey. The Nebraska native returned to examining Jewish identity in New York, as she did in her first film Hester Street, but instead of immigrants at the turn of the century, her focus was […]...
- 7/17/2018
- by Graham Carter
- Filmmaker Magazine - Blog
Joan Micklin Silver’s Crossing Delancey, her studio romantic comedy about a thirtysomething trying to escape her Lower East Side roots, is the epitome of the New York Woman series the Quad has been running all month. After a difficult experience at United Artists with her 1979 masterpiece Chilly Scenes of Winter, Silver took on her biggest production yet, an adaptation of Susan Sandler’s stage play, Crossing Delancey. The Nebraska native returned to examining Jewish identity in New York, as she did in her first film Hester Street, but instead of immigrants at the turn of the century, her focus was […]...
- 7/17/2018
- by Graham Carter
- Filmmaker Magazine-Director Interviews
This article marks Part 8 of the 21-part Gold Derby series analyzing Meryl Streep at the Oscars. Join us as we look back at Meryl Streep’s nominations, the performances that competed with her, the results of each race and the overall rankings of the contenders.
When Meryl Streep first collaborated with filmmaker Fred Schepisi, reaction to their work was decidedly muted. “Plenty” (1985) came and went from theaters in no time, spending all of one week in the box office top 10. In 1987, both Streep and Schepisi had better luck, the former contending at the Academy Award for her turn in “Ironweed” and the latter directing the popular Steve Martin comedy “Roxanne.”
In 1988, Streep and Schepisi gave collaboration another shot. While “A Cry in the Dark,” adapted from John Bryson‘s book “Evil Angels” (1985), was hardly a crowd-pleaser, the picture and Streep’s performance garnered abundant critical acclaim. The film would mark...
When Meryl Streep first collaborated with filmmaker Fred Schepisi, reaction to their work was decidedly muted. “Plenty” (1985) came and went from theaters in no time, spending all of one week in the box office top 10. In 1987, both Streep and Schepisi had better luck, the former contending at the Academy Award for her turn in “Ironweed” and the latter directing the popular Steve Martin comedy “Roxanne.”
In 1988, Streep and Schepisi gave collaboration another shot. While “A Cry in the Dark,” adapted from John Bryson‘s book “Evil Angels” (1985), was hardly a crowd-pleaser, the picture and Streep’s performance garnered abundant critical acclaim. The film would mark...
- 2/7/2018
- by Andrew Carden
- Gold Derby
In a career that began with “sex lies and videotape” in 1989, “Logan Lucky” is Steven Soderbergh’s 26th theatrical release. It will extend his record as the top-grossing American director to come out of the independent scene in its formative years — a period we’ll define as 1975 (Joan Micklin Silver’s “Hester Street”) through 1992 (Quentin Tarantino’s debut, “Reservoir Dogs”).
To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s.
To be clear, Soderbergh’s an outlier; his billion-dollar box office dwarfs every other indie filmmaker. However, looking at the performance of his contemporaries who got their start in that indie film movement, you may be surprised at who’s on the list. (Note: “Outside wide release” means less than 1,000 screens. Also, the list doesn’t include directors like Sam Raimi and Abel Ferrara, who have independent roots but were not discovered via the film festival/arthouse pathway, or Alan Rudolph, another significant ’80s figure; he started in horror films in the early ’70s.
- 8/19/2017
- by Tom Brueggemann
- Indiewire
Aliya Whiteley Jan 10, 2017
Sigourney Weaver, Cher, Harrison Ford and more join our celebration of the New York romantic comedy...
New York has been celebrated so many times in movies. In the 1980s alone we had kids dancing on yellow taxis in Fame, the public library being haunted in Ghostbusters, and the ongoing visions of Scorsese and Allen, to name only a fraction of offerings. But I think that the romantic comedies that set their stories in the Big Apple during the 80s created a real and lasting charm about the city that can still be felt today.
Here's a look at three of those romantic comedies that highlighted different aspects of life in New York. When you watch them, nearly 40 years on, it's easy to feel a nostalgia for it all: the big hairdoes of the feisty heroines; the shoulder pads of the heroes; the Manhattan skyline with the World...
Sigourney Weaver, Cher, Harrison Ford and more join our celebration of the New York romantic comedy...
New York has been celebrated so many times in movies. In the 1980s alone we had kids dancing on yellow taxis in Fame, the public library being haunted in Ghostbusters, and the ongoing visions of Scorsese and Allen, to name only a fraction of offerings. But I think that the romantic comedies that set their stories in the Big Apple during the 80s created a real and lasting charm about the city that can still be felt today.
Here's a look at three of those romantic comedies that highlighted different aspects of life in New York. When you watch them, nearly 40 years on, it's easy to feel a nostalgia for it all: the big hairdoes of the feisty heroines; the shoulder pads of the heroes; the Manhattan skyline with the World...
- 7/3/2016
- Den of Geek
Chicago – Quirky Greta Gerwig is at it again (being quirky), and this time she’s looking for solutions in “Maggie’s Plan.” The made-in-New-York-City film has overtures of Woody Allen, combined with “Crossing Delancey.” Director Rebecca Miller (“Personal Velocity”) produces a valentine to all her influences and settings.
Maggie (Gerwig) is a single woman with a “plan.” She will use in-vitro fertilization in order to have a child, given that her track record with relationships is not good. Through her academic work, she meets John (Ethan Hawke), a professor whose shaky marriage to Georgette (Julianne Moore, adopting a Meryl Streep-like accent) is distracting his plans to finish his novel. John and Maggie hook up, and John leaves his marriage to be with her, and their newborn daughter. Maggie now has executed her plan, but was it the right one?
Director Rebecca Miller (center) with Greta Gerwig and Bill Hader...
Maggie (Gerwig) is a single woman with a “plan.” She will use in-vitro fertilization in order to have a child, given that her track record with relationships is not good. Through her academic work, she meets John (Ethan Hawke), a professor whose shaky marriage to Georgette (Julianne Moore, adopting a Meryl Streep-like accent) is distracting his plans to finish his novel. John and Maggie hook up, and John leaves his marriage to be with her, and their newborn daughter. Maggie now has executed her plan, but was it the right one?
Director Rebecca Miller (center) with Greta Gerwig and Bill Hader...
- 5/26/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
“Today, the only reminder that this stretch of (Manhattan’s) SoHo was once a forest of filling stations known as Gasoline Alley is a coffee shop of the same name that sells single-origin coffee beans from Burundi.” • Sarah Maslin Nir, “With Gas Station’s Closing, A Fuel Desert Expands in Manhattan,” The New York Times, April 22, 2016
“On a block where a kebab could once be had at 2 a.m. from Bereket, the 24-hour Turkish restaurant that was forced to close in 2014, there will now be a 30,000-square-foot Equinox gym and spa with a lounge and juice bar; condo residents will be able to access the two-story gym through a private entrance. Gone too, are places like Ray’s Pizza and Empanada Mama. While such spots and the unmemorable single-story buildings that once housed them could not claim any historic significance, they were popular haunts that gave the area its character…...
“On a block where a kebab could once be had at 2 a.m. from Bereket, the 24-hour Turkish restaurant that was forced to close in 2014, there will now be a 30,000-square-foot Equinox gym and spa with a lounge and juice bar; condo residents will be able to access the two-story gym through a private entrance. Gone too, are places like Ray’s Pizza and Empanada Mama. While such spots and the unmemorable single-story buildings that once housed them could not claim any historic significance, they were popular haunts that gave the area its character…...
- 5/2/2016
- by Mindy Newell
- Comicmix.com
Lakeshore Entertainment announced additional casting on American Pastoral with David Strathairn as “Nathan Zuckerman,” Peter Riegert as “Lou Levov,” Uzo Aduba as “Vicky” and Valorie Curry as “Rita Cohen.”
The film adaptation, based on the Pulitzer Prize winning novel written by Philip Roth also stars Ewan McGregor, Jennifer Connelly and Dakota Fanning, with McGregor directing.
American Pastoral follows Seymour “Swede” Levov, a legendary high school athlete, who grows up to marry a former beauty queen and inherits his father’s business. Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and committing a deadly act of political terrorism during the Vietnam War.
American Pastoral’s adapted screenplay was written by John Romano (Lincoln Lawyer) with filming scheduled for September 2015 in Pittsburgh, Pa. American Pastoral will be produced by Tom Rosenberg and Gary Lucchesi.
Strathairn won the Volpi Cup at the Venice Film Festival and earned nominations from the Academy,...
The film adaptation, based on the Pulitzer Prize winning novel written by Philip Roth also stars Ewan McGregor, Jennifer Connelly and Dakota Fanning, with McGregor directing.
American Pastoral follows Seymour “Swede” Levov, a legendary high school athlete, who grows up to marry a former beauty queen and inherits his father’s business. Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and committing a deadly act of political terrorism during the Vietnam War.
American Pastoral’s adapted screenplay was written by John Romano (Lincoln Lawyer) with filming scheduled for September 2015 in Pittsburgh, Pa. American Pastoral will be produced by Tom Rosenberg and Gary Lucchesi.
Strathairn won the Volpi Cup at the Venice Film Festival and earned nominations from the Academy,...
- 9/2/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Since November 2014, I’ve been working on the first biography on director Joan Micklin Silver, known for Crossing Delancey (1988), Chilly Scenes of Winter (1979), Between the Lines (1977) and her breakthrough feature Hester Street (1975), starring Carol Kane in one of the earliest independent film performances to be nominated for the Academy Award. Most of Silver’s films find comic discomfort in juxtaposing the “old world” with the modern world. >> -Daniel Kramer...
- 7/13/2015
- Fandor: Keyframe
Since November 2014, I’ve been working on the first biography on director Joan Micklin Silver, known for Crossing Delancey (1988), Chilly Scenes of Winter (1979), Between the Lines (1977) and her breakthrough feature Hester Street (1975), starring Carol Kane in one of the earliest independent film performances to be nominated for the Academy Award. Most of Silver’s films find comic discomfort in juxtaposing the “old world” with the modern world. >> -Daniel Kramer...
- 7/13/2015
- Keyframe
It's a shock to go back and watch "Midnight Cowboy" 45 years after its debut (on May 25, 1969) and see how raw and otherworldly it looks. After all, the X-rated Best Picture Oscar-winner has been so thoroughly assimilated into American pop culture that even kiddie entertainments like the Muppets have copied from it.
The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly...
The tale of the unlikely friendship between naïve Texas gigolo Joe Buck (Jon Voight) and frail Bronx con man Enrico "Ratso" Rizzo (Dustin Hoffman), "Midnight Cowboy" was initially considered so risqué that it's the only X-rated movie ever to win the Academy's top prize (though after it won, the ratings board reconsidered and gave the film an R). Still, the film featured two lead performances and a few individual scenes that were so iconic that homages (and parodies) have popped up virtually everywhere. (Most often imitated is the scene where Ratso, limping across a busy Manhattan street, is nearly...
- 5/23/2014
- by Gary Susman
- Moviefone
Indie producer Raphael D. Silver died March 4 in Salt Lake City, Utah, two days after a skiing accident in Deer Valley. He was 83. The real estate developer lived in New York City and East Hampton. The production company Silverfilm, which he ran with his wife of 57 years, director Joan Micklin Silver, produced her 1975 debut film “Hester Street” and others including her 1988 “Crossing Delancey, which earned Amy Irving a Golden Globe nomination, and Boston-area film "Between the Lines," starring Jeff Goldblum and John Heard. Silver directed two micro-budget films, 1978's "On the Yard," starring Heard," and "A Walk on the Moon" in 1987. Silver pioneered the entrepreneurial model of filmmaking that continues to this day, according to Ira Deutchman, the chairman of Columbia University’s film program. Silver was a director of the Independent Film Project. Early on, Silver participated in Robert Redford’s Sundance Institute and was also on the board of the Big Apple Circus.
- 4/6/2013
- by Anne Thompson
- Thompson on Hollywood
Harmony Korine's Spring Breakers: This year's top per-theater average by far Written and directed by Harmony Korine, and starring James Franco, Vanessa Hudgens, Selena Gomez, Ashley Benson, and Rachel Korine, Spring Breakers pulled in an estimated $270,000 at three locations (one in Los Angeles, two in New York City) this weekend (March 15-17) as per studio estimates found on the web site Box Office Mojo. The (very) low-budget crime comedy-drama averaged a hihgly impressive $90,000 per site. That's this year's best per-theater average so far by a wide margin. (Pictured above: James Franco and director Korine. What you see on Franco's arm is the map of Florida, in case you hadn't noticed.) Spring Breakers vs. The King's Speech, Lincoln, Zero Dark Thirty For comparison's sake, in late '10, the Tom Hooper / Colin Firth drama The King's Speech averaged $88,863 per theater on its first weekend in release; late last year, the...
- 3/18/2013
- by Andre Soares
- Alt Film Guide
How well do actors and directors recall the details of their own work? We decided to put Emmy- and Tony-winning actor David Hyde Pierce to the test. The Frasier actor is now starring Off Broadway in Manhattan Theatre Club’s Close Up Space (opening Dec. 19) as a harried book editor with an estranged daughter, a scared intern, a useless office manager, and only one brilliant (if loud) author. But first, he must play Ken Jennings in our career Jeopardy! challenge. The category: his 30 years in showbiz.
1. In what theater did you make your Broadway debut in 1982′s Beyond Therapy?
The Brooks Atkinson Theatre.
1. In what theater did you make your Broadway debut in 1982′s Beyond Therapy?
The Brooks Atkinson Theatre.
- 12/19/2011
- by Aubry D'Arminio
- EW.com - PopWatch
With a recent influx of middling romantic comedies, it's easy to forget how different the genre used to be. Now very polished and only a success if it stars 40 different actors/actresses each with three minutes of screen time, movies including "Green Card" and "Crossing Delancey" showed a different side of things. Instead of drowning audiences in star power, they offered a down-to-earth and complex female individual with an unfortunate penchant for choosing the wrong guy. It was easy to figure out who to root for, but there was something more to it. It may have been the comfortable aura…...
- 12/15/2010
- The Playlist
Christoph Waltz, Mo’Nique, Carey Mulligan: Academy 2010 Invitations The 2010 Academy of Motion Picture Arts and Sciences invitees are: Actors Tobin Bell – Saw, The Firm Vera Farmiga – Up in the Air, The Departed Miguel Ferrer – Traffic, RoboCop James Gandolfini – In the Loop, Get Shorty Anna Kendrick – Up in the Air, Twilight Mo’Nique – Precious: Based on the Novel ‘Push’ by Sapphire, Phat Girlz Carey Mulligan (right) – An Education, Public Enemies Jeremy Renner – The Hurt Locker, 28 Weeks Later Ryan Reynolds – The Proposal, X-Men Origins: Wolverine Latanya Richardson Jackson – Mother and Child, Losing Isaiah Peter Riegert – Traffic, Crossing Delancey Sam Robards – A.I. Artificial Intelligence, American Beauty Saoirse Ronan – The Lovely Bones, Atonement Zoe Saldana – Avatar, Star Trek Adam Sandler – Funny People, Punch-Drunk Love Peter Sarsgaard – An Education, Boys Don’t Cry Gabourey Sidibe – Precious: Based on the Novel [...]...
- 6/29/2010
- by Andre Soares
- Alt Film Guide
135 filmmakers and executives have been invited by the Academy of Motion Pictures Arts and Sciences to join its ranks. Recent Oscar nominees and winners such as Vera Farmiga, Anna Kendrick, Mo'Nique, Carey Mulligan, Jeremy Renner, Gabourey Sidibe and Christoph Waltz have been invited to join; but even "Saw's" Tobin Bell and "Avatar's" Zoe Saldana received invites.
New members will be "baptized" in an invitation-only reception in September at the Academy's Fairbanks Center for Motion Picture Study in Beverly Hills.
Here's a complete list of the 2010 invitees:
Actors
Tobin Bell -- "Saw," "The Firm"
Vera Farmiga -- "Up in the Air," "The Departed"
Miguel Ferrer -- "Traffic," "RoboCop"
James Gandolfini -- "In the Loop," "Get Shorty"
Anna Kendrick -- "Up in the Air," "Twilight"
Mo'Nique -- "Precious: Based on the Novel 'Push' by Sapphire," "Phat Girlz"
Carey Mulligan -- "An Education," "Public Enemies"
Jeremy Renner -- "The Hurt Locker,...
New members will be "baptized" in an invitation-only reception in September at the Academy's Fairbanks Center for Motion Picture Study in Beverly Hills.
Here's a complete list of the 2010 invitees:
Actors
Tobin Bell -- "Saw," "The Firm"
Vera Farmiga -- "Up in the Air," "The Departed"
Miguel Ferrer -- "Traffic," "RoboCop"
James Gandolfini -- "In the Loop," "Get Shorty"
Anna Kendrick -- "Up in the Air," "Twilight"
Mo'Nique -- "Precious: Based on the Novel 'Push' by Sapphire," "Phat Girlz"
Carey Mulligan -- "An Education," "Public Enemies"
Jeremy Renner -- "The Hurt Locker,...
- 6/27/2010
- by Manny
- Manny the Movie Guy
On Friday (June 25, 2010) the Academy of Motion Picture Arts and Sciences extended invitations to join the organization to 135 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2010 to the Academy.s roster of voting members.
.The work of these individuals has been appreciated by moviegoers all around the world,. said Academy President Tom Sherak. .The Academy is proud to invite each and every one of them..
The 2010 invitees are:
Actors
Tobin Bell . .Saw,. .The Firm. Vera Farmiga . .Up in the Air,. .The Departed. Miguel Ferrer . .Traffic,. .RoboCop. James Gandolfini . .In the Loop,. .Get Shorty. Anna Kendrick . .Up in the Air,. .Twilight. Mo.Nique . .Precious: Based on the Novel .Push. by Sapphire,. .Phat Girlz. Carey Mulligan . .An Education,. .Public Enemies. Jeremy Renner . .The Hurt Locker,. .28 Weeks Later” Ryan Reynolds . .The Proposal,. .X-Men Origins: Wolverine. Latanya Richardson Jackson . .Mother and Child,...
.The work of these individuals has been appreciated by moviegoers all around the world,. said Academy President Tom Sherak. .The Academy is proud to invite each and every one of them..
The 2010 invitees are:
Actors
Tobin Bell . .Saw,. .The Firm. Vera Farmiga . .Up in the Air,. .The Departed. Miguel Ferrer . .Traffic,. .RoboCop. James Gandolfini . .In the Loop,. .Get Shorty. Anna Kendrick . .Up in the Air,. .Twilight. Mo.Nique . .Precious: Based on the Novel .Push. by Sapphire,. .Phat Girlz. Carey Mulligan . .An Education,. .Public Enemies. Jeremy Renner . .The Hurt Locker,. .28 Weeks Later” Ryan Reynolds . .The Proposal,. .X-Men Origins: Wolverine. Latanya Richardson Jackson . .Mother and Child,...
- 6/25/2010
- by Michelle McCue
- WeAreMovieGeeks.com
HollywoodNews.com: Adam Sandler is gearing up for the release of his new film, “Grown Ups,” and has just been announced as one of 135 artists selected to join the Academy.
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 135 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2010 to the Academy’s roster of voting members.
“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”
The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held...
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 135 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2010 to the Academy’s roster of voting members.
“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”
The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held...
- 6/25/2010
- by HollywoodNews.com
- Hollywoodnews.com
Oscar winner Indian sound recordist Resul Pookutty has been invited to join the coveted Academy of Motion Pictures Arts and Sciences as a member. Along with Resul the invitation has been extended to 135 film professionals from around the globe that includes Christopher Walts (Inglorious Basterds) and Jacque Audiard (A Prophet). Resul was awarded an Oscar last year for Danny Boyle's Slumdog Millionaire.
Members of the academy vote for the annual academy awards.
“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”
The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since...
Members of the academy vote for the annual academy awards.
“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”
The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since...
- 6/25/2010
- by NewsDesk
- DearCinema.com
The Academy of Motion Picture Arts and Sciences has invited 135 filmmakers and executives -- including such recent Oscar nominees and winners as Vera Farmiga, Anna Kendrick, Mo'Nique, Carey Mulligan, Jeremy Renner, Gabourey Sidibe and Christoph Waltz -- to join its ranks.
The Academy issued its annual invitation list Thursday.
The actor's portion of the list ranged from genre favorites like "Saw's" Tobin Bell to "Avatar's" Zoe Saldana, from "Sopranos" star James Gandolfini, whose film credits include "In the Loop" and "Get Shorty" to rising leading man Ryan Reynolds, who's appeared in "The Proposal" and "X-Men Origins: Wolverine."
An international sampling of directors made the cut: Among them France's Jacques Audiard, Argentina's Juan Jose Campanella, Denmark's Lone Scherfig and, from the U.S., Lee Daniels and Adam Shankman, the latter of whom co-produced the last Oscar show.
Oscar nominee "District 9" was well represented: Matt Aitken and Dan Kaufman...
The Academy issued its annual invitation list Thursday.
The actor's portion of the list ranged from genre favorites like "Saw's" Tobin Bell to "Avatar's" Zoe Saldana, from "Sopranos" star James Gandolfini, whose film credits include "In the Loop" and "Get Shorty" to rising leading man Ryan Reynolds, who's appeared in "The Proposal" and "X-Men Origins: Wolverine."
An international sampling of directors made the cut: Among them France's Jacques Audiard, Argentina's Juan Jose Campanella, Denmark's Lone Scherfig and, from the U.S., Lee Daniels and Adam Shankman, the latter of whom co-produced the last Oscar show.
Oscar nominee "District 9" was well represented: Matt Aitken and Dan Kaufman...
- 6/25/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Actress and singer Mina Bern has died, aged 98.
Bern, one of the last remaining stars of Yiddish theatre in the U.S., passed away in New York on Sunday, after suffering heart failure.
With her second husband, late actor Ben Bonus, she toured the U.S., Canada and Latin America starring in Yiddish revues.
The couple brought shows to Broadway, including Let’s Sing Yiddish Light and Lively and Yiddish, and in the 1960s operated a theater on Second Avenue.
In 2002, Bern starred in a production of Yentl, based on a story by Isaac Bashevis Singer. In 2005, she performed a one-woman show about her life. She also took roles in Hollywood movies including Crossing Delancey in 1988, Avalon in 1990 and I’m Not Rappaport in 1996.
In 1999, she was awarded an Obie award for “sustained excellence".
She is survived by her daughter, Renya Pearlman, two granddaughters and four great-grandchildren.
Bern, one of the last remaining stars of Yiddish theatre in the U.S., passed away in New York on Sunday, after suffering heart failure.
With her second husband, late actor Ben Bonus, she toured the U.S., Canada and Latin America starring in Yiddish revues.
The couple brought shows to Broadway, including Let’s Sing Yiddish Light and Lively and Yiddish, and in the 1960s operated a theater on Second Avenue.
In 2002, Bern starred in a production of Yentl, based on a story by Isaac Bashevis Singer. In 2005, she performed a one-woman show about her life. She also took roles in Hollywood movies including Crossing Delancey in 1988, Avalon in 1990 and I’m Not Rappaport in 1996.
In 1999, she was awarded an Obie award for “sustained excellence".
She is survived by her daughter, Renya Pearlman, two granddaughters and four great-grandchildren.
- 1/13/2010
- WENN
We've been looking at each Meryl Streep Oscar nod and its competitive field. Previously: 78, 79, 81, 82, 83 and 85
Meryl Streep's first act was the Liberated Lady. The second was The Chameleon in which Meryl was always the lead, always had new hair, voice and body language and basically controlled Oscar's Universe. It was as if there was only 4 spots for Best Actress, one reserved for her in perpetuity. This second act ended with her intense immersion into notorious dingo-hating Lindy Chamberlain in A Cry in the Dark. [Editor's Note: Yes, I'll do a top ten performance list when "Streep at 60" wraps in mid July. I've heard your requests and I've been rewatching all the movies.]
Starting in 1989 Act III of Streep's career began but we'll get to that shortly. First, let's look at her competition in the last two years of her legendary Act II.
1987
the nominees were...
Cher, MoonstruckGlenn Close, Fatal AttractionHolly Hunter, Broadcast NewsSally Kirkland, AnnaMeryl Streep, Ironweed
I've always loved that "Mary Louise" exchange. But is Cher rewriting history to claim Silkwood as her first movie or...
Meryl Streep's first act was the Liberated Lady. The second was The Chameleon in which Meryl was always the lead, always had new hair, voice and body language and basically controlled Oscar's Universe. It was as if there was only 4 spots for Best Actress, one reserved for her in perpetuity. This second act ended with her intense immersion into notorious dingo-hating Lindy Chamberlain in A Cry in the Dark. [Editor's Note: Yes, I'll do a top ten performance list when "Streep at 60" wraps in mid July. I've heard your requests and I've been rewatching all the movies.]
Starting in 1989 Act III of Streep's career began but we'll get to that shortly. First, let's look at her competition in the last two years of her legendary Act II.
1987
the nominees were...
Cher, MoonstruckGlenn Close, Fatal AttractionHolly Hunter, Broadcast NewsSally Kirkland, AnnaMeryl Streep, Ironweed
I've always loved that "Mary Louise" exchange. But is Cher rewriting history to claim Silkwood as her first movie or...
- 7/6/2009
- by NATHANIEL R
- FilmExperience
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