Directed by
Menahem Golan |
Writing Credits (WGA)
Menahem Golan | ... | (screenplay) |
Cast (in credits order)
Produced by
Stanley Chase | ... | producer |
Zoli Ben Chorin | ... | associate producer |
Yoram Globus | ... | executive producer |
Menahem Golan | ... | executive producer |
Lyle Howry | ... | co-executive producer |
Michael J. Kagan | ... | associate producer (as Michael Kagan) |
Cinematography by
Elemér Ragályi |
Editing by
Alain Jakubowicz | ||
Henry Richardson | ... | co-editor |
Casting By
Kate Kagan |
Production Design by
Tivadar Bertalan | ||
John Graysmark | ... | (uncredited) |
Set Decoration by
Miklós Hajdu |
Costume Design by
John Bloomfield |
Makeup Department
Christine Allsopp | ... | makeup department head |
Jan Dorman | ... | hair department head |
Egonné Endrényi | ... | additional makeup artist (as Judit Endrényiné) |
Erzsébet Forgács | ... | makeup artist |
Production Management
Omneya 'Nini' Mazen | ... | post-production supervisor |
Maria Ungor | ... | production manager |
Second Unit Director or Assistant Director
Yael Golan | ... | second assistant director |
Avner Orshalimy | ... | first assistant director |
Gábor Váradi | ... | first assistant director |
Art Department
Zoltán Horváth | ... | set dresser |
Patricia Johnson | ... | draughtsman |
Miklós Molnár | ... | set dresser |
Bryn Siddall | ... | property buyer |
Sound Department
Richard Burton | ... | sound editor |
Thierry J. Couturier | ... | sound editor |
Patrick Cyccone Jr. | ... | re-recording mixer |
Tommy Goodwin | ... | adr mixer / foley mixer |
Kini Kay | ... | sound effects editor |
Tamás Keresztes | ... | boom operator |
Michael Magill | ... | dialogue editor |
Frank A. Montaño | ... | re-recording mixer |
Dean St. John | ... | adr recordist / foley recordist |
Stunts
Sándor Boros | ... | stunts |
Péter Katona | ... | stunt performer |
Ferenc Novinecz | ... | stunts |
Tamás Pintér | ... | stunt coordinator |
Gábor Piroch | ... | stunts |
Camera and Electrical Department
Egon Endrényi | ... | still photographer |
Géza Gonda | ... | focus puller |
Miklós Hajdu | ... | gaffer |
Imre Sisa | ... | key and dolly grip |
Gábor Szabó | ... | director of photography: second unit |
Imre Szûcs | ... | chief grip |
András Váradi | ... | assistant camera |
Costume and Wardrobe Department
Ann Beverley | ... | assistant costume designer (as Ann Beverly) |
Imre Béres | ... | tailor |
Gabor Szabo | ... | costumer |
Editorial Department
Alessandra Carlino | ... | apprentice editor |
Gerard Jakubowicz | ... | assistant editor |
Location Management
Helena Toth | ... | location manager |
Music Department
Marc Blitzstein | ... | lyrics written and adapted by |
Bertolt Brecht | ... | from the original lyrics by |
Gene N. Fowler | ... | music editor |
Menahem Golan | ... | lyrics written and adapted by |
Dov Seltzer | ... | conductor / lyrics written and adapted by / musical director |
Kurt Weill | ... | based on: "The Threepenny Opera" / music by |
Script and Continuity Department
Tova Neeman | ... | continuity |
Transportation Department
István Bognár | ... | driver |
Jon Varady | ... | transportation coordinator |
Additional Crew
Csaba Bollók | ... | production assistant |
Brian Gendece | ... | head of creative affairs |
Vera Loosz | ... | production secretary |
Felicity Newton | ... | production coordinator |
Julia Robinson | ... | production coordinator |
Burton Sharp | ... | adr group coordinator |
David Toguri | ... | choreographer |
David Wilder | ... | production accountant |