If you're a young film-maker, here are my tips on creating a calling card that will open doors to a job in the industry
Film and TV have always been highly competitive industries, and no doors have ever opened without some serious pushing. And my sense is that the odds are longer these days for prospective new entrants. So that's partly what the Intergenerational Foundation/Nus/Guardian short film competition is about: no one can stop you making a little film and flexing your storytelling muscles. And a good short is a great calling-card.
Making drama and telling stories is a strange calling, and "calling" is the right word: the work chooses you. If you're reading this, and you're interested in entering the competition, you'll probably know what I'm talking about. Something drives you to tell stories even before you know what the stories are.
My own story is this.
Film and TV have always been highly competitive industries, and no doors have ever opened without some serious pushing. And my sense is that the odds are longer these days for prospective new entrants. So that's partly what the Intergenerational Foundation/Nus/Guardian short film competition is about: no one can stop you making a little film and flexing your storytelling muscles. And a good short is a great calling-card.
Making drama and telling stories is a strange calling, and "calling" is the right word: the work chooses you. If you're reading this, and you're interested in entering the competition, you'll probably know what I'm talking about. Something drives you to tell stories even before you know what the stories are.
My own story is this.
- 2/13/2013
- by Dominic Minghella
- The Guardian - Film News
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