User Reviews

The picture deals an ambitious, fast-talking lawyer named Harry Fabian(Robert De Niro, Richard Widmark role) in N.Y.C., he's a hustler with several money-making schemes . Harry concocts a plot as boxing's small-time promoter . But he makes erroneous friends, the old boxer's brother(Alan King), a tough gangster. Harry is the role who fills completely the movie , he survives as person who reports false crime in the trials. Harry becoming involved with mobsters and an affair with his barman's spouse(Jessica Lange). But his plans go awry and he's on the run for his life. The story terminates with a persecution excellently filmed with all its rawness .

This noir urban/drama packs good performances though Robert De Niro is overacting. Nice interpretation by Jessica Lange , the only character who shows a bit of kindness on Harry. Supporting casting is frankly well, as Cliff Gorman, Eli Wallach, Jack Warden, Barry Primus, Michael Badalucco, among others , furthermore cameo role by Richard Price, screenplay's author. Dark cinematography by Tak Fujimoto and atmospheric and effective musical score by James Newton Howard. This version about Harry downfall lacks punch and dramatic weight, it results to be much better the classic adaptation (1955), a real masterpiece, set in London with Richard Widmark, Gene Tierney and Herbert Lom. This inferior new version is dedicated to Jules Dassin, the magnificent director of the original picture and adapted from the novel by Gerard Kersh. The motion picture is regularly directed by Irwin Winkler, usual producer of Robert De Niro films and occasionally filmmaker.

In his career Robert DeNiro has done four remakes of classic films of which Night And The City is one of them. The other three are We're No Angels, Cape Fear, and Frankenstein. In redoing parts made immortal by Humphrey Bogart, Robert Mitchum, Boris Karloff, and in this case Richard Widmark, DeNiro has wisely chosen not to imitate any of these people, instead whatever you think of the final product, he's certainly put out his own interpretation on these roles.

From the shadow world of the London underworld scene where American expatriate Richard Widmark operated to the streets of New York in the Nineties, the plot of Night And The City has essentially remained the same except, and this is critical for the ending. DeNiro must have loved the fact that his Tribeca Productions got to film in and around New York, especially in Tribeca.

Widmark is a small time hood, DeNiro is a cheap shyster lawyer, the kind that lawyer jokes are made about. He hears them and he's oblivious to them. What he's not oblivious to is the success he sees around him. It's personified by Cliff Gorman who runs a successful bar where DeNiro tells his war stories. It's also even more personified by Alan King who is a boxing promoter with some underworld connections. He's risen to the top in a very tough racket.

DeNiro tries to enter King's world and buys King's reluctant acceptance with using King's older brother Jack Warden who is a retired fighter living in an old age home. If you remember what happens in the original Night And The City, you pretty much know what is going to happen here and for the most part it does.

The legal profession doesn't necessarily attract guys like DeNiro, he's no Louis Brandeis, he's not about to publish articles in Harvard Law Review. But with him lying and conning is second nature, he does it like he breathes. Even Jessica Lange who is Gorman's wife and who DeNiro is carrying on with, he lies to her and worse because he needs money. He'd do all this if he wasn't a lawyer.

The cast is an incredibly select and good one of New Yorkers themselves who can play these parts like second nature. Even Jessica Lange who is a native of Minnesota is New York enough for her part. One role I have to call attention to is that of Margo Winkler. She has one scene as a judge with lawyer DeNiro whom obviously she's dealt with before. She throws him and his put up accident case out of court in a really terrific way.

The film would rate a lot higher with me had the original ending from Jules Dassin's classic version been kept. It wasn't and it really cheapens the impact of the film. Other than that this version of Night And The City is a good film with a great cast of players to perform it.

Night and the City is directed by Irwin Winkler and adapted to screenplay by Richard Price from the novel written by Gerald Kersh. It stars Robert De Niro, Jessica Lange, Cliff Gorman, Jack Warden, Alan King, Eli Wallach and Barry Primus. Music is by James Newton Howard and cinematography by Tak Fujimoto.

Ambulance chasing lawyer Harry Fabian (De Niro) has grand designs to be a boxing promoter. Unfortunately this ruffles the feathers of a local promoter who is not exactly known for his kindness...

It's often unfair to do down a remake of a classic film, with the rule of thumb being we are asked to judge said remake on its own terms. However, Winkler's neo-noir remake of Jules Dassin's brilliant 1950 film noir of the same name just lacks the edginess or urgency to make a mark.

It's not down to performances of the cast or the tech production in general, in fact De Niro, Warden and the under written Lange are watchable, while Fujimoto's photography around the New York locations is superlative. Yet the characters as written here, in the shift from postwar London to a thrumming NYC, have no psychological pangs to drive the picture forward.

Harry trudges from one slice of idiocy to another, with a big plot development making no sense, and all the time there's ill placed humour hanging over the plot to further compound the feeling we are watching a disjointed attempt at neo-noir nirvana. While the conclusion here is weak and kind of a cheat.

The makers dedicated the film to Dassin, that's a nice sentiment, but really they should have honoured him by making a far better movie in the spirit of the great director himself. 5/10

An ambulance chasing lawyer decides to become a boxing promoter in NYC. However he comes into conflict with money lenders and the local mob. He finds that his talk and promises are meaningless unless he can back them up and he digs himself into deeper trouble with every word.

This is a very low key NY drama in De Niro's career - more typical of the bottom feeders he played in the 70's than the powerful mob figures he has played more recently. This has a depressing feel of inevitability about it - you can see the problems in Fabian's plans long before they happen, giving the film a feel of small time from the very start. This isn't a story about small time making it big, rather a story of a hustler who talks himself into a corner. The story is therefore quite compelling, despite it being very low key, the only weakness being the romance subplot and the fact that it is quite depressing.

De Niro is good as Fabian, his best scenes are when he's talking, trying to create something that isn't. However his character isn't totally believable and when it all comes falling down it isn't that well done. Jessica Lange is good but doesn't have that much to do and again her character isn't convincing when the bad times come. Support is good from the likes of Eli Wallach, Jack Warner, Alan King and others.

Overall this is a good film with an overall air of realism. Not one of De Niro's best and indeed it has it's weaknesses but it's quite good.

This is a remake of Night and the City (1950) directed by Jules Dissan, who was blacklisted by Hollywood because of actions by the House Un-American Activities Committee, and for that reason is dedicated to Dissan who had to continue his career in Europe. The original film starred Richard Widmark, Gene Tierney, Francis L. Sullivan and Herbert Lom. I haven't seen that film, but I understand that it is very good.

This film from 1992 is not bad; however for some reason its reputation isn't much. The voters at IMDb give it a rather tepid 5.7 stars out of 10 while giving the original 8 out of 10. I'm not sure why, but I think it has to do with: (1) Robert De Niro playing a non-heroic character. It certainly doesn't have anything to do with his acting. He is outstanding as Harry Fabian, flimflam low life lawyer and cheap BS artist who tries desperately to make a big splash as a fight promoter. I think most De Niro fans would prefer to see him in a more two-fisted role. At any rate, those who didn't like the movie almost certainly didn't care for De Niro's performance since his character dominates the action.

(2) The ending, which some might see as unfinished and others as disagreeable since, regardless of what transpires, Fabian is still a loser, perhaps bigger than ever.

(3) Some rather cheesy plot play. Near the end Fabian and Helen (Jessica Lange looking as fetching as ever) hide in a dead end alley among dumpsters and trash cans. Well, they should have continued running since the guys after them were only walking. Also when Fabian and Helen run out the side door of the restaurant they go the wrong way so that the heavies can see them running across the street. Had they turned left instead of right (as anybody in their situation would have done) they would not even have been seen. Furthermore, Fabian in a flamboyant gesture throws $12,000 into the air that flutters to the ground in the dead end alley. Nobody bothers to pick it up. That could happen.

What cannot be faulted is the authentic New York atmosphere created by director Irvin Winkler, who is better know as a producer, most notably of the Sylvester Stallone "Rocky" films, and the fine work by the rest of the cast, especially Alan King (Ira "Boom Boom" Grossman), Eli Wallach (Peck), Cliff Gorman (Phil Nasseros), and Jack Warden (Al Grossman). The story itself, from a novel by Gerald Kersh (script by Richard Price), is a variation on the "lovable, colorful loser makes good" theme, only in this case, like an inept noir anti-hero, he falls on his face--more than once, by the way.

No real De Niro fan should miss this. Personally I thought it was one of his best performances. The rapid fire dialogue, the fawning, pathetic, yet somehow uplifting personality were not something most actors could pull off, at least not nearly as well. De Niro became the character he portrayed.

Bottom line: definitely worth seeing. You will not be bored.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

There is some good acting in Night and the City, but the movie overall is unremarkable.

I picked this movie up at the video store last week, only because Robert De Niro is in it. I have to admit, even though I see a lot of movies, I don't think I had heard of this movie until I picked it up that evening, even though I had probably skimmed across the cover on the box while browsing at the video store.

I found this movie pretty hard to watch, mainly because De Niro's character Harry Fabian is not very likeable and I tried very hard to like or respect this character, but I only felt sorry for the guy and I found this depressing. However, De Niro and some of the supporting actors are quite good from an acting perspective in some scenes.

I gave this movie a 6 out of 10. I'd only recommend this movie to De Niro fans.

I actually liked this movie quite a bit but if you're not a De Niro fan, this movie would be completely lost on you. Just read the plot outline to see what I mean. An incompetent lawyer strives to become a boxing promoter. If you're not a De Niro fan but you still find that interesting than you probably have time to catch this movie while you're still deciding on your method of suicide.

On the other hand, if you ARE a De Niro fan, the idea of ol' Bobby playing a bullpoop-slinging, sheisty lawyer and ticking everyone off pretty much speaks for itself. He's got quite a few moments that make the movie interesting even if the plot line isn't.

How did Robert De Niro go from a performance like Max Cady in "Cape Fear" to Harry Fabian in "Night And The City"?? One of his best to one of his worst.

Plot In A Paragraph: Harry Fabian is a fast-talking lawyer. He sues and settles, looking to make it big as he carries on an affair with the wife of the owner of his local hang out. While losing a case to a local mobster who fronts as a sports promoter, Fabian senses his future as a boxing promoter. For protection from the mobster, he recruits the boss's older brother as his "judge of talent" he books a hall, he orders posters. Soon he's in debt waiting for the big night to rake in the cash. His sweetheart wants to leave her husband, so she needs Fabian's help to get a liquor license to set up her own bar. All the while the mobster is still making trouble.

Jessica Lange and Jack Warden are the best actors on display here, even if you never understand Lange's characters loyalty to Fabian even after he ruined her dream. As for De Niro he seems to be trying far too hard, maybe it was poor directing?? And his acting in the Alley at the end is woeful.

The only reason I'm glad I watched this to the end was the fact that I got to hear Freddie Mercury sing 'The Great Pretender' over the closing credits which was a nice surprise.

It does not happen very often that I watch a deniro pic and feel almost careless about it afterwards.

What was this movie about? beats me... Robert 'stars' as a not too respectable character trying to get a grip on his life and to make some money.

The story, if their is one, did not grab my attention for a second. a real dissappointment for every deniro fan

I beg to disagree with Roger Ebert on this one. I think he is too obsessed with comparing this film to the original. Even though I didn't see the original, I can see that this film isn't supposed to be a copy, but only borrows the premise in order to develop an original, realistic and contemporary plot of its own. I can't understand Ebert when he claims that characters in a noir film should not be developed and the plot should not be realistic..?? I suppose you have to be a critic to understand that. This film "feels" like a good old movie from days past when screenplays, characterization and dialog where important, that's why I liked it, and I suppose that may not be "modern" enough for some...

I found this to be a good film, with excellent characterizations that work (finally a movie that has 'real' characters we can understand, believe in, sympathize with), a realistic plot and some very good acting (especially De Niro whom I found to be excellent once again). On a lesser note, the photography and soundtrack.

NIGHT AND THE CITY (1992) *** Robert De Niro, Jessica Lange, Alan King, Cliff Gorman, Jack Warden, Barry Primus. Slice-of-low-life portrait remake of 1940 Richard Widmark flick casts De Niro as ambulance chasing attorney Harry Fabian trying to score big-time as a boxing promoter with the help of his lady love (Lange in an uncharacteristically unglamourous role) and the ex-fighter brother (Warden) of his chief nemesis (King in a humdinger of chilly malevolence as the corrupt boxing mogul). Feisty and surprisingly funny script courtesy of Richard Price (in a bit role as a doctor) has its moments of ugliness and sudden downshift into tragedy. De Niro, at times over-the-top, is the life-force to this otherwise entertaining melodrama.

I saw Night the and City yesterday. I have to say it's so boring. The story made me asleep.Just A loser story. If you are not De Niro fans, you are no reason to watch this movie. The only good thing hit my head was Robert de niro acted well :-)

Manhattan lawyer Harry Fabian (whose clients are mostly lowlifes and prostitutes) sues a professional boxer on behalf of a schnook who got popped and is now in a neck-brace; that case gets thrown out of court, but no matter: Fabian is bitten by the boxing bug, and rallies all his contacts to raise enough cash to promote his own boxing event--much to the dismay of "Boom Boom" Grossman, the promotional kingpin of New York City . Based on Gerald Kersh's novel and the 1950 movie-version directed by Jules Dassin (to whom this remake is dedicated), "Night and the City" gives us yet another colorful character portrait from actor Robert De Niro. Chatting away like a man possessed, De Niro is playing not just a dreamer but a DESPERATE, determined dreamer. Harry is too naïve to understand that some people never get their shot, never get their piece of the American dream. He wants to be successful, he wants his friends to celebrate with him, and he wants to have fun climbing up the ladder. His semi-reluctant partner, a faded boxing legend (Jack Warden, in a smashing performance) happens to be "Boom Boom"'s brother, while Jessica Lange is the abused wife of Harry's main financier. She's also having an affair with Harry, in a subplot that never quite irons itself out. Several issues, in fact, are left unresolved, and the picture is assembled rather sloppily. Still, De Niro's live-wire performance is something to see; he claws and begs and punches right through this too-glossy milieu, actually making something substantial out of it. Harry Fabian finds himself backed into a corner, and his final plea is marvelously well-played. It's an acting workout for De Niro in a picture that just misses the bull's-eye. **1/2 from ****

The only reason I wanted to see this film was because Cliff Gorman (who played "Emory" in the 1970 film "The Boys In The Band") is in it. I did not really care for the film Night and the City. However, it was neat to see Cliff Gorman twenty-two years after his "Emory" role.

Everything has a reason: my dad has this poor - cheap quality package DVD while this movie has 2 Hollywood icons. So from now you know that is the proof of a really bad movie! Indeed if the producers are ready to sell it at so low cost, it's because a few bucks means they can gain a few bucks: as french Guignols tell us about the World Company, the poor have not nothing but have little and so the cupid firms are interested in taking this little! Here the movie is totally absurd: I didn't catch why Bob as a disastrous lawyer wants suddenly to become a disastrous promoter of boxing games! His reference is an old boxer (well played) who happens to be a brother of a sort of Don… There is a sort of revenge between Bob and this Don but I can't fathom why! There is another Don who lends money played atrociously by poor Wallach! Jessica Lange has a totally transparent and inept part! Her vengeful boyfriend and bartender is as stupid as all others! The movie is so bad that I even felt asleep watching it! So I was happy to be back at Manhattan since maybe The Drop but I quickly become very disappointed!

This is a fullblown Robert de Niro flick, who as a character is running on empty: no money from the ATM, no money from work. What to do? He creates a pipedream and is gonna organize a boxingmatch with no knowledge of it and with no money to back it. That spells trouble.

Night and the City has it's other star in the name of Jessica Lange. Both Lange and de Niro make "Night and the City" a joy to watch. It is a light drama although the feelgood factor is at such a high that you could also call it a feelgood drama.You just gotta love the character de Niro plays, he fails at everything but gets away with it and has another even bigger project destined to fail lined up right after the earlier misfortunes. He is truly the great pretender, but feelin' good at it!

If you like de Niro's work you should definitely see this lighter drama, because he dances a tightrope between a comedy and a drama and does so very convincing. The dialogues are funky and full of wit. The story is simple but connivingly great and has a great dynamic. It has a nice throwaway feel to it, but however lighthearted it is, the story deals with heinous deceit. "Night and the City" has become so dear to me over the years, because the characters are so sympathetic: while failing at everything they still hold on to their dreams and on to eachother's love. De Niro and Lange are just to die for in this New York Tale of love and deceit.

OK, so we all agree that Robert DeNiro and Jessica Lange are among the greatest stars of their generations. Well, even they can play mildly confusing roles. "Night and the City" is an example. DeNiro plays a lawyer who seeks to get into boxing...but what might this lead to? This is one of those movies whose plot might become a blur after you see it. I actually thought that the movie's most interesting aspect was the contrast between Jessica Lange and Jack Warden, and maybe I'm the only one who even saw that. I mean, he's got the look of an acerbic old man, and she still has an aura of her "King Kong" role. But otherwise, I didn't see too much else. I guess that the movie's worth seeing, if only once. Also starring Cliff Gorman, Alan King and Eli Wallach.