Aftenlandet (1977) Poster

(1977)

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8/10
Possibly the most realistic journey into dystopia put on film
Gloede_The_Saint1 August 2015
In this explosive, slow burning film Watkins infuriated both sides of the political spectrum in Denmark - which is to the film's honor! Evening Land is careful and disturbingly realistic near future sci-fi that continues Watkins documentary inspired filmmaking. The film is an incredible study in just how carefully it crafts it's world, and it's done to such perfection that many people easily could be fooled by it's authenticity today.

The focus of the film is a large scale strike carried out by danish workers who refuse to construct submarines (and ships) that will (likely) carry nuclear weapons and a conference that might determine the future presence of nuclear weapons in Europe. At the same time "non-violent" terrorists strike, leading to full scale orchestrated panic, bad journalism, resurgence of the right and a continuing downward spiral into a bleaker and bleaker reality.

It's only true downside is that it can be a bit long-winded, particularly the early portions of the film were we mostly focus on the worker conflict, and we still seem to be in normative Scandinavia (I even had to check if this was in fact a documentary). Put the fact that the path to dystopia is painted by reality (or something dangerously close) only increases the value of the work.

The rhetoric used by the increasingly oppressive government is exactly the same you'd not only expect to hear today, but likely have heard many times before. You can also understand the rational of all sides, you can understand why the government and the factories want this, you can see why most people wouldn't even think this was a particularly big problem, and you can see how each event influence the next. 8/10.
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7/10
Not Sci-Fi, Just Watkins
gengar8439 June 2015
Warning: Spoilers
Since I've made it my project to see every sci-fi I can get my hands on, this turned out to be a disappointment in that respect. It's not even really a "social fantasy" as much as it is a pseudo-documentary on the struggle between Leftist ideology as it regards work, police, government, and so forth, and the centrist-conservative ideology that the peace of the state is paramount, even if a few radicals have to be eliminated.

In respect to what this film actually is, it angers on both sides of the fence. The escalation is quite limited to a few skirmishes in Denmark, with some unseen labor solidarity in some foreign quarters. Lots of talk, and in fact one of the actors says "Too much chit-chat, not enough action," basically. Conservatives will be angered that radical elements are permitted even as much leeway as they get. Leftists will be angered for being portrayed as terrorists, and, probably ironically, for not enough terrorism.

The kidnapping offers some tension but it is crudely portrayed and rudely resolved. It may be that Denmark's laissez-faire attitude on most everything is what's at fault here. Watkins is normally not this restrained.

In any event, from a personal point of view, I was saddened that in 2015 we have not experienced enough Marxism yet to understand that it just doesn't work with most people, and that's reality. Marxism therefore turns violent from frustration. This is a key element of the plot here also, such as it is. Conservatism is generally the majority opinion when it comes to economics, and therefore the main thrust of Marxism has no place in most societies. The cries in this film about the end of social democracy are mainly complaints of failure of the root of such things. Denmark may be progressive in its social affairs, but when it overlaps to economics, it doesn't appeal to the people. Another thread in the plot has the wiser Marxists making this exact point - "Be careful" they say, but the radical young Lefties will have none of it.

As a primer on how Lefties operate psychologically, this ain't too bad, but, as I said, the action element will probably impress very few.
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