(1977)

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7/10
Another "Dan McCord" XXX-Mystery...
EVOL6665 May 2006
DIRTY SUSAN is an above-average sleaze-fest in terms of the 70's/80's NYC porn scene. The girls are a little hotter and the sex is a little better than some previous entries. The storyline is a little less involved than other McCord mystery entries that I've seen (which was a little disappointing...) but the strong sex scenes balanced it out.

This one has McCord on the trail of a mysterious girl named Susan that seems to come and go through people's lives when they are having sexual problems. Just so happens that this "Susan" is the same girl who ended up in McCord's bed just that very morning. As McCord gets to interviewing witnesses about this strange girl - we find that she's a sort of ethereal sex-therapist of sorts that finds people in need of sexual help, and is more than "helpful". We hear stories of a couple who Susan advises to have the wife bone her brother to fix the problem (?!?!?) and another girl who needs help with her first lesbo experience. McCord realizes that if Susan doesn't want to be found, and gives up the search, in turn suggesting that all of those "touched" by Susan's helping...uh...hand - get together for an orgy. Sounds like a good idea to me....

Again, the story in DIRTY SUSAN is pretty weak, comparatively speaking, and doesn't make a whole lot of sense - but you'll be too busy reachin' for the tissues to worry too much about it. If you dig this one, I also recommend SLAVE OF PLEASURE - another Dan McCord mystery with a better storyline and some hard S&M action towards the end of the film...7/10
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7/10
Desperately Seeking Susan
Nodriesrespect9 January 2009
Warning: Spoilers
Following the exact same opening shot and narration by private eye Dan McCord (Roger Caine) lifted from FIRE IN FRANCESCA, we find Dan yet again between the sheets with a hot holdover from the night before. Here it's a girl named Susan and she's played by the thoroughly appealing Georgette Sanders, a youthful looking brunette who found herself forever cast as jail bait types in Jim Buckley's original DEBBIE DOES DALLAS and Ron Sullivan's landmark BABYLON PINK. She gives him the ride of his life and then disappears without a trace. This proves to be her regular MO as McCord is called upon yet again by the film's director Shaun Costello playing Bob Gilroy who desperately wants to find Susan as well. Turns out the girl singlehandedly breathed new life into Bob's tired old marriage to Marge (ravishing redhead Kasey Rodgers, also in Gerard Damiano's underrated FOR RICHER, FOR POORER) by getting them all to have sex with the wife's brother Bruce (Ashley Moore). It's probably best not to ask…

As clueless as his clients, Dan takes a tip from old informant Shorty (!) Jacobs that somehow leads him to Ellen Blackwell (Erica Havens, who performed the double hummer with Georgina Spelvin on Marc Stevens in Damiano's original DEVIL IN MISS JONES) who discovered Sapphic solace through Susan's intervention. Costello rather appropriately lifts a track from Francis Lai's bestselling BILITIS score for this particular occasion. As a writer, he seems to have run out of ideas at this point though as he has Ellen suggest that perhaps Susan is some sort of sexual do-gooder who comes to them in their hour of need and whom they can only be with once. Huh ? Apparently, this sorry explanation pretty much satisfies the other characters however as they convene in the Gilroy apartment for a typical '70s orgy with an out of the blue character called Cynthia (Marcia Minor, an appropriately minor adult starlet - also known as "Michele Lake" - who played a rare lead in Shaun Costello's extremely odd VENTURE INTO THE BIZARRE) stepping in for absent wife Marge.

There is very little that really makes sense in this movie, but that's actually part of the fun to be had with this guerrilla style frolic. McCord gets from point A to B with even less attention to logic as usual, Caine sometimes visibly stifling spontaneous laughter as he interrogates witnesses in his usual ham-fisted manner which consists mainly of stepping on other people's lines and constantly rehashing the story so far to the characters who have just told him this ! The actor was of course better known for his comedy turns in Chuck Vincent films like BAD PENNY and JACK 'N' JILL.

The film manages to stay afloat however through this very ramshackle good nature springing from its awareness of its own silliness, some nicely shot establishing scenes and sex that ranges from simmering to sizzling. The apartment four-way with Georgette, Kasey, Ashley and Shaun stands out as the Susan character entices the wife and her brother to admit their mutual childhood attraction and then to act on it as she mirrors their actions with the husband.
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