The director's most powerful and abiding images can be traced back to his early work in silent movies, as the forthcoming season at London's British Film Institute makes clear
Cary Grant runs through a desolate cornfield, pursued by a crop duster overhead. Ingrid Bergman risks her life to go into a wine cellar, looking for a secret. Eva Marie Saint clambers over the faces of the American presidents at Mount Rushmore. Tippi Hedren is pecked at by mysteriously aggressive gulls. James Stewart watches helplessly from a window as Grace Kelly creeps into a murderer's apartment. Kim Novak drives through San Francisco in a trance-like state wearing a grey suit. Janet Leigh takes a shower at the Bates Motel and never comes out.
These movie images could only belong to one director: Alfred Hitchcock, who from the end of June until October is being celebrated in a definitive season at the British Film Institute in London.
Cary Grant runs through a desolate cornfield, pursued by a crop duster overhead. Ingrid Bergman risks her life to go into a wine cellar, looking for a secret. Eva Marie Saint clambers over the faces of the American presidents at Mount Rushmore. Tippi Hedren is pecked at by mysteriously aggressive gulls. James Stewart watches helplessly from a window as Grace Kelly creeps into a murderer's apartment. Kim Novak drives through San Francisco in a trance-like state wearing a grey suit. Janet Leigh takes a shower at the Bates Motel and never comes out.
These movie images could only belong to one director: Alfred Hitchcock, who from the end of June until October is being celebrated in a definitive season at the British Film Institute in London.
- 6/16/2012
- by Bee Wilson
- The Guardian - Film News
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