Mark Harrison Oct 14, 2016
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
With the question of who's playing James Bond in James Bond 25 unresolved, we look back at the casting conundrums 007 has faced before.
Since 1962, fewer men have played James Bond than have walked on the moon. Despite the relatively long turnaround of the role, the subject of who might follow in the footsteps of Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig in the future has fuelled many column inches and tabloid splashes.
It feels as if speculation about the seventh 007 in Eon Productions' long-lived spy franchise has been at fever pitch since this time last year, when Craig was doing the promotional rounds for Spectre and commented that he would rather “slash [his] wrists” than play Bond again. It's only after a year of constant reports on the subject that his far more optimistic comments at last weekend's New Yorker Festival...
- 10/12/2016
- Den of Geek
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another. The Bonds aren’t even the only action-driven spy flicks (Mr. James Bond, I’d like you to meet Mr. Jason Bourne and Mr. Ethan Hunt).
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
- 10/26/2015
- by Bill Mesce
- SoundOnSight
(*My apologies for this coming so long after Sound on Sight’s celebration of 50 years of James Bond, but I’ve been swamped with end-of-semester work and only just now managed to finish this. Hope you all still find this of interest.)
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
- 12/20/2012
- by Bill Mesce
- SoundOnSight
by Nick Schager
What's new is always old, and in this recurring column, I'll be taking a look at the classic genre movies that have influenced today's new releases. In honor of Tomas Alfredson's John le Carré adaptation Tinker Tailor Soldier Spy, this week it’s Michael Anderson's secret-agent thriller The Quiller Memorandum.
The Quiller Memorandum has many things going for it, but a compelling lead performance is, alas, not one of them. Headlining this 1966 tale of Cold War espionage in austere Berlin (adapted from Trevor Dudley Smith's novel by famed playwright Harold Pinter) is George Segal as Quiller, an American spy called into service by the British after his predecessor is gunned down in the dead of night by a mysterious sniper. Quiller’s mission is to uncover a secret cabal of neo-Nazis who—in a plot that's practically defined by its sketchiness—are seeking to...
What's new is always old, and in this recurring column, I'll be taking a look at the classic genre movies that have influenced today's new releases. In honor of Tomas Alfredson's John le Carré adaptation Tinker Tailor Soldier Spy, this week it’s Michael Anderson's secret-agent thriller The Quiller Memorandum.
The Quiller Memorandum has many things going for it, but a compelling lead performance is, alas, not one of them. Headlining this 1966 tale of Cold War espionage in austere Berlin (adapted from Trevor Dudley Smith's novel by famed playwright Harold Pinter) is George Segal as Quiller, an American spy called into service by the British after his predecessor is gunned down in the dead of night by a mysterious sniper. Quiller’s mission is to uncover a secret cabal of neo-Nazis who—in a plot that's practically defined by its sketchiness—are seeking to...
- 12/10/2011
- GreenCine Daily
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