(1937)

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6/10
Even sailors have the right to get married, but to each other?
mark.waltz4 September 2018
Warning: Spoilers
Had this been a full length film, I doubt it would have got past the censors with the gay innuendos of Polly Moran posing as a sailor to make sure new sweetheart Cy Schindell makes good on his promise to marry her. Of course, Polly's motives aren't noble; she's just trying to avoid deportation. First, she causes a row at a local dance hall, then all sorts of mayhem on his ship where they are spotted in sailor gear practically necking. Schindell has to try to think of a way to get her ashore, and she has to continue to scheme to somehow get him to the alter. The whole set-up is extremely amoral, but considering when this was made, that's what makes it stand out.
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9/10
an outrageous sound comedy short from silent comedienne Polly Moran
django-120 February 2005
Made at Columbia the same year by the same director (Charles Lamont) as the short I just reviewed, NEW NEWS with Monte Collins and Tom Kennedy, SAILOR MADE stars former silent comedy star Polly Moran, and she is amazing--aggressive, wild, over-the-top. Only Patsy Kelly or Vera Vague at their wildest come near Moran in terms of manic female comedy. Here she is an illegal immigrant (wait, where's the accent? I'm guessing she is supposed to be Irish, but who knows where she is supposed to be from--there are no clues) who needs to find someone to marry in order to stay in the US. She eventually finds a sailor who grows to like her and want to marry her, but they get separated by various events and she must go find him on his ship! I'm assuming the sailor is played by Frank Mills (most of whose 1930s film appearances are "uncredited"), who is a stocky guy with great comic timing who could well have had his own series of comedy shorts. But this is a vehicle for Polly Moran, and it's "tailor made" for her talents: wonderful facial expressions, great ability to do pratfalls and comic fights, hilarious hard-boiled delivery of her lines in the style of an Iris Adrian. It's a shame she did not have a longer series with Columbia. Still, here is proof that Moran was as successful in sound comedy as in silent comedy. If you like Patsy Kelly, or Vera Vague, or Iris Adrian, or Lucille Ball at her wildest, you will want to check out SAILOR MADE, a wonderful Polly Moran vehicle.
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