Craving Desire (1993) Poster

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5/10
Erotic thriller with dark undertones
unclehugo8 August 2008
Warning: Spoilers
This film directed by legendary Sergio Martino cannot be compared to his giallo masterpieces of the past but, viewed as an example of the late period of Italian thriller, it has some entertainment value. The movie tells the tale of a young successful Italian Luigi whose career and personal life are turned completely upside down by the arrival of his cousin Sonia. After returning from Venezuela where she experienced something unpleasant involving her family, the voluptuous young girl is allowed to stay in Luigi's apartment and soon an intimate relationship develops. Sonia seems to have power over Luigi, who cancels his planned engagement, thus embarrassing the parents of his original girlfriend. Sonia, who convinced Luigi there is no blood tie between them thanks to adultery in their family history,contrives daring sexual adventures and brings excitement into Luigi's life,she even gets Luigi involved in a robbery, just for kicks. Poor Luigi doesn't know that thanks to her mental disease, Sonia can get extremely jealous and is capable of cold blooded violence when she's under strain ... The movie focuses mainly on the interactions of characters and Sonia's malignant influence on Luigi's behavior,although it doesn't lack blood and several instances of violence committed by a female character for once. In the most disturbing scene of the movie, Sonia tells Luigi she used pieces of a murdered girl's corpse as ingredients for her meals... The Czech Republic saw a VHS release of "Craving Desire" in 1995.
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4/10
A casual glimpse of life in seaside Italy during the 90s.
MortoCultese17 January 2019
Warning: Spoilers
I have wanted to watch this for a while, because a clip off it has about 1.5 million views on YouTube... Finally a friend found a DVD with english subs.

Luigi has a standard boring life. He goes jogging every morning, eats healthy, works in a company where his boss, his boss' fiancée and all 9 secretaries love him, and is about to marry the local tycoon's only daughter.

Obviously this can't last.

Enter Sonia, his distant cousin he hasn't seen in years. She just happens to be in town, as her parents have mysteriously disappeared (you might think you can guess what happened to them, but wait til you know why!). Sonia seduces Luigi and introduces him to all the cool things in life, like shoplifting, threesomes, dogging, and armed burglary.

If you think this sounds far-fetched, there's also black magic, bloodsucking, incest, bondage, murder (naturally), and cheating. A lot of cheating.

It's a ludicrously bad, yet enjoyable movie, with some memorable scenes and a lot of stylized erotica. Too glossy for a B-movie, too contrived for anyone else.

Apologies for spoiling way too much, I just wanted you to know what you're in for. If that sounds like your thing, you'll have a great time.
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1/10
Mainstream nonsense from past.
alexferdman-9860230 September 2018
Sure as all mainstream its done properly by status quo ideas. So, why the heck I gave it one star? Because its all fake and misleading. Life in Ivory Tower none of my business. Spoiled brats behave as ruling class always behave--without consideration for common law. Yeah, yeah, things moving smoothly, characters developing etc--but this illusion of reality didn't manage engage me. The more things change the more they stay the same--too bad.
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8/10
Craving Desire
BandSAboutMovies17 June 2023
Warning: Spoilers
I had no good expectations of this movie, as movies from the 90s by Sergio Martino - Foxy Lady, La regina degli uomini pesce, Mozart is a Murderer - have been a mixed bag. Most of the reviews online were pretty rough on it as well. And then I remembered - you alone judge whether or not a movie is a success. It is only a success to you, the viewer, if you enjoy it.

And I loved this.

Luigi (Ron Nummi) seemingly has it all. A great house, lots of money, a rising career and a ring on the finger of Cinzia (Simona Borioni), his rich soon-to-be wife. But none of it excites him. What does is when his young cousin Sonia (Vittoria Belvedere) comes to stay at his place and insinuates himself into his life. His fiancee instantly hates her, but you can get her point. Sonia is pretty much like a statue created by one of the sculptors of Rome's artistic past that has come to life.

You can also see why Luigi is tempted. His fiancee wants to discuss money issues and appointments even while they have sex. Before you know it, he's forgotten her and the idea that incest is kind of creepy and is right between the thighs of an angel. Or a demon. Or, you know, demons are truly fallen angels.

I'm always a fan of movies where male characters suddenly have all of their sexual fantasies come true and then realize that they are not prepared to be a part of them. Usually, these filthy thoughts last just long enough for men to get pleasure, but the idea that you have to have a life with fantasy can be frankly exhausting. And dangerous. And when the object of your desire may be not just a bit strange but a literal maniac that perhaps even eats human flesh, well, you may be on your own.

Things go from sex all the time to sex in every room to sex in public to picking up women in discos to public couple swapping in the middle of a diamond store robbery while Luigi has Sonia's panties on his face. Yes, really.

What he doesn't know is that his new lover can go from sexually charged lover ready to do anything for you to a jealous killing machine who even experiments with black magic, eating those she kills and showing up at your office to sleep with your boss.

With a story co-written by Umberto Lenzi (uncredited) and Maurizio Rasio (credited), this is every bad girl cliche wrapped into one and ending with an absolutely ridiculous battle between the two leads, as she - -clad in lingerie - ties him up and decimates him, including one moment where she kicks him literally in the heart with a stiletto heel.

Martino has ended so many movies atop a building and this is no different. Also, like so many giallo, it also closes with a mannequin launched off said building. I am for all of these things.

If Vittoria Belvedere had been around in 1972. She'd be mentioned in the same sentence as all of the giallo queens that Martino featured to the best of his abilities. Sure, this in no way outshines anything that the director made in his glorious past, but I put aside those thoughts and everything I read in advance.

It's strange, because when I watch 90s Argento, I just get sad as past glories seem so far away. Yet Martino has always excelled at story instead of style, so I can still find so much to love even in his later work. There are moments in here that made me laugh in sheer pleasure. That's all that we can ask from a movie.
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