Directed by
Michael Lange |
Writing Credits
Caroline Doyle | ... | (written by) & |
Jill Kargman | ... | (written by) (as Jill Kopelman) |
Cast (in credits order)
Produced by
Caroline Doyle | ... | associate producer |
Karen Jaroneski | ... | co-producer |
Jill Kargman | ... | associate producer (as Jill Kopelman) |
Galt Niederhoffer | ... | producer |
Alex Orlovsky | ... | co-producer |
Randy Simon | ... | executive producer |
Ernst Etchie Stroh | ... | producer (as Etchie Stroh) |
Daniela Taplin Lundberg | ... | producer (as Daniela Soto-Taplin) |
Music by
Jimmy Harry |
Cinematography by
Rodney Charters |
Editing by
Anita Brandt Burgoyne | ... | (as Anita Brandt-Burgoyne) |
Casting By
Richard Hicks | ||
Ronnie Yeskel |
Production Design by
Jody Asnes |
Art Direction by
Cherish M. Hale | ... | (as Cherish Magennis) |
Luna Hirai |
Set Decoration by
Jocelyn Mason |
Costume Design by
Deirdra Elizabeth Govan | ... | (as Deidra E. Govan) |
Jimmy Hanrahan | ... | (as Jimmy Hanrnhan) |
Makeup Department
Angela Gallagher | ... | assistant hair stylist / assistant makeup artist |
Greg Griner | ... | hair stylist: Joan Rivers |
Dina Sliwiak | ... | hair department head (as Dina Sliwak) / hair designer (as Dina Sliwak) |
Production Management
Dashiel St. Damien | ... | production manager |
Second Unit Director or Assistant Director
Jennifer Bures | ... | second unit director |
Dirk Craft | ... | first assistant director |
John J. Hermansen | ... | second assistant director (as John Hermansen) |
Art Department
Charles Bella Fiore | ... | property master |
Isaac Mace-Tessler | ... | art department production assistant |
Sound Department
Damian Canelos | ... | production sound mixer |
Scott Cannizzaro | ... | adr mixer |
Evan T. Chen | ... | re-recording mixer |
Louie Duran Jr. | ... | stereo sound consultant |
Dean Hovey | ... | supervising sound editor |
Markus Innocenti | ... | dialogue editor |
Nicholas James | ... | supervising adr editor |
Shawn Ian Kerkhoff | ... | assistant sound editor |
Dave Kustin | ... | sound facilities coordinator |
Mark McBryde | ... | adr mixer |
Michael Mullane | ... | foley editor |
Dan Paikin | ... | boom operator |
Timothy Pearson | ... | foley artist |
Matthew Spain | ... | additional boom operator |
Noah Timan | ... | additional sound mixer |
Visual Effects by
David Fred Masselink | ... | optical effects line-up |
Christopher Dusendschon | ... | in-show optical process and effects compositor: THDX (uncredited) / main title sequence and end credits: THDX (uncredited) / optical element Hazeltine colorist: THDX (uncredited) |
Camera and Electrical Department
David Harges | ... | key grip |
Dan Kubicek | ... | grip |
Juliet Lofaro | ... | still photographer |
Scott Miller | ... | gaffer |
Eneil Simpson | ... | still photographer |
Quinn Stone | ... | grip (as Quinn Pawlan) |
Cliff Weisner | ... | best boy electric |
Costume and Wardrobe Department
Eileen Goh | ... | costumer |
Editorial Department
Christopher Blackledge | ... | post-production coordinator |
Kelley Dixon | ... | first assistant editor |
Chris Regan | ... | color timer |
Location Management
Brian Reingold | ... | location manager |
Daniel Sollinger | ... | location manager |
Music Department
Marc Ellis | ... | composer: song "The Intern Song" |
Luke Janklow | ... | music supervisor |
Script and Continuity Department
Michele Jelley | ... | script supervisor |
Additional Crew
Tim Albrecht | ... | choreographer |
Ed Baran | ... | publicist |
Rob Feld | ... | production resources |
Damian Greco | ... | assistant production accountant |
Thanks
Michael Stewart Grant | ... | special thanks |