Dani Leventhal's PlatonicThis review, I think, might best be understood as an example of “slow criticism.” This is a term coined by Filmkrant editor Dana Linssen to describe “wayward articles,” ones that have a personal or political element that is somehow not timely. We can imagine that the reverse of this is “fast criticism,” the up-to-the-minute report from a film festival, the 140-character response tweeted out the minute the first press screening is over. These thoughts are not timely. The Whitney Biennial closed on June 11th, and the film program screened its final program on May 21st. So although I expect many of these films to have a life long after their appearance at the Whitney, I am not providing any kind of late-breaking news flash from the film or art world by writing about these works in this forum.But in a way, that is the point. Even...
- 8/1/2017
- MUBI
There's been a snafu with my Tiff credentials so I'm currently in limbo. Therefore today's listing is not an 'Omg Look What Prezzies I Get in September' humble brag, merely today's listing. Which of these 46 films hitting Toronto (not a complete list) are you most excited for? If I do go to Toronto I may well use you readers as film-picking guide.
Tiff Lineup So Far
100s more films to come
(If we've already covered the film somehow, it's linked up)
I demand custody of... your Oscar!
Black and White (Mike Binder) - Kevin Costner reunites with his Upside of Anger helmer for a racial custody battle drama. Octavia Spencer co-stars
Breakup Buddies (Ning Hao) - a "raunchy romantic comedy"
Cake (Daniel Branz) directs Jennifer Aniston and other stars in this drama about a depression support group
Coming Home (Zhang Yimou) - Gong Li doesn't remember her husband, returned from mail,...
Tiff Lineup So Far
100s more films to come
(If we've already covered the film somehow, it's linked up)
I demand custody of... your Oscar!
Black and White (Mike Binder) - Kevin Costner reunites with his Upside of Anger helmer for a racial custody battle drama. Octavia Spencer co-stars
Breakup Buddies (Ning Hao) - a "raunchy romantic comedy"
Cake (Daniel Branz) directs Jennifer Aniston and other stars in this drama about a depression support group
Coming Home (Zhang Yimou) - Gong Li doesn't remember her husband, returned from mail,...
- 7/23/2014
- by NATHANIEL R
- FilmExperience
This week’s Absolute Must Read: Ian Olds has a long and touching remembrance of helping the late Garrett Scott make the documentary Cul de Sac, one of the greatest, little-seen documentaries ever made. Read and learn how genius comes together. It’s not an easy or pretty process.The second Absolute Must Read: Filmmaker Jennifer Reeves is thankful to be alive and ambulatory after being struck by a car. Send good wishes her way.Simple, but really cool: Phil Solomon posts up a film loop of about 4 frames that Stan Brakhage once gave him. Click Phil’s tiny image to get the embiggened version, which is quite astounding looking.The S.F. Weekly has a brief preview of this week’s Ata Film & Video Festival retrospective at the Roxie. The Weekly calls it “a killer selection of experimental works,” with which I have to agree!While the 2011 San Francisco...
- 4/17/2011
- by Mike Everleth
- Underground Film Journal
It's been ridiculed everywhere, but James Nguyen's labour of love is anti-mainstream film-making at its most convincing
The question "What movies are you looking forward to?" is common enough in chats about film, but I've struggled with it this year. Over the past couple of months, however, I've found the answer: Birdemic: Shock And Terror.
Birdemic is already being hailed as one of the worst films ever made: the acting, dialogue, special effects, pretty much everything about it has been held up to ridicule. But while I am sure I'll be giggling along with the rest of the audience at the movie's shortcomings, that's not why I'm looking forward to it. I like what it represents. It's a truly independent production in times when "indie film" means as much as "indie music" – a tag, a label far removed from its original meaning; all the major studios have long had their fake indie imprints.
The question "What movies are you looking forward to?" is common enough in chats about film, but I've struggled with it this year. Over the past couple of months, however, I've found the answer: Birdemic: Shock And Terror.
Birdemic is already being hailed as one of the worst films ever made: the acting, dialogue, special effects, pretty much everything about it has been held up to ridicule. But while I am sure I'll be giggling along with the rest of the audience at the movie's shortcomings, that's not why I'm looking forward to it. I like what it represents. It's a truly independent production in times when "indie film" means as much as "indie music" – a tag, a label far removed from its original meaning; all the major studios have long had their fake indie imprints.
- 5/26/2010
- by Phelim O'Neill
- The Guardian - Film News
First the history, then the list:
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
- 5/3/2010
- by Mike Everleth
- Underground Film Journal
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