Bolivia (1999) Poster

(1999)

User Reviews

Review this title
17 Reviews
Sort by:
Filter by Rating:
8/10
Short but moving
scruffy-1313 March 2006
Bolivia is filmed entirely in black and white, contains almost no score, and 90% of it takes place in the same setting - a quaint, run-down café frequented by Argentinian regulars.

It sounds slow but captivates for the entirety of its short duration. The movie follows an illegal immigrant, Freddy, who is trying to make his way in the country as he struggles to deal with intolerant locals. He supports a family back home and wants them to join him in Buenos Aires when he saves up enough money.

The film delivers a powerful message about xenophobia and poverty in South America in the modern era. Despite its short length, it is one of my favorite foreign films to date.
6 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A Jim Jarmusch setting in Argentina
edithjeroen3 February 2002
In a small bar/restaurant, at a corner in Buenos Aires Argentina, a Bolivian immigrant finds a job as a cook. His experiences and those of the locals in the bar are used by the director to tell us a story about life of working class people in nowaday Argentina. The film is almost entirely shot in the bar. The scenery, discussions in the bar, and development of the drama have a Jarmusch like quality.

The film won the critics-price in the International Film Festival Rotterdam. Highly recommended!
4 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
A grim, stark, but rewarding little movie
buff-2928 February 2003
Freddie is a Bolivian in Buenos Aires, working as a cook in a small bar/restaurant. His contact with the owner, the working-class customers, and his co-workers tells a story of poverty, intolerance, violence, and despair in contemporary Argentina. This brief (75-minute) film is well worth the effort you may have to make to seek it out. First rate.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Director's techniques
nicolas-prandi21 May 2011
Bolivia is a relatively short and simple movie which contains many cinematographic techniques which transmit different messages and themes to the audience. The plot of the film revolves around an immigrant from Bolivia who finds a job in Argentina as a cook at a restaurant-bar. The director uses several different camera shots as a means of revealing the main setting, in the restaurant, and providing insights on the new life of the newcomer. Moreover, through the use of high angles at certain points and the black and white coloring of the whole movie, the author lets the audience know that there is a bigger issue which drives the whole movie… racism. This issue is hinted at by the angles and color of the filming, but then it is made evident by the dialogue which is exchanged by people at the bar and the actions which follow up. The movie is certainly worth watching with an artistic and appreciative eye.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
How to spend only $2.- and film a story.
hkesselm6 March 2002
The life of illegal immigrants, in Buenos Aires or in another place in the world, is a black & white life, the colors are off. For telling the routine of a Bolivian cook, alone, sleeping in a bar, with his wife and children living 1500 miles away, disturbed everyday by police asking for his papers, white and black are enough. You won't find here famous actors or great special effects. Almost the whole movie occurs in a cheap neighbourhood bar. But the story is universal, it could be a Turkey in Munich, a Tunisian in Marsella or a Mexican in Los Angeles.

Hector Kesselman, Buenos Aires, Argentina
14 out of 17 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
short film Slice of life Realism in Argentina
dfwforeignbuff28 December 2009
Bolivia (2001) This is the first feature-length film from director Israel Adrian Caetano. It was an Argentinean & Dutch Production. Filmed in black & white & on a low budget the film was shot 3 days a week over a period of three years. Kind of a neo-realism slice of life film the mostly plot-free film is confined to a café-bar in the lower-middle class Buenos Aires suburb of Villa Crespo, with few trips outside. It tells the story of Freddy (Freddy Flores), a Bolivian with a gentle disposition, who, after Americans burn down the coca fields where he is employed, loses his job. With little work opportunities in Bolivia, he leaves his wife & three daughters & travels to Argentina to search for employment as an undocumented worker. He hopes to make money & later return to his family. He lands a job as a grill cook in a seedy Villa Crespo café where the owner (Enrique Liporace) is happy to skirt Argentinean immigrant laws in order to secure cheap labor. It is in this café that Freddy meets the characters who affect his life: Rosa (Rosa Sanchez), a waitress of Paraguayan/Argentine descent, & an outsider by virtue of her mixed heritage; Hector (Hector Anglada), a traveling salesman from the province of Córdoba who's gay; a Porteno taxi driver (Oscar Bertea), & one of the driver's buddies. Freddy also has to deal with various Argentine café patrons who view all Paraguayans & Bolivians with disdain due to their ethnicity. The film gives us a realistic portrayal of racism immigrant labor & prejudices in Argentina. Cateano used professional & non professional actors. Freddy Flores was a local non professional. Other reviewers state this film is for art film students only. I disagree. All interested in foreign film & film in South America & Argentina will like this film. It very realistic & I enjoyed it. This short 75 minute film about poverty, intolerance, violence, & despair in contemporary Argentina is powerful & I recommend it. This is a universal story. 3 or 4 stars.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The immigrant
jotix10024 September 2006
Warning: Spoilers
Argentina, like some countries in the industrialized world, is being invaded by illegal immigrants from neighboring countries, mainly, Paraguay and Bolivia, where the poorly paid workers believe in going away in search of badly needed money to feed the family they left behind. These poor, unskilled workers are in for a big surprise: the people of the countries they immigrate to, don't want them! Never mind they only take the work that no one else wants to do.

The story of Freddy, a Bolivian, is probably universal. As he arrives in Buenos Aires, he finds work in the small restaurant owned by Enrique, who promises to pay Freddy fifteen pesos a day, which is not even five dollars! With that, Freddy has to live and try to save to send home to his wife and children in La Paz. Freddy is expected to work from 7 in the morning until late at night. He is basically the only employee in the place, where he is a cook, tends bar, and does everything the boss, Enrique expects him to do. The other employee, Rosa, is from Paraguay.

At the bar, a series of low-life individuals gather to socialize, watch television, as they use the place as their own club. Oso, the unemployed taxi driver is the first one to show his own prejudice against Freddy, who has not been disrespectful to him. Oso complains about how the illegals are taking over. He knows it well because, he, himself, is from Uruguay and has found a home in Buenos Aires. Oso will be instrumental in what happens to Freddy at the conclusion of the story.

After his first day in the restaurant, we follow Freddy as he roams the streets of the neighborhood next to the place he works. He is stopped by two policemen who not only are rude to him, but in their eyes, he is guilty of something they haven't decided about. Freddy ends the night in a lonely bistro where he orders coffee and falls asleep. Rosa, the kind waitress, takes pity on him the following night and takes him to the hotel where she has a room. Before that, they have stopped at a club that caters to Bolivians, and Freddy, who has drunk a bit too much, makes a pass at Rosa.

Adrian Caetano, the director, also co-wrote the screen play with Romina Lafranchini. "Bolivia" packs a lot in only 75 minutes of screen time. Mr. Caetano plays with our emotions in the way he presents a good man who is willing to work, yet, circumstances beyond his control make him the butt of the hatred people feel about the poor immigrant who is only doing a minimal job to survive. Mr. Caetano, uses the gritty black and white cinematography of Julian Apezteguia to surprising results.

Freddy Flores is seen as the Bolivian man trying to eke out a living for himself and his family. Mr. Flores is a natural, as we never feel he, or for that matter, the rest of the cast, acting. Rosa Sanches is perfect as the stoic waitress who never tells us anything about herself. Enrique Laporace makes an excellent contribution as the owner of the restaurant. Oscar Bertea plays the brutish Oso.

"Bolivia" is a small film, but it holds our attention because of what director Adrian Caetano has done with the story about human beings that roam the globe in search of a meager salary, for them and their families, only to get the scorn from the people that benefit from their labor.
10 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
What a film!!!
liston154 September 2005
This film sums up what's good about small cinema. They spend millions of dollars on rubbish movies and then this classic is produced on a shoestring. I thought the use of the football and boxing footage worked well, and overall it is a fantastic film from start to finish. Having just watched Crash, it is interesting to contrast the clichéd approach to racial tension in that film to the delicate yet ultimately more powerful way this film deals with the same theme. What a shame that, judging by the lack of response to this film, not very many people have seen it. Can anyone recommend films of this type that might be worth watching.
7 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
The story of an immigrant in a hard city.
miguelfeyfer27 June 2007
There are movies that shows you how hard can life be for people considered different or out of place. We know that Adrian Caetano is quite an expert in such films. "Bolivia" is not an exception. Really good, makes you think about facts that seems quite normal in our countries.In Argentina the Bolivian or Paraguayan people are generally unwanted immigrants, as Argentinians are unwanted in other places like USA, Italy or Spain. This movie shows clearly how can individual tragedies be part of social discrimination. Considered as "Nuevo Cine Argentino", Caetano's filmography should be watched carefully, being a good director that tells simple but deep stories.
3 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Slow but it has a lot of depth
r-albury28 May 2011
Warning: Spoilers
This movie seemed slow and unimpressive at the beginning. As the movie progressed, however, its true depth was evident. It is a true representation of the life of an immigrant in a foreign community filled with prejudice, but it is not the stereotypical coming to America story. Freddy, an illegal immigrant in Argentina, struggling to support his family back in Bolivia slowly, and almost silently, wins the hearts of the audience and the story shines through despite the strange camera angles and the footage being in black and white. The majority of the film takes place around the bar in the small corner café and the prejudice is evident in almost every interaction, be it in the soccer game on TV or in the face to face encounters that happen across the bar. In the final scene, after Freddy's death, the bar owner simply replaces his 'help wanted' sign, showing that to him Freddy was nothing more than a means to an end and is easily replaced.
2 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
75 minutes of pleasure
boudu_sauve_des_eaux9 November 2002
Xenophobia in the third world. Can you believe that. Caetano is possibly the most interesting Argentine director of the 2000s. There is no heros here. Only good characters in a interesting urban collage. Short and entertaining. 8/10
9 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
nah, I don't think so...
llanero4 December 2006
Warning: Spoilers
plot=0 shooting=0 script=1 direction=5 photography=nil acting=pretty poor

This movie could have been entirely shot with a personal VCR. The script could have been written by an average Argentinian on a piece of paper, nothing original. Perhaps it causes a certain effect on people outside Argentina, but I can compare it with below-mediocre locally oriented films such as "The Firm" or "Meantime" from the UK. Sorry, this film does not do for me, there is no art behind this socially motivated short story. In the same line of socially motivated films you'll find finer examples on Argentine cinema: "Buenos Aires, Viceversa" or "El Polaquito". I have to believe this film was more an experiment than a full scale movie.
4 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
so real
ronaldreinds21 November 2004
i've seen this movie about 6 times now. and with me a growing number of people in honduras. this country lives on the American dream, so this is a eye opener for them. it shows the real live illegals have. the rough and tough conditions in which they live and work, the in hospitality of the people around them. the introduction of the movie is simply superb and already lays an underground for the rest of the film. shot on 16 mm black and white, the movie has an immense draw to it. and it doesn't matter that the acting is rough on the edges, it just ads. it has made some honduras think things over, but they probably still will go. fits in with La Ciudad and El Norte.
5 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
2/10
I can't believe I watched the whole thing
domonkos4912 February 2012
In the words of the immortal Johnny Mac, "You cannot be serious!" This snoozer is the most lackluster thing I've had the misfortune of subjecting myself to in a good while. You know, you read these reviews (the ones from the Voice and the Times) and you get conned into thinking there's something there. It must be the Tabula Rasa thing; they project all manner of hidden meaning onto these blank canvasses (oh, it's all so very symbolic). Sure it is. Less is not always more. Minimalism in this case means minimal plot, acting chops and scriptwriting. Want to make big splash at Cannes? Say nothing and the emperor's new clothes syndrome will take over from there. This thing is as tedious as "Uncle Boonme who's ancestors were as turgid and dull as he was", another Cannes con.
1 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
1/10
Racist Film Pretending to be Objective
supergrandefilms-120 May 2009
Warning: Spoilers
Just watched this film and it is not an objective representation of life in Buenos Aires. It is clearly subjective and 100% racist. Check out the opening soccer sequence with its skewed perspective and you get the picture.

In general terms, it's all low grade B&W mud just like this poor excuse of a film. From the beginning till the end... the script and filmmaker's POV perpetuates separation between countries and cultures.

Ultimately, what makes this story thematically xenophobic is that the Bolivian protagonist is murdered with no accountability, thus the filmmaker's message is... that's it's okay to be a racist.

How would the Director like it if we made a movie about crack whores from Montevideo working in Buenos Aires and called it... URUGUAY?
0 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
not the best, but not the worst
abigail-sawyer11 May 2011
Adrián Caetano presents an interesting twist on the story of immigration. Instead of the typical poor worker from South America struggling to cross the border and survive in the United States, we get a different perspective with immigration within South American countries. This topic is very under-represented in the media although in reality it happens quite frequently. Also highlighted in this film is the racial discrimination that is all too prevalent throughout South America. The main character Freddy struggles to win the respect of the Argentine customers of the café that he works at.

Artistically filmed in black and white, the characters seem frozen in time and very distanced from the audience. It's as if we are watching it all play out on a documentary running on the History Channel. An interesting aspect is the television that is constantly showing some soccer game, usually between Argentina and Bolivia, symbolizing the hostility between the two countries that are forced to coexist within the café.
0 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
A short film too long
psangiao16 September 2020
This was an example of what they called "the new Argentinian cinema". Looks like filmmakers school goodnproyect, not more than that.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed