The center of every good drama is some situation created by human beings, characters. Certainly that is true of this picture in which the two leading characters (at bottom, just man and woman) are clearly blocked out and deeply interesting. It is an offering with much distinction and human value. Its producer shows individuality in a remarkable degree. There is room for growth and improvement. Art always has been long and only achieved by painstaking thought and honest self-criticism. It seems to us, just now, that his worst fault gives the brightest promise of better work than any one has given to us yet. The fault is over-boldness. The audience also has imagination and the spectators most worth while like more subtlety. They are most pleased when they feel that the producer has left something, not too much, for them to do. The situation chosen in the first place is dramatic and full of possible tragedy. The Indians around a frontier fort are dissatisfied and ready to go on the war path. The head chiefs son and heir is in the East at college. The chief dies and the United States government recalls the son to rule over his tribe. He comes to the fort. The situation must be handled by the soldiers delicately, but the major's daughter finding life dull at the post is like Satan looking for trouble. She sees the college bred chief arrive and sees her chance. The way she makes use of it is strong as pictured. It is true and gets over, is more effective than the result of her foolish work which seems soft, at least in comparison, because the struggle in the heart of the chief that brings if about is not suggested. The man's face, solemnly earnest and his training make it possible; but we didn't expect it. Yet it is so strong that few will feel any dissatisfaction with it. Romaine Fielding is author and producer and plays the redman. Mary E. Ryan plays the girl; Rob. Adair, the lieutenant; Richard Wangemann, the major; Mrs. Nellie Cytron, the girl's mother, and Geo. Clancy the ranchman. The soldier on guard deserves mention. - The Moving Picture World, November 30, 1912