Departures
Many viewers would be touched by the tale of an aspiring cellist, who accidentally becomes a mortician (an undertaker or a funeral director, to some) when he loses his dream job with a symphony orchestra. Many would even be stupefied by the ingenuity of the filmmakers to pick up a seemingly unique subject such as “encoffinment” as a subject for a feature film. Many others would be in awe of the Asian traditions that respect the dead, the elderly, and the institution of marriage until (and beyond!) “death do us part”. Many others would be equally intrigued by the Asian traditions that consider associating any profession relating to the dead as being somewhat demeaning and not worthy of public stature.
Director Yojiro Takita’s film is loosely based on Aoki Shinmon’s autobiographical book The Coffin Man, which was subsequently adapted for the screen by the scriptwriter Kundo Koyama.
Many viewers would be touched by the tale of an aspiring cellist, who accidentally becomes a mortician (an undertaker or a funeral director, to some) when he loses his dream job with a symphony orchestra. Many would even be stupefied by the ingenuity of the filmmakers to pick up a seemingly unique subject such as “encoffinment” as a subject for a feature film. Many others would be in awe of the Asian traditions that respect the dead, the elderly, and the institution of marriage until (and beyond!) “death do us part”. Many others would be equally intrigued by the Asian traditions that consider associating any profession relating to the dead as being somewhat demeaning and not worthy of public stature.
Director Yojiro Takita’s film is loosely based on Aoki Shinmon’s autobiographical book The Coffin Man, which was subsequently adapted for the screen by the scriptwriter Kundo Koyama.
- 4/17/2010
- by Jugu Abraham
- DearCinema.com
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