When a Ping Pong anime series was first announced in early 2014, I had to ask: Why? Taiyo Matsumoto’s manga had already been adapted to film back in 2002. Directed by first-timer Fumihiko Sori with a script by rising star Kankuro Kudo, the film launched the career of actor Shido Nakamura. It even came with songs by Supercar and Boom Boom Satellites. I couldn’t imagine anything better than that. When I learned Masaaki Yuasa was directing the series, I became even more curious – and confused. Yuasa was one of my all-time favorite anime directors (and still is.) His 2007 science fiction series Kaiba changed my vision of what TV anime could be. He would have been a great fit to adapt Yuasa’s epic No. 5 . Instead he was hired to go back over old ground. I didn’t understand why at the time. Now I recognize that of all Matsumoto’s comics,...
- 4/11/2024
- by Adam Wescott
- Crunchyroll
Mermaid fairy tales have enjoyed lasting popularity since Andersen's “The Little Sea Maid” and La Motte-Fouqué's “Undine”. Recent (unequal) reboots can further attest to this enduring appeal. Nothing surprising when considering the universality of these legendary creatures across civilizations and times. As for Japanese folklore, the Ningyo has gained a significant prominence not long ago through Miyazaki's “Ponyo” (2008). Just a decade later, the director of the celebrated “Mind Game” (2004), Masaaki Yuasa, developed his own rendition, this time in the form of a coming-of-age narrative.
on Amazon by clicking on the image below
Kai Ashimoto, a taciturn and disillusioned middle school student, is raised in a small coastal town by a single father in the handcrafted umbrella shop of his grandfather, a retired fisherman. After being exposed for posting music demos online, he agrees to join his classmates, the wannabe Yuho and the carefree Kunio, in a rock band named Seiren,...
on Amazon by clicking on the image below
Kai Ashimoto, a taciturn and disillusioned middle school student, is raised in a small coastal town by a single father in the handcrafted umbrella shop of his grandfather, a retired fisherman. After being exposed for posting music demos online, he agrees to join his classmates, the wannabe Yuho and the carefree Kunio, in a rock band named Seiren,...
- 3/2/2024
- by Jean Claude
- AsianMoviePulse
In the contemporary field of Japanese animation, no one makes films and TV shows like Yuasa Masaaki. Compared to the lifelike backgrounds and careful detailing of facial animations that typify much of anime, Yuasa’s mash-ups of disciplines and methods recall the unorthodox approaches of Don Hertzfeldt and Soviet-era Hungarian animators like Marcell Jankovics and György Kovásznai. But Yuasa’s north star—in underlying motivation, if not aesthetic—may be Tex Avery, whose brand of unpredictable comedy can be seen in the filmmaker’s willingness to upend character continuity and even the fundamental outlines of drawings for the sake of pursuing a joke or feeling to its most outlandish conclusion.
The plots of the five films included in Shout! Factory’s new box set are, however fantastical their framings, often elementally simple, and many have reference points in another anime films and shows. A kind of lysergic take on Miyazaki Hayao’s Ponyo,...
The plots of the five films included in Shout! Factory’s new box set are, however fantastical their framings, often elementally simple, and many have reference points in another anime films and shows. A kind of lysergic take on Miyazaki Hayao’s Ponyo,...
- 12/12/2023
- by Jake Cole
- Slant Magazine
Akuma Kun is a supernatural mystery Shōnen anime series. The Netflix series is the 2nd adaptation of the Shigeru Mizuki hit manga series, it also serves as the sequel to the 1989 series. The Netflix series is set 30 years after the events of the original series and it revolves around a boy genius named Ichiro Umoregi, who was raised by demons he investigates cases that are caused by demons with the help of his partner, Mephisto the 3rd. So, if you loved Akuma Kun here are some similar anime you could watch next.
Akuma-Kun
Synopsis: As death loomed over him, Dr. Faust predicted the coming of a new era dominated by demons. Powerless to combat this looming threat, he entrusted his faith to Shingo Yamada, a young boy marked by birth as the chosen warrior destined to fight against evil. To aid them, Faust summoned the hesitant demon Mephisto, forming a binding agreement.
Akuma-Kun
Synopsis: As death loomed over him, Dr. Faust predicted the coming of a new era dominated by demons. Powerless to combat this looming threat, he entrusted his faith to Shingo Yamada, a young boy marked by birth as the chosen warrior destined to fight against evil. To aid them, Faust summoned the hesitant demon Mephisto, forming a binding agreement.
- 11/14/2023
- by Kulwant Singh
- Cinema Blind
Castlevania: Nocturne is a spin-off series of the hit series Castlevania. Created by Clive Bradley, the Netflix original series is based on a video game series of the same name. Castlevania: Nocturne is set in 1792, during the French Revolution and it follows the story of Richter Belmont, as he joins forces with hunters and magicians to prevent an apocalypse. So, if you love the Castlevania spin-off series here are some similar anime you could watch next.
Castlevania (Netflix) Credit – Netflix
Synopsis: Inspired by the computer game series of the same name, Castlevania is an animated series that centers on Vlad Dracula Tepe (Graham McTavish), who’s attempting to wipe out humanity as retribution for the Church burning his wife Lisa (Emily Swallow) at the stake. It appears that no one can stop the hurricane of destruction that Dracula has unleashed upon 15th-century Eastern Europe. But vampire hunter Trevor Belmont (Richard Armitage...
Castlevania (Netflix) Credit – Netflix
Synopsis: Inspired by the computer game series of the same name, Castlevania is an animated series that centers on Vlad Dracula Tepe (Graham McTavish), who’s attempting to wipe out humanity as retribution for the Church burning his wife Lisa (Emily Swallow) at the stake. It appears that no one can stop the hurricane of destruction that Dracula has unleashed upon 15th-century Eastern Europe. But vampire hunter Trevor Belmont (Richard Armitage...
- 9/29/2023
- by Kulwant Singh
- Cinema Blind
This review may contain spoilers.
Yusuke Hirota makes his directorial debut with STUDIO4 ºC on “Poupelle of Chimney Town” (2020). The director is not new to the film scene, however. Hirota previously worked with the studio as a CGI artist on projects like “Berserk” (2012) and “Mind Game” (2004). Likewise, “Poupelle” is not news, either. Comedian-turned-author Akihiro Nishino worked closely with Hirota to make “Poupelle” an extension of his previously published storybook. While the book covers around “three to four chapters” of Nishino’s ideas, the film intends to cover around “ten” – making it effectively an extension of the world that the book began.
“Poupelle of Chimney Town” is screening at Vesoul International Film Festival of Asian Cinema
As a result, “Poupelle of Chimney Town” (the movie) feels like a hodgepodge of storylines that combine into one. Here, under the walled, smog-covered skies of Chimneytown, Lubicchi (Mana Ashida) is a lonely chimney sweep.
Yusuke Hirota makes his directorial debut with STUDIO4 ºC on “Poupelle of Chimney Town” (2020). The director is not new to the film scene, however. Hirota previously worked with the studio as a CGI artist on projects like “Berserk” (2012) and “Mind Game” (2004). Likewise, “Poupelle” is not news, either. Comedian-turned-author Akihiro Nishino worked closely with Hirota to make “Poupelle” an extension of his previously published storybook. While the book covers around “three to four chapters” of Nishino’s ideas, the film intends to cover around “ten” – making it effectively an extension of the world that the book began.
“Poupelle of Chimney Town” is screening at Vesoul International Film Festival of Asian Cinema
As a result, “Poupelle of Chimney Town” (the movie) feels like a hodgepodge of storylines that combine into one. Here, under the walled, smog-covered skies of Chimneytown, Lubicchi (Mana Ashida) is a lonely chimney sweep.
- 3/2/2023
- by Grace Han
- AsianMoviePulse
By 2007, it was certain animator and director Masaaki Yuasa was going places, after having impressed audiences and critics alike with “Mind Game” and “Kemonozume”. The latter had been awarded the Jury Selection Prize at Japan Media Arts Festival, further cementing its creator’s reputation within the industry and marking him as part of a small group of people who would go on to define the anime genre in the years to come. “Genius Party”, a compilation of twelve animated features, was in many ways a representation of the kind of skill and talent within the industry, with Yuasa contributing “Happy Machine”, which tells the story of an infant and its experiences in the world.
Happy Machine screened at International Film Festival Rotterdam
Having spent his life in a nursery, the baby is used to the structure taking care of everything he needs. However, when it suddenly breaks down, the infant...
Happy Machine screened at International Film Festival Rotterdam
Having spent his life in a nursery, the baby is used to the structure taking care of everything he needs. However, when it suddenly breaks down, the infant...
- 2/9/2023
- by Rouven Linnarz
- AsianMoviePulse
Mubi has announced its lineup of streaming offerings for next month and amongst the highlights are a Ricky D’Ambrose double bill, including his new film The Cathedral, as well as a trio of films by Maurice Pialat, Gaspar Noé’s Vortex, David Osit’s Mayor, Paul Thomas Anderson’s The Master, an expansion of their Tilda Swinton series, and more.
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
Also including films by Tsai Ming-liang, Sky Hopinka, Nacho Vigalondo, Anton Corbijn, and more check out the lineup below and get 30 days free here.
September 1 – Classical Period, directed by Ted Fendt | Ted Fendt Focus
September 2 – 2 Days in New York, directed by Julie Delpy
September 3 – Timecrimes, directed by Nacho Vigalondo
September 4 – Małni – Towards the Ocean, Towards the Shore, directed by Sky Hopinka
September 6 – Mayor, directed by David Osit
September 7 – Friendship’s Death, directed by Peter Wollen | The One and Only: Tilda Swinton
September 8 – Hideous, directed by Yann Gonzalez | Brief Encounters
September 9 – The Cathedral,...
- 8/29/2022
- by Jordan Raup
- The Film Stage
Hybrid is probably the word to best suit Michael Arias’ “Tekkonkinkreet”. Based on Taito Matsumoto’s manga “Black & White”, it is the story of Yin and Yang brothers Kuro (“Black”) and Shiro (“White”) as they battle to save their home from adults, greedy bad guys and inner demons.
Tekkonkinkreet is screening at Japan Society
Treasure Town is an island in the middle of the city – a lawless neighborhood that nobody runs, but everybody claims. Children run the streets, to the annoyance of the yakuza; while the police holds little real power. But this is the chaotic order in place. That is until Hebi and his evil empire want to raze Treasure Town to the ground and build an amusement park in the name of profit. This evil force unites the inhabitants against this outsider as they gradually realize the plans in place, and it’s up to out two young heroes to fight back.
Tekkonkinkreet is screening at Japan Society
Treasure Town is an island in the middle of the city – a lawless neighborhood that nobody runs, but everybody claims. Children run the streets, to the annoyance of the yakuza; while the police holds little real power. But this is the chaotic order in place. That is until Hebi and his evil empire want to raze Treasure Town to the ground and build an amusement park in the name of profit. This evil force unites the inhabitants against this outsider as they gradually realize the plans in place, and it’s up to out two young heroes to fight back.
- 8/28/2022
- by Andrew Thayne
- AsianMoviePulse
You just know you’re in for a horrible weekend at the box office when six new movies open in over 250 theaters — two of those into more than 1,500 theaters — along with a major nationwide expansion and a 40th anniversary re-release of a beloved classic, and only two of those eight movies make it into the Top 10.
We’ll get into each of those in a bit, but first, we start with Brad Pitt’s action-comedy “Bullet Train,” which remained in first place for a second weekend with 13.4 million, a pretty substantial 55 drop from its opening last week. It has grossed 54.4 million, so far, with no guarantee it might join this year’s 100 million club.
The animated “DC League of Super-Pets” maintained second place with an estimated 7.2 million, but with one major caveat. According to estimates, the Dwayne Johnson-Kevin Hart animated vehicle only made 20,000 more than Tom Cruise’s “Top Gun: Maverick” in its 12th weekend.
We’ll get into each of those in a bit, but first, we start with Brad Pitt’s action-comedy “Bullet Train,” which remained in first place for a second weekend with 13.4 million, a pretty substantial 55 drop from its opening last week. It has grossed 54.4 million, so far, with no guarantee it might join this year’s 100 million club.
The animated “DC League of Super-Pets” maintained second place with an estimated 7.2 million, but with one major caveat. According to estimates, the Dwayne Johnson-Kevin Hart animated vehicle only made 20,000 more than Tom Cruise’s “Top Gun: Maverick” in its 12th weekend.
- 8/14/2022
- by Edward Douglas
- Gold Derby
What Westerners don’t know about Noh — the classical Japanese theater form in which masked dancers gracefully interpret supernatural tales — could easily fill a 12-hour PBS documentary. But who wants to watch that? Certainly not the audience renegade anime director Masaaki Yuasa is after with “Inu-oh,” a rowdy punk alternative focusing on two social rejects whose defiantly original performance style broke all the rules and elevated them to rock-star status, only to be (all but) forgotten by history.
Among the most unpredictable artists of his medium, Yuasa specializes in trippy, off-the-wall anime features such as “Mind Game” and “Night Is Short, Walk On Girl” that recall the work of psychedelic toonsmith Ralph Bakshi at his anti-establishment extreme. Of all the filmmakers now working in Japan, Yuasa is the last one fans would expect to show an interest in the rigorously rule-based world of Noh — until it clicks that his...
Among the most unpredictable artists of his medium, Yuasa specializes in trippy, off-the-wall anime features such as “Mind Game” and “Night Is Short, Walk On Girl” that recall the work of psychedelic toonsmith Ralph Bakshi at his anti-establishment extreme. Of all the filmmakers now working in Japan, Yuasa is the last one fans would expect to show an interest in the rigorously rule-based world of Noh — until it clicks that his...
- 8/12/2022
- by Peter Debruge
- Variety Film + TV
.
“Inu-Oh” (screening theatrically from GKids) represents Masaaki Yuasa’s summary statement about animation, music, history, and rebellion. It’s the culmination of his wildly imaginative and deeply compassionate work about honoring marginalized people. He takes everything he’s explored in “Lu Over the Wall,” “Mind Game,” “Ride Your Wave,” and “The Night Is Short, Walk on Girl,” and explodes it in “Inu-Oh.”
The film’s an anime rock opera set in 14th century feudal Japan about the friendship between two cursed musical performers, who serve as historical versions of modern-day stars with theatrical fearlessness: the real-life, enigmatic Inu-Oh (Avu-chan from fashion punk Queen Bee), a Noh dancer who dramatizes the Heike’s slaughter at sea in the Battle of Dan-no-ura, and Tomona (Mirai Moriyama), a blind biwa player who chronicles the story in song. But the way Yuasa assaults us with dazzling imagery and musical performance, he comes off...
“Inu-Oh” (screening theatrically from GKids) represents Masaaki Yuasa’s summary statement about animation, music, history, and rebellion. It’s the culmination of his wildly imaginative and deeply compassionate work about honoring marginalized people. He takes everything he’s explored in “Lu Over the Wall,” “Mind Game,” “Ride Your Wave,” and “The Night Is Short, Walk on Girl,” and explodes it in “Inu-Oh.”
The film’s an anime rock opera set in 14th century feudal Japan about the friendship between two cursed musical performers, who serve as historical versions of modern-day stars with theatrical fearlessness: the real-life, enigmatic Inu-Oh (Avu-chan from fashion punk Queen Bee), a Noh dancer who dramatizes the Heike’s slaughter at sea in the Battle of Dan-no-ura, and Tomona (Mirai Moriyama), a blind biwa player who chronicles the story in song. But the way Yuasa assaults us with dazzling imagery and musical performance, he comes off...
- 8/12/2022
- by Bill Desowitz
- Indiewire
Inu-Oh (2021).Something strange happens when you watch a film by Masaaki Yuasa. Something strange in the film, and something strange in your mind. It happens on the surface and in the depths, and it works its way from the movements of the film out into the world. It partakes deeply of both Eastern and Western traditions in art, drama, and film—seeming to pull from everywhere while maintaining a focused center. The experience brings to mind Anthony Bourdain’s meditations on his first trip to Tokyo, which he described as transformative, powerful, and violent: “A window opens up into a whole new thing and you think, what does this mean? What do I have left to say? What do I do now?” In Yuasa’s new film, Inu-Oh, this window opens up from the perspective of its two main characters—14th-century musicians who dress like 1970s glam rockers: one who...
- 8/10/2022
- MUBI
I consider Masaaki Yuasa one of the greatest anime directors of our time, one of the few who directs, continuously, titles that are addressed to adults and not children or teenagers, who seem to be the industry’s main target. Starting with “Mind Game” and “Kemonozume”, and continuing with “Ping Pong” and “Space Dandy,” I have cherished all of his works I have seen, and as it turns out, “Night Is Short, Walk on Girl” was no exception.
Night is Short, Walk on Girl will be screening at Japan Society on June 17
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however, whose resolution is to always move forward,...
Night is Short, Walk on Girl will be screening at Japan Society on June 17
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however, whose resolution is to always move forward,...
- 6/3/2022
- by Panos Kotzathanasis
- AsianMoviePulse
There’s more warmth than wisdom in the animated Japanese coming-of-age drama “Fortune Favors Lady Nikuko,” an exceptionally well-realized variation on a by-now familiar anime story: a young girl learns how to love herself and her life in a picturesque seaside town.
The typically impressive craftsmen at the Japanese animation studio Studio 4°C have successfully highlighted the most endearing parts of this mother-daughter dramedy, which is as much about going through puberty as it is about accepting a parent or guardian for who they are.
Director Ayumu Watanabe and supervising animation director–character designer Kenichi Konishi (“Children of the Sea”) capture the halting rhythms and awkward splendor of daily life in a small port town. That makes all the difference in this story about a shy pre-teen who learns not only to look forward to her adolescence, but also how to empathize with her embarrassing single mother.
Also Read:
Crunchyroll...
The typically impressive craftsmen at the Japanese animation studio Studio 4°C have successfully highlighted the most endearing parts of this mother-daughter dramedy, which is as much about going through puberty as it is about accepting a parent or guardian for who they are.
Director Ayumu Watanabe and supervising animation director–character designer Kenichi Konishi (“Children of the Sea”) capture the halting rhythms and awkward splendor of daily life in a small port town. That makes all the difference in this story about a shy pre-teen who learns not only to look forward to her adolescence, but also how to empathize with her embarrassing single mother.
Also Read:
Crunchyroll...
- 6/2/2022
- by Simon Abrams
- The Wrap
Japan in Frankfurt! After two online editions, the 22nd Nippon Connection Film Festival, which will be held May 24 to 29, 2022, will bring the most exciting current Japanese films and culture programs to the city again. Around 100 short and feature-length films showcase the complete range of Japanese cinema – from newcomers to established directors, from anime to documentaries. The film program includes one world premiere, 24 international, eleven European and 30 German premieres. This year’s thematic focus “Stories Of Youth – Coming Of Age In Japan”, supported by the Kulturfonds Frankfurt RheinMain, deals with the lives and challenges of young people in Japan.
The supporting program, which will include more than 60 workshops, concerts, lectures and performances, is more extensive than ever, promising a fascinating festival week outside the cinema as well. For snacks in between, there will be a wide range of Japanese foods and drinks available on the festival grounds.
The events take place...
The supporting program, which will include more than 60 workshops, concerts, lectures and performances, is more extensive than ever, promising a fascinating festival week outside the cinema as well. For snacks in between, there will be a wide range of Japanese foods and drinks available on the festival grounds.
The events take place...
- 4/29/2022
- by Rouven Linnarz
- AsianMoviePulse
Dynamic filmmaking duo, Daniels (Daniel Kwan and Daniel Scheinert), discuss their favorite animated movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Everything Everywhere All At Once (2022)
Swiss Army Man (2016)
Bottle (2010)
Hi Stranger (2016)
Robin Robin (2021)
Chicken Run (2000)
The Eagleman Stag (2011)
Noah (2014)
The External World (2011)
Interesting Ball (2014)
Who Framed Roger Rabbit? (1988)
Looney Tunes: Back In Action (2003)
Ghostbusters (1984) – Axelle Carolyn’s trailer commentary, Randy Fuller’s wine pairing
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s 30th anniversary celebration
Beowulf (2007)
Star Wars (1977)
Wall-e (2008)
Up (2009)
Inside Out (2015)
How To Train Your Dragon (2010)
Cloudy With A Chance Of Meatballs (2009)
The Lego Movie (2014)
Speed Racer (2008) – Josh Olson’s trailer commentary
Solo: A Star Wars Story (2018)
Spider-Man: Into The Spider-Verse (2018) – Dennis Cozzalio’s 2018 year-in-review
Princess Mononoke (1997) – Charlie Largent’s Blu-ray review
Spirited Away (2001) – Charlie Largent’s Blu-ray review
Batman: Gotham Knight (2008)
Cleopatra (1970)
My Neighbor Totoro (1988)
Kiki’s Delivery Service (1989)
Ponyo (2008)
Nausicaä of the Valley of the Wind...
Show Notes: Movies Referenced In This Episode
Everything Everywhere All At Once (2022)
Swiss Army Man (2016)
Bottle (2010)
Hi Stranger (2016)
Robin Robin (2021)
Chicken Run (2000)
The Eagleman Stag (2011)
Noah (2014)
The External World (2011)
Interesting Ball (2014)
Who Framed Roger Rabbit? (1988)
Looney Tunes: Back In Action (2003)
Ghostbusters (1984) – Axelle Carolyn’s trailer commentary, Randy Fuller’s wine pairing
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s 30th anniversary celebration
Beowulf (2007)
Star Wars (1977)
Wall-e (2008)
Up (2009)
Inside Out (2015)
How To Train Your Dragon (2010)
Cloudy With A Chance Of Meatballs (2009)
The Lego Movie (2014)
Speed Racer (2008) – Josh Olson’s trailer commentary
Solo: A Star Wars Story (2018)
Spider-Man: Into The Spider-Verse (2018) – Dennis Cozzalio’s 2018 year-in-review
Princess Mononoke (1997) – Charlie Largent’s Blu-ray review
Spirited Away (2001) – Charlie Largent’s Blu-ray review
Batman: Gotham Knight (2008)
Cleopatra (1970)
My Neighbor Totoro (1988)
Kiki’s Delivery Service (1989)
Ponyo (2008)
Nausicaä of the Valley of the Wind...
- 4/12/2022
- by Kris Millsap
- Trailers from Hell
An animator long showered with awards and critical praise, beginning with his 2004 full-length directorial debut “Mind Game,” Yuasa Masaaki is no stranger to the festival circuit. But Venice, where his new animated feature “Inu-Oh” is screening in the Horizons section, is his first Big Three festival. And his film is the only one from Japan in the lineup.
“I don’t feel that I’m representing Japan or anything like that, but Venice is a festival with a certain status and influence,” he tells Variety in a Zoom interview. “It was the first international festival to invite Kurosawa Akira. And Kitano Takeshi won its biggest prize. So it’s a festival that has recognized the very top people in Japanese cinema.”
The Japanese media has reported that “Inu-Oh,” an animation about how a blind player of the biwa (Japanese lute) and a Noh dancer with a differently formed body created...
“I don’t feel that I’m representing Japan or anything like that, but Venice is a festival with a certain status and influence,” he tells Variety in a Zoom interview. “It was the first international festival to invite Kurosawa Akira. And Kitano Takeshi won its biggest prize. So it’s a festival that has recognized the very top people in Japanese cinema.”
The Japanese media has reported that “Inu-Oh,” an animation about how a blind player of the biwa (Japanese lute) and a Noh dancer with a differently formed body created...
- 9/7/2021
- by Mark Schilling
- Variety Film + TV
From the director of Mind Game and the studio that brought you Ride Your Wave and Keep Your Hands Off Eizouken! comes a historical new tour-de-force.
Inu-Oh is born with unique physical characteristics, and the horrified adults cover every inch of his body with garments, including a mask on his face. One day, he meets a boy named Tomona, a blind biwa player, and as Tomona plays a delicate song of tangled fate, Inu-Oh discovers an incredible ability to dance.
Inu-Oh and Tomona become business partners and inseparable friends, using their creative gifts to survive on the margins of society, as song after song gains them notoriety and propels them to stardom. Through the songs, Inu-Oh mesmerizes his audiences on stage and gradually begins to transform into someone of unequaled beauty. But why is Tomona blind? Why was Inu-Oh born with unique characteristics? It is a story about the friendship of Inu-Oh and Tomona,...
Inu-Oh is born with unique physical characteristics, and the horrified adults cover every inch of his body with garments, including a mask on his face. One day, he meets a boy named Tomona, a blind biwa player, and as Tomona plays a delicate song of tangled fate, Inu-Oh discovers an incredible ability to dance.
Inu-Oh and Tomona become business partners and inseparable friends, using their creative gifts to survive on the margins of society, as song after song gains them notoriety and propels them to stardom. Through the songs, Inu-Oh mesmerizes his audiences on stage and gradually begins to transform into someone of unequaled beauty. But why is Tomona blind? Why was Inu-Oh born with unique characteristics? It is a story about the friendship of Inu-Oh and Tomona,...
- 9/4/2021
- by Don Anelli
- AsianMoviePulse
Fortissimo Films has acquired sales rights outside Asia to “Inu-Oh,” a Japanese animation film that will play at both the Venice and Toronto festivals.
The film is directed by Yuasa Masaaki with acclaimed Japanese animation studio Science Saru. It will have its world premiere in the Orizzonti competition section at the Venice Film Festival on Sept. 9, 2021. That will be followed by a special presentation at the Toronto International Film Festival.
“Inu-oh” is an animated rock musical about a boy who was born with unique physical characteristics. One day he meets the blind biwa player. The boy asks him to write a song about him. The player writes and performs a song about the boy’s fate. They become a musical success and their career stars rise quickly in 14th century Japan. The boy frees parts of his body bit by bit while performing and the musician reconciles with his past.
The film is directed by Yuasa Masaaki with acclaimed Japanese animation studio Science Saru. It will have its world premiere in the Orizzonti competition section at the Venice Film Festival on Sept. 9, 2021. That will be followed by a special presentation at the Toronto International Film Festival.
“Inu-oh” is an animated rock musical about a boy who was born with unique physical characteristics. One day he meets the blind biwa player. The boy asks him to write a song about him. The player writes and performs a song about the boy’s fate. They become a musical success and their career stars rise quickly in 14th century Japan. The boy frees parts of his body bit by bit while performing and the musician reconciles with his past.
- 8/18/2021
- by Patrick Frater
- Variety Film + TV
With one week to go before the 25th edition of the Fantasia Film Festival begins we turn our attention to the closing night of the festival, on August 25th. We already know that Takashi Miike's The Great Yokai War - Guardians will close the festival. Now we get word that another special treat from Japan will also help close out this year's festival. The audience at the screening will be the first to see a special World Premiere teaser of the anime series Deiji Meets Girl. The series is directed by Tazawa Ushio, an animator who has worked on some impressive projects; Your Name, 5 Centimeters Per Second, and Mind Game, to name a few. If you have a ticket for that in-person...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 7/29/2021
- Screen Anarchy
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Art-House Animation
If your eyes are tired of the latest cookie-cutter animation from the Hollywood mill, Criterion is featuring quite a line-up of inventive arthouse offerings in the field. With works by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more, the series includes The Fabulous Baron Munchausen (1962), Belladonna of Sadness (1973), Fantastic Planet (1973), Watership Down (1978), Son of the White Mare (1981), Alice (1988), Millennium Actress (2001), Mind Game (2004), Paprika (2006), Persepolis (2007), Waltz with Bashir (2008), Mary and Max (2009), It’s Such a Beautiful Day (2012), Tower (2016), The Wolf House (2018), No. 7 Cherry Lane (2019), and more.
Where to Stream: The Criterion Channel
Neo-Noir
One of the greatest series to arrive on the Criterion Channel thus far is this selection of neo-noir offerings, including Brian De Palma’s masterpieces Blow Out and Body Double,...
Art-House Animation
If your eyes are tired of the latest cookie-cutter animation from the Hollywood mill, Criterion is featuring quite a line-up of inventive arthouse offerings in the field. With works by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more, the series includes The Fabulous Baron Munchausen (1962), Belladonna of Sadness (1973), Fantastic Planet (1973), Watership Down (1978), Son of the White Mare (1981), Alice (1988), Millennium Actress (2001), Mind Game (2004), Paprika (2006), Persepolis (2007), Waltz with Bashir (2008), Mary and Max (2009), It’s Such a Beautiful Day (2012), Tower (2016), The Wolf House (2018), No. 7 Cherry Lane (2019), and more.
Where to Stream: The Criterion Channel
Neo-Noir
One of the greatest series to arrive on the Criterion Channel thus far is this selection of neo-noir offerings, including Brian De Palma’s masterpieces Blow Out and Body Double,...
- 7/2/2021
- by Jordan Raup
- The Film Stage
The Criterion Channel’s July 2021 Lineup Includes Wong Kar Wai, Neo-Noir, Art-House Animation & More
The July lineup at The Criterion Channel has been revealed, most notably featuring the new Wong Kar Wai restorations from the recent box set release, including As Tears Go By, Days of Being Wild, Chungking Express, Fallen Angels, Happy Together, In the Mood for Love, 2046, and his shorts Hua yang de nian hua and The Hand.
Also among the lineup is a series on neo-noir with Body Double, Manhunter, Thief, The Last Seduction, Cutter’s Way, Brick, Night Moves, The Long Goodbye, Chinatown, and more. The channel will also feature a spotlight on art-house animation with work by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more.
With Jodie Mack’s delightful The Grand Bizarre, the landmark doc Hoop Dreams, Orson Welles’ take on Othello, the recent Oscar entries Preparations to Be Together for an Unknown Period of Time and You Will Die at Twenty, and much more,...
Also among the lineup is a series on neo-noir with Body Double, Manhunter, Thief, The Last Seduction, Cutter’s Way, Brick, Night Moves, The Long Goodbye, Chinatown, and more. The channel will also feature a spotlight on art-house animation with work by Marcell Jankovics, Satoshi Kon, Ari Folman, Don Hertzfeldt, Karel Zeman, and more.
With Jodie Mack’s delightful The Grand Bizarre, the landmark doc Hoop Dreams, Orson Welles’ take on Othello, the recent Oscar entries Preparations to Be Together for an Unknown Period of Time and You Will Die at Twenty, and much more,...
- 6/24/2021
- by Leonard Pearce
- The Film Stage
Sink Your Teeth Into Tokyo Ghoul On Screen Anime
Live-action adaptation of hit manga heads line-up that challenges limits of animation.
Expand the realms of possibility for animation this month with the Screen Anime channel’s latest line-up that celebrates experimental techniques, and anime’s rising influence in other mediums. Leading this latest curated roster of films is Tokyo Ghoul, the Japanese live-action adaptation of Sui Ishida’s internationally bestselling horror manga, that previously inspired the beloved anime franchise.
Screen Anime also invites you to experience new techniques and ideas in anime with The Case of Hana & Alice, a coming-of-age mystery celebrated for its use of rotoscoping, a technique of tracing live-action footage to create realistic motion seen in later films like 2017’s Loving Vincent. Director Masaaki Yuasa has proven himself to be a favourite among Screen Anime fans, and there’s no better showcase of why that is than...
Live-action adaptation of hit manga heads line-up that challenges limits of animation.
Expand the realms of possibility for animation this month with the Screen Anime channel’s latest line-up that celebrates experimental techniques, and anime’s rising influence in other mediums. Leading this latest curated roster of films is Tokyo Ghoul, the Japanese live-action adaptation of Sui Ishida’s internationally bestselling horror manga, that previously inspired the beloved anime franchise.
Screen Anime also invites you to experience new techniques and ideas in anime with The Case of Hana & Alice, a coming-of-age mystery celebrated for its use of rotoscoping, a technique of tracing live-action footage to create realistic motion seen in later films like 2017’s Loving Vincent. Director Masaaki Yuasa has proven himself to be a favourite among Screen Anime fans, and there’s no better showcase of why that is than...
- 2/24/2021
- by Rouven Linnarz
- AsianMoviePulse
International attention to Indian animation has certainly refocused after the release of “Bombay Rose”, and this particular short is no exception. Freelance animator Shaheen Sheriff tempts smiles and laughter in this year’s “Asian Focus” of Cartoon Underground’s International Competition with their five-minute film, “Watchmakers at Time’s End.”
“Watchmakers at Time’s End” is Screening at Cartoons Underground
“Watchmakers at Time’s End” revolves around a Kerala watchmaker’s dilemma in a whimsical alternate universe. At one point, a meteor hit the Earth so hard that the Earth has been tilted off-center from its axis; since then, it has been nigh impossible to measure time. One day, however, a mysterious substance falls from the heavens – one that allows the watchmaker to accurately tell time again. The joy is only short-lived, however, once another meteor shower destroys what little is left.
The film is certainly charming. With the zany...
“Watchmakers at Time’s End” is Screening at Cartoons Underground
“Watchmakers at Time’s End” revolves around a Kerala watchmaker’s dilemma in a whimsical alternate universe. At one point, a meteor hit the Earth so hard that the Earth has been tilted off-center from its axis; since then, it has been nigh impossible to measure time. One day, however, a mysterious substance falls from the heavens – one that allows the watchmaker to accurately tell time again. The joy is only short-lived, however, once another meteor shower destroys what little is left.
The film is certainly charming. With the zany...
- 12/11/2020
- by Grace Han
- AsianMoviePulse
Gkids has acquired the North American distribution rights for Masaaki Yuasa’s animated feature Inu-Oh. Gkids, Japanese production company Science Saru Inc. and its partner Asmik Ace, Inc. made the announcement today. This marks the fifth collaboration between Gkids and Yuasa. The production company worked with Yuasa on his films Lu Over the Wall, The Night is Short, Walk On Girl, Mind Game, and most recently, Ride Your Wave. Gkids is set to release Inu-Oh theatrically in 2021.
The film follows the titular Inu-Oh, the legendary 14th century Noh performer, who is born with unique physical characteristics. As a result of his appearance, the horrified adults cover every inch of his body with garments, including a mask on his face. One day, he meets a boy named Tomona, a blind biwa player. When Tomona plays a delicate song of tangled fate, Inu-Oh discovers an incredible ability to dance.
Inu-Oh and Tomona...
The film follows the titular Inu-Oh, the legendary 14th century Noh performer, who is born with unique physical characteristics. As a result of his appearance, the horrified adults cover every inch of his body with garments, including a mask on his face. One day, he meets a boy named Tomona, a blind biwa player. When Tomona plays a delicate song of tangled fate, Inu-Oh discovers an incredible ability to dance.
Inu-Oh and Tomona...
- 6/25/2020
- by Dino-Ray Ramos
- Deadline Film + TV
GKids has acquired North American theatrical rights to the animated feature “Inu-Oh,” a 2D re-imagining of the 14th century Japanese performer from acclaimed director Masaaki Yuasa (“Ride Your Wave”). “Inu-Oh,” which is currently part of Annecy 2020 Online’s work-in-progress program, and produced by Science Saru Inc., will be released this fall.
The musical animated feature tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, born with unique physical characteristics that he hides with a mask and full garments, and the blind Biwa player Tomona. As the two rise from hardship to stardom through their creative partnership, they may break each other’s curse. The film offers character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series “Ping Pong the Animation.” “Inu-Oh” marks the fifth movie from the director that GKids has distributed, following “Ride Your Wave...
The musical animated feature tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, born with unique physical characteristics that he hides with a mask and full garments, and the blind Biwa player Tomona. As the two rise from hardship to stardom through their creative partnership, they may break each other’s curse. The film offers character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series “Ping Pong the Animation.” “Inu-Oh” marks the fifth movie from the director that GKids has distributed, following “Ride Your Wave...
- 6/25/2020
- by Bill Desowitz
- Thompson on Hollywood
GKids has acquired North American theatrical rights to the animated feature “Inu-Oh,” a 2D re-imagining of the 14th century Japanese performer from acclaimed director Masaaki Yuasa (“Ride Your Wave”). “Inu-Oh,” which is currently part of Annecy 2020 Online’s work-in-progress program, and produced by Science Saru Inc., will be released this fall.
The musical animated feature tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, born with unique physical characteristics that he hides with a mask and full garments, and the blind Biwa player Tomona. As the two rise from hardship to stardom through their creative partnership, they may break each other’s curse. The film offers character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series “Ping Pong the Animation.” “Inu-Oh” marks the fifth movie from the director that GKids has distributed, following “Ride Your Wave...
The musical animated feature tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, born with unique physical characteristics that he hides with a mask and full garments, and the blind Biwa player Tomona. As the two rise from hardship to stardom through their creative partnership, they may break each other’s curse. The film offers character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series “Ping Pong the Animation.” “Inu-Oh” marks the fifth movie from the director that GKids has distributed, following “Ride Your Wave...
- 6/25/2020
- by Bill Desowitz
- Indiewire
Distributor plans 2021 release.
Gkids has acquired North American rights from Asmik Ace to Masaaki Yuasa’s musical animation Inu-Oh, recently presented as a work in progress at Annecy.
The film tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, and the blind Biwa player Tomona, who rise from hardship to stardom through their creative partnership.
The film features character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series Ping Pong The Animation.
Eunyoung Choi of Science Saru and Fumie Takeuchi of Asmik Ace served as producers.
Gkids has acquired North American rights from Asmik Ace to Masaaki Yuasa’s musical animation Inu-Oh, recently presented as a work in progress at Annecy.
The film tells the story of the friendship between the legendary 14th century Noh performer Inu-Oh, and the blind Biwa player Tomona, who rise from hardship to stardom through their creative partnership.
The film features character creation from manga artist Taiyo Matsumoto (Tekkonkinkreet), who previously collaborated with Yuasa on the anime adaptation of Matsumoto’s series Ping Pong The Animation.
Eunyoung Choi of Science Saru and Fumie Takeuchi of Asmik Ace served as producers.
- 6/25/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Founded in 1986 Studio 4°C is perhaps one of the most innovative animations studio in Japan. While at times overshadowed by the success of Studio Ghibli, the studio founded by Eiko Tanaka has made quiet a name for itself thanks to productions like “Mind Game” (2004) and “Mutafukaz” (2017) along with its work on music videos and video games. In 2007 the studio released a collection of short animated features titled “Genius Party”, directed by their best directors such as Atsuko Fukushima, Shoji Kawamori and Shinji Kimura. The seventh segment of the collection is director Masaaki Yuasa’s “Happy Machine”, a unique vision of how the world we perceive is not what it seems if we take a closer look at it.
“Genius Party: Happy Machine” is screening at We Are One: A Global Film Festival
The story of the short feature revolves around an infant in his nursery observing the world around him.
“Genius Party: Happy Machine” is screening at We Are One: A Global Film Festival
The story of the short feature revolves around an infant in his nursery observing the world around him.
- 5/29/2020
- by Rouven Linnarz
- AsianMoviePulse
Fox Entertainment has signed another established TV showrunner to a direct talent deal. The broadcast network has inked a direct, exclusive, broadcast-only talent deal with writer/producer Kyle Killen.
Under the pact, Killen will develop scripted series for the Fox network. The projects will be developed under the Chapter Eleven production banner, where Killen is partnered with Scott Pennington.
“I have had the pleasure of working with Kyle on a number of series over the past decade. He is an incredible talent and that rare voice who is able to write in any genre that interests him,” said Fox Entertainment President Michael Thorn. “As Fox Entertainment continues to pursue its hand-crafted approach to development, I know working closely with Kyle, along with Scott and Keith Redmon at Anonymous Content, will result in the creation of distinctive programming for viewers.”
Killen executive produces the upcoming Showtime drama series Halo,...
Under the pact, Killen will develop scripted series for the Fox network. The projects will be developed under the Chapter Eleven production banner, where Killen is partnered with Scott Pennington.
“I have had the pleasure of working with Kyle on a number of series over the past decade. He is an incredible talent and that rare voice who is able to write in any genre that interests him,” said Fox Entertainment President Michael Thorn. “As Fox Entertainment continues to pursue its hand-crafted approach to development, I know working closely with Kyle, along with Scott and Keith Redmon at Anonymous Content, will result in the creation of distinctive programming for viewers.”
Killen executive produces the upcoming Showtime drama series Halo,...
- 2/25/2020
- by Nellie Andreeva
- Deadline Film + TV
Water, as a conduit for romance and spirituality, has been en vogue as of late in Japanese feature animation. Entries in this wet subgenre, where young characters grapple with torrential rain and oceans to dazzling effect, as well as life lessons submerged in nature-based metaphors, include Makoto Shinkai’s box office hit “Weathering With You,” Ayumu Watanabe’s upcoming “Children of the Sea,” and Masaaki Yuasa’s mermaid tale “Lu Over the Wall.”
Returning to that liquid magic, Yuasa, who produces films through his own company Science Saru, makes a new splash with his third feature in three years “Ride Your Wave,” written by Reiko Yoshida, who also penned recent anime standouts “Okko’s Inn,” “A Silent Voice,” and “Liz and the Blue Bird.” Notwithstanding the saturation of H2O-fueled teen movies, the director-screenwriter pair filter a love story through an oddball premise addressing heroism and perseverance with robust notes of graphic originality.
Returning to that liquid magic, Yuasa, who produces films through his own company Science Saru, makes a new splash with his third feature in three years “Ride Your Wave,” written by Reiko Yoshida, who also penned recent anime standouts “Okko’s Inn,” “A Silent Voice,” and “Liz and the Blue Bird.” Notwithstanding the saturation of H2O-fueled teen movies, the director-screenwriter pair filter a love story through an oddball premise addressing heroism and perseverance with robust notes of graphic originality.
- 2/21/2020
- by Carlos Aguilar
- The Wrap
"The entire ocean has begun moving." GKids has unveiled an official Us trailer for the Japanese anime film titled Children of the Sea, which has been playing at a few film festivals last year (after initially opening in Japan in the summer). This is the latest feature made by Japan's Studio 4°C, and is directed by Ayumu Watanabe, with a score by award-winning composer and longtime Studio Ghibli collaborator Joe Hisaishi. The story involves a young girl named Ruka who is drawn into a mystery involving sealife around the world, in which two mysterious water-connected boys are involved. Of course, she falls in love with one of them. Starring the voices of Mana Ashida, Hiiro Ishibashi, Seishû Uragami, and Win Morisaki in the original version. It's a funky film, with a few quirky, odd moments, along with the usual cute, fun moments in so many anime films these ...
- 2/18/2020
- by Alex Billington
- firstshowing.net
What’s the easiest way to tell the next generation of anime directors’ work apart from the creative shadow of those who came before — and especially from the look and feel of Studio Ghibli? Easy, just listen to the soundtracks they choose to define their movies’ personalities. Makoto Shinkai connects with a younger demo by setting his films to the boy-band stylings of a J-Pop group called the Radwimps, while Masaaki Yuasa embraces an even more mainstream sound with “Ride Your Wave” by leaning on Generations from Exile Tribe, turning their hit single “Brand New Story” into more than just a theme.
Plenty of couples have a favorite tune, but Yuasa uses this silly love song so often in the film, it practically becomes a joke unto its own — the conduit by which a young woman struck by tragedy calls her boyfriend back from the beyond. The dead dude, Minato,...
Plenty of couples have a favorite tune, but Yuasa uses this silly love song so often in the film, it practically becomes a joke unto its own — the conduit by which a young woman struck by tragedy calls her boyfriend back from the beyond. The dead dude, Minato,...
- 11/5/2019
- by Peter Debruge
- Variety Film + TV
Masaaki Yuasa has made a career out of weird yet beautifully crafted anime. From the trippy and enthralling Mind Game, to the loopy Lu Over The Wall, and even the brutally graphic and unforgiving Devilman crybaby, you know you’re in for a ride when his name comes out in the credits. Though at first glance […]
The post ‘Ride Your Wave’ Review: A Sweet And Heartfelt Anime About Grief [Sitges 2019] appeared first on /Film.
The post ‘Ride Your Wave’ Review: A Sweet And Heartfelt Anime About Grief [Sitges 2019] appeared first on /Film.
- 10/13/2019
- by Rafael Motamayor
- Slash Film
In the world of independent animation, Korean director-animator-concept artist Oh Seo-ro (also nicknamed Osro) skyrocketed to Internet fame. He first caught the attention of the international festival radar with graduation short “Afternoon Class” (2015) – a hilarious depiction of the all-too-relatable struggle of staying awake in school. “Afternoon Class” made its rounds at A-list animation festivals like Annecy, Animafest Zagreb, and won the Lotte Reiniger Promotion Award for Animated Film at Stuttgart. His follow-up film, the infamous snot-heavy short “(oo)” (2017) was laureled the Grand Prize at the 2018 Insomnia Animation Film Festival, Jury Special Prize at 2017 Siggraph Asia Bangkok, and most recently, the Vimeo Staff Pick Premiere.
We managed to squeeze in an interview with Oh Seo-ro right before his next flight to Denmark’s Viborg Animation Festival (where he animated the opening trailer). At the 15th edition of Seoul’s Indie-AniFest, we had the opportunity to learn about his journey to success.
We managed to squeeze in an interview with Oh Seo-ro right before his next flight to Denmark’s Viborg Animation Festival (where he animated the opening trailer). At the 15th edition of Seoul’s Indie-AniFest, we had the opportunity to learn about his journey to success.
- 10/1/2019
- by Grace Han
- AsianMoviePulse
In today’s film news roundup, animated adventure “Promare” is set for release, SAG-aftra is dealing with Disney’s tardy residual payments and horror-thriller “Lucky” has wrapped.
Release Dates
GKids and Fathom Events are collaborating on a U.S. release of the Japanese animated action-adventure movie “Promare” in September.
“Promare” is the first feature-length film from Studio Trigger, the creators behind “Kill la Kill” and “Little Witch Academia.” Directed by Hiroyuki Imaishi, “Promare” follows a group of humans who must defend the Earth from a mutant group called the Burnish, many of whom are able to control and wield flames.
“Promare” will be shown in its original Japanese language as well as in an all-new English language version. The English-language dubbed film will be shown Sept. 17, and the subtitled version will be screened on Sept. 19.
GKids also has picked up North American distribution rights for the animated “Ride Your Wave,...
Release Dates
GKids and Fathom Events are collaborating on a U.S. release of the Japanese animated action-adventure movie “Promare” in September.
“Promare” is the first feature-length film from Studio Trigger, the creators behind “Kill la Kill” and “Little Witch Academia.” Directed by Hiroyuki Imaishi, “Promare” follows a group of humans who must defend the Earth from a mutant group called the Burnish, many of whom are able to control and wield flames.
“Promare” will be shown in its original Japanese language as well as in an all-new English language version. The English-language dubbed film will be shown Sept. 17, and the subtitled version will be screened on Sept. 19.
GKids also has picked up North American distribution rights for the animated “Ride Your Wave,...
- 7/4/2019
- by Dave McNary
- Variety Film + TV
Early 2020 theatrical release for latest collaboration with Masaaki Yuasa.
Gkids has acquired North American rights to Japanese animation Ride Your Wave following the recent competition screening at Annecy.
The distributor plans an early 2020 theatrical release for its fourth collaboration with director Masaaki Yuasa after Lu Over the Wall, Mind Game, and The Night is Short, Walk On Girl .
Ride Your Wave is a love story about a surfer named Hinako and a firefighter named Minato, whose bond is tested to say the least after Minato dies in a rescue attempt and reappears from the water to Hinako whenever she sings their favorite song.
Gkids has acquired North American rights to Japanese animation Ride Your Wave following the recent competition screening at Annecy.
The distributor plans an early 2020 theatrical release for its fourth collaboration with director Masaaki Yuasa after Lu Over the Wall, Mind Game, and The Night is Short, Walk On Girl .
Ride Your Wave is a love story about a surfer named Hinako and a firefighter named Minato, whose bond is tested to say the least after Minato dies in a rescue attempt and reappears from the water to Hinako whenever she sings their favorite song.
- 7/2/2019
- by Jeremy Kay
- ScreenDaily
Indie distributor Gkids has acquired the North American distribution rights for animated feature Ride Your Wave, which recently premiered at the Annecy animation festival in competition. It will get a North American theatrical release in early 2020.
This is Gkids' fourth film from director Masaaki Yuasa, following local releases of Lu Over the Wall, Mind Game and The Night is Short, Walk On Girl. Ride Your Wave is a love story between a surfer named Hinako and a firefighter named Minato. Their bond is tested after Minato tragically loses his life in a rescue attempt, only to reappear from the water ...
This is Gkids' fourth film from director Masaaki Yuasa, following local releases of Lu Over the Wall, Mind Game and The Night is Short, Walk On Girl. Ride Your Wave is a love story between a surfer named Hinako and a firefighter named Minato. Their bond is tested after Minato tragically loses his life in a rescue attempt, only to reappear from the water ...
Indie distributor Gkids has acquired the North American distribution rights for animated feature Ride Your Wave, which recently premiered at the Annecy animation festival in competition. It will get a North American theatrical release in early 2020.
This is Gkids' fourth film from director Masaaki Yuasa, following local releases of Lu Over the Wall, Mind Game and The Night Is Short, Walk on Girl.
Ride Your Wave is a love story between a surfer named Hinako and a firefighter named Minato. Their bond is tested after Minato tragically loses his life in a rescue attempt, only to reappear from the water ...
This is Gkids' fourth film from director Masaaki Yuasa, following local releases of Lu Over the Wall, Mind Game and The Night Is Short, Walk on Girl.
Ride Your Wave is a love story between a surfer named Hinako and a firefighter named Minato. Their bond is tested after Minato tragically loses his life in a rescue attempt, only to reappear from the water ...
Previous Annecy Cristal-winner Masaaki Yuasa is set to direct an animated musical fantasy film based on the life of a 14th century Japanese playwright and theater performer. His “Inu-Oh” is being introduced at Annecy’s Mifa market this week and is intended to be completed in 2021.
The film is adapted from the novel “Tales of the Heike: Inu-Oh” written by Hideo Furukawa, and published by Kawade Shobo Shinsha. “Very little remains in the historical record about the Sarugaku Noh performer Inu-Oh, but with Hideo Furukawa’s bold interpretation of his story, Akiko Nogi’s script, and Taiyo Matsumoto’s images, it’s bound to become an amazing work,” said Yuasa. He said that he aims to make it as a “lavish musical incorporating modern-day music and dance.”
The project is produced through Science Saru, with Asmik Ace partnered as producer and distributor.
Yuasa made his feature-length debut in 2004 with “Mind Game,...
The film is adapted from the novel “Tales of the Heike: Inu-Oh” written by Hideo Furukawa, and published by Kawade Shobo Shinsha. “Very little remains in the historical record about the Sarugaku Noh performer Inu-Oh, but with Hideo Furukawa’s bold interpretation of his story, Akiko Nogi’s script, and Taiyo Matsumoto’s images, it’s bound to become an amazing work,” said Yuasa. He said that he aims to make it as a “lavish musical incorporating modern-day music and dance.”
The project is produced through Science Saru, with Asmik Ace partnered as producer and distributor.
Yuasa made his feature-length debut in 2004 with “Mind Game,...
- 6/12/2019
- by Patrick Frater
- Variety Film + TV
Infinite Fest is a monthly column by festival programmer and film critic Eric Allen Hatch, author of the “Why I Am Hopeful” article for Filmmaker Magazine, tackling the state of cinema as expressed by North American film festivals.Suns CinemaIndependent film—true, actual, literal independent film production, the narrow interlocking strata of the art form that drift untrammeled atop the massive bedrock of corporate curation—isn’t only a subculture, but is also in a state of confusion. Seemingly in defiance of the homogenizing pressure the internet applies on all other aspects of society, the film landscape looks quite different from city to city. Many of those differences speak to population size and resources, but others sprout from resilient regional taste, individual initiative, and old-fashioned scene-building centered around activity from a key filmmaker, curator, organization, and/or venue. Time and time again, today’s cinema brings me back to one...
- 4/30/2019
- MUBI
I have to admit, I consider Masaaki Yuasa one of the greatest anime directors of our time, one of the few who directs, continuously, titles that are addressed to adults and not children or teenagers, who seem to be the industry’s main target. Starting with “Mind Game” and “Kemonozume”, and continuing with “Ping Pong” and “Space Dandy,” I have cherished all of his works I have seen, and as it turns out, “Night Is Short, Walk on Girl” was no exception.
“Night is Short, Walk on Girl” is screening at Helsinki Cine Aasia 2019
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however,...
“Night is Short, Walk on Girl” is screening at Helsinki Cine Aasia 2019
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however,...
- 3/16/2019
- by Panos Kotzathanasis
- AsianMoviePulse
Each Saturday, Tim has been taking a look at one of the films submitted for the Best Animated Feature Oscar. Today, two of them by the same artist.
Masaaki Yuasa is, to my mind, the most interesting director working in animation today. Ever since his first feature, 2004's Mind Game, he has subjected himself to a nearly constant process of self-reinvention, with every one of his major projects shifting to a new style, genre, or most likely both. He's mostly worked in television, but he had a very phenomenal 2017 with two extremely well-received features. Both of those were released in the United States in 2018 by distributor Gkids, and both are among the most stunning, even radical pieces of animation available on any screen of any size in the past twelve months.
The first one produced, though the second one released by Gkids, The Night Is Short, Walk On Girl is...
Masaaki Yuasa is, to my mind, the most interesting director working in animation today. Ever since his first feature, 2004's Mind Game, he has subjected himself to a nearly constant process of self-reinvention, with every one of his major projects shifting to a new style, genre, or most likely both. He's mostly worked in television, but he had a very phenomenal 2017 with two extremely well-received features. Both of those were released in the United States in 2018 by distributor Gkids, and both are among the most stunning, even radical pieces of animation available on any screen of any size in the past twelve months.
The first one produced, though the second one released by Gkids, The Night Is Short, Walk On Girl is...
- 12/29/2018
- by Tim Brayton
- FilmExperience
A trailer has been released for a new anime film coming out called The Night is Short, Walk on Girl and it's really quite charming. The visually imaginative film comes from director Masaaki Yuasa and it's a comedy about one epic night in Kyoto. As you'll also see in the trailer, the lead character very clearly has a drinking problem! That's all she's really doing in this trailer. But, here's what the film is about:
As a group of teens go out for a night on the town, a sophomore known only as “The Girl with Black Hair” experiences a series of surreal encounters with the local nightlife… all the while unaware of the romantic longings of Senpai, a fellow student who has been creating increasingly fantastic and contrived reasons to run into her, in an effort to win her heart.
I really love the visuals here because they are filled with wild imagination!
As a group of teens go out for a night on the town, a sophomore known only as “The Girl with Black Hair” experiences a series of surreal encounters with the local nightlife… all the while unaware of the romantic longings of Senpai, a fellow student who has been creating increasingly fantastic and contrived reasons to run into her, in an effort to win her heart.
I really love the visuals here because they are filled with wild imagination!
- 7/26/2018
- by Joey Paur
- GeekTyrant
Gkids will give a U.S. theatrical release to “The Night Is Short, Walk on Girl,” a surreal anime rom-com from visionary director Masaaki Yuasa. The Japanese animator’s wild, freeform style is exemplified in his Netflix series “Devilman Crybaby,” and feature films, “Mind Game” and “Lu Over the Wall.” American audiences may best know his work from “Adventure Time,” as writer and director of the episode “Food Chain.” From the newly released trailer, “The Night Is Short, Walk on Girl” appears to be a bizarre and charming romantic comedy about one epic night in the life of a cocktail-chugging girl protagonist.
Per the official synopsis: “As a group of teens go out for a night on the town, a sophomore known only as ‘The Girl with Black Hair’ experiences a series of surreal encounters with the local nightlife… all the while unaware of the romantic longings of Senpai, a...
Per the official synopsis: “As a group of teens go out for a night on the town, a sophomore known only as ‘The Girl with Black Hair’ experiences a series of surreal encounters with the local nightlife… all the while unaware of the romantic longings of Senpai, a...
- 7/25/2018
- by Jude Dry
- Indiewire
The Night Is Short, Walk on GirlNew York City’s remarkable summer of Asian film programming continues this week, when, just as the New York Asian Film Festival comes to a close, the Japan Society begins its annual series highlighting the best of contemporary Japanese cinema. This twelfth edition of Japan Cuts features 28 films over ten days, most of which are premiering for the first time in the United States. It’s an eclectic mix of arthouse and genre films from world famous directors as well as young unknowns. I was able to sample a handful of this year’s program, for the most part steering away from the biggest names1 in favor of less heralded filmmakers. In all I saw six films: three romantic comedies; a road movie; a 1980s pink film (Masayuki Suo’s Abnormal Family); and Nobuhiko Obayashi’s Hanagatami, which is some kind of a historical drama.
- 7/19/2018
- MUBI
I have to admit, I consider Masaaki Yuasa one of the greatest anime directors of our time, one of the few who directs, continuously, titles that are addressed to adults and not children or teenagers, who seem to be the industry’s main target. Starting with “Mind Game” and “Kemonozume”, and continuing with “Ping Pong” and “Space Dandy,” I have cherished all of his works I have seen, and as it turns out, “Night Is Short, Walk on Girl” was no exception.
The Night is Short, Walk On Girl is screening at Nippon Connection
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however,...
The Night is Short, Walk On Girl is screening at Nippon Connection
The story revolves around two people, the Girl With Black Hair and Senpai. The latter is in love with the former, and he has been trying to ask her out for some time, with his place and time of choice being a wedding they both attend, which is also, where the story starts. The Girl, however,...
- 6/2/2018
- by Panos Kotzathanasis
- AsianMoviePulse
For those whose appetites for Japanese anime don’t stop at Studio Ghibli, Masaaki Yuasa’s “Lu Over the Wall” goes not just over the wall, but pinwheeling through the neighbor’s garden and practically into another dimension — but then, what else would you expect from the director of 2004’s deranged “Mind Game”? If anything, “Lu” feels tame by comparison, although by traditional cartoon standards, this far-fetched, wildly imaginative (and 100% unofficial) riff on Hayao Miyazaki’s “Ponyo” — which was itself a loose reimagining of Hans Christian Andersen’s “The Little Mermaid” — puts a zany spin on the old boy-meets-mergirl formula, where a magical sea creature is beckoned ashore by the sound of a mopey rocker’s emo music.
Whereas Miyazaki’s universally accessible “Ponyo” felt like it was targeted at toddlers, “Lu” skews older, appealing more directly to adolescent and adult viewers willing to have their minds blown by the title creature’s supernatural shenanigans.
Whereas Miyazaki’s universally accessible “Ponyo” felt like it was targeted at toddlers, “Lu” skews older, appealing more directly to adolescent and adult viewers willing to have their minds blown by the title creature’s supernatural shenanigans.
- 5/11/2018
- by Peter Debruge
- Variety Film + TV
Really, I did not expect a silly animated Japanese fable with Tex Avery feet to make me cry, but sometimes these things happen. Directed by Yuasa Masaaki, whose estimable credits include Mind Game, Genius Party, and the short Kick-Heart, the film is titled Lu Over the Wall and it is immensely silly, a silky smooth milkshake that's been cut with ice to cool off any hotheads in the audience. To the delight of my cartoon-loving heart, it even references famed animator Tex Avery, featuring wildly swinging, dancing couples with inordinately proportioned giant feet, stomping this way and that with uninhibited joy. Yet it sneaked past my usual defenses and made a dramatic impact upon my psyche, prompting a steady trail of tears to fall unbidden...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 5/11/2018
- Screen Anarchy
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