"Alfred Hitchcock Presents" Coming Home (TV Episode 1961) Poster

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9/10
Here Is A Man
telegonus28 October 2017
Coming Home is a fine showcase for two superb players who never achieved the recognition they deserved; although one of them, Jeanette Nolan, had a successful career, mostly on television. The other, Crahan Denton, had a career in the theater, was already middle aged when he began appearing on television and, later, in motion pictures; and he died way too young.

This is the only time I've ever seen Denton in anything in which he was top billed, and his performance, as a man just released from prison after serving a twenty year sentence for robbery and shooting a policeman, is almost self-effacing in its excellence. He doesn't miss a beat.

Denton disappears into the role of Harry Beggs, and his subtle playing raises the quality of the episode considerably. His character's awkwardness in a bar, having his first taste of alcohol in ages, and his inability to recognize that he's being set-up to be taken for the more than $1600 he has in his wallet, makes his fate quietly credible. One senses the actor playing not for sympathy but understanding.

Later in the episode, in his scenes with his wife, who never even once visited him when he was in prison, now bitter and impoverished, we see Denton and Jeanette Nolan playing off one another beautifully. It soon becomes apparent there's genuine affection between these two people upon whom fortune has never smiled.

Coming Home is more drama than melodrama; concerns not so much crime but the fate of a man who has committed one, has paid the price. Crahan Denton's somewhat severe demeanor, pensive and tragic, is perfect for Harry Beggs, who has done good and bad things in his life and is first and foremost a man, and this is what shines through in his performance.
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9/10
The acting and characters really make this one a winner.
planktonrules17 April 2021
When the story begins, Beggs is getting out of prison after doing a 20 year stretch. He has a decent amount of money saved up from working in prison...and he is foolish enough to flash some of it in a sleazy bar. A 'lady' sees it and gets him drunk...and when he awakens, the money is gone. Now, with no money and no place to stay, he makes his way back to his old apartment..where his estranged wife lives. What happens next, you'll have to see for yourself.

While Crahan Denton isn't exactly a household name, he's terrific here as the ex-con...really sympathetic and believable. Additionally, the writing really was great...and your heart really hurts for the guy. Well made in every respect and well worth your time.
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9/10
Another hit from the masterful Henry Slesar
BobCanter725 November 2020
Warning: Spoilers
Coming Home is a gritty, tightly-written drama that features superb acting and directing. Even the simple, seedy-looking sets add to the drama.

Veteran actors Crahan Denton and Jeanette Nolan carry the story as two torn, lost souls whose lives are going nowhere. Denton, as Harry Beggs, is released from a long prison sentence, and yearns to return home to his wife even though has never contacted him during his 20 years in prison. Beggs stops at a bar on the way home, which is the source of his new problems.

Clearly being set-up, he loses all of his hard-earned money in the bar to a young seductive woman, played by the exceptionally good-looking Susan Silo, who is clearly working with the bartender. Stunned and despondent, Beggs returns to his tiny, run-down apartment to confess all to his wife. This long scene, with just the two of them, is filled with pathos and the two veterans carry it off beautifully. It comprises the heart of the story.

There is the classic Henry Slesar twist at the end, which is somewhat predictable and not quite up to some of Slesar's other episodes, but it still works, ending the story on a note of despair.

Overall, another Alfred Hitchcock Presents winner featuring exceptional acting, writing and directing.
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Fine Understated Drama
dougdoepke19 April 2008
Odd little drama. It has the usual twist ending and some minor suspense. But it's really a rather compellingly done human interest story, thanks to a superb performance from Crahan Denton as an aging ex-con. He brings just the right amount of dignity and cynicism to what would otherwise be a clichéd role. Just as importantly, his presence conveys a hint of vulnerability despite the many hardening years of imprisonment. And in a very well acted and calibrated office scene, the warden is shown as respecting those qualities in the departing inmate. Later, when Denton tries to contact his wife after years of separation, but can't follow through, conflicts from the buried past flicker across his face, and we feel long-suppressed emotions suddenly rising to the surface. It's that sort of thing that makes the unfortunate turn of events in the bar scene so affecting.

Fortunately, the production people hired that fine actress, Jeanette Nolan, to play the conflicted wife. Just as importantly, they refused to dress her up or disguise her ugly little cold water flat. The down-trodden couple's moment of reconciliation amounts to a rare moment of genuine sweetness for a series that did not emphasize tender emotions, to say the least. This may not be the most gripping or suspenseful of the Hitchcock entries. But it remains oddly memorable and a permanent record of one very fine talent behind all those anonymous credit-crawl names.
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9/10
So Very Sad
Hitchcoc31 May 2021
Wonderful acting including Jeanette Nolan. A man finishes a sentence of 20 years. He gets a nice chunk of money from prison savings. He foolishly flashes his wad ih a bar and it's gone in a few minutes. He goes to see his ex wife who is pretty old now (as is he). There is a wonderful scene between them followed by a Hickockean ending. Well done.
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8/10
No luck at Lucky's
classicsoncall9 February 2023
Warning: Spoilers
Released from prison after twenty years, Harry Beggs (Crahan Denton) doesn't seem all too happy about it, even with a little over sixteen hundred dollars in his pocket from saving every last nickel of his paid labor inside the joint. Hesitant to make contact with a wife he hasn't seen in all that time, Harry decides to enter a bar called Lucky's, where his fate will be anything but. When he clumsily spills his wallet full of cash, a saloon gal (Susan Silo) decides to string him along until he's good and drunk and fleeces the poor guy. Extremely distraught, Harry goes to his wife's apartment seeking shelter and perhaps some solace for his misfortune. His cold reception by Edith (Jeanette Nolan) gradually gives way to forgiveness and understanding, but then occurs the unkindest cut of all when the daughter he's never seen enters the apartment. This is one of those stories where you would really like to have seen the aftermath of how Harry resolved the theft of his hard won twenty years. More sad than ironic, the story's ending has you feel for the unfortunate Harry, left to blankly stare at a thief who took advantage of his unassuming trust in a stranger.
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