"Four Star Playhouse" Knockout (TV Episode 1953) Poster

(TV Series)

(1953)

User Reviews

Review this title
4 Reviews
Sort by:
Filter by Rating:
8/10
It's another "Set-Up".
mark.waltz4 February 2021
Warning: Spoilers
There were tons of thrilling dramas and film noir classics about the issues surrounding prizefighting, and probably a lot of short TV dramas as well during the golden age of the start of that medium. This is a good one, featuring Oscar winning Broderick Crawford guest starring as a fight manager who finds a gem in the young Ron Hargrave who starts off naive and green but quickly becomes a favorite. Of course, as his reputation grows, so does organized crime rings interest in him. Hargrave tries to stay on the up and up, but the interference by mob boss Ted de Corsia threatens that. Lucille Barkley provides the femme fatale character, because as you know, stories like this wouldn't be complete unless they had a femme fatale.

Well written with great pacing and good fight scenes makes this a classic episode of the Four Star Playhouse anthology series. John Indrisano plays Hargrave's trainer and is wise and compassionate, yet tough on him, and Buddy Wright plays opposition for the title who is the one that reveals the reasons why he has been forced to take a dive. This adds real human interest and emotion to the story. Crawford underplays his narration and never bellows in his acting which makes his performance unforgettable. Highly recommended for every aspect, expertly written and directed by none other than Blake Edwards!
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Solid early television!
gordonl5618 June 2013
Warning: Spoilers
FOUR STAR PLAYHOUSE – "The Knockout" – 1953

The FOUR STAR PLAYHOUSE was an anthology series that ran for 130 episodes between 1952 and 1956.

Broderick Crawford headlines this Blake Edwards written and directed episode. The episode was also produced by Crawford.

Crawford is a top fight manager always on the lookout for good talent. He sees something in rough around the edges, newbie, Ron Hargrave. He signs the kid and sends him off to the farm for training.

Crawford's main trainer, Johnny Indrisano, works the kid hard for the next few months. There, he gets plenty of roadwork and sparring partners. When Crawford thinks he is ready, he spots Hargrave on the bottom of a card. Hargrave takes a few lumps but wins. Each time Crawford places him in against better fighters. He is now 20-0 and ready to move on to better opponents.

Now, some of the other managers are taking an interest. Among these, is that snake in the grass, Ted De Corsia. De Corsia manages the current middle-weight champ, but is always looking for something new.

De Corsia's man, Buddy Wright, is on the hook to the mob and has worked his way up through a series of fixed fights. A fight is arranged between Hargrave and the favourite, Wright. De Corsica decides he likes the better odds on the up and comer and tells Wright to take a dive in the 7th round. Wright is not happy with the idea. He tells Hargrave about the mobster's plans.

Fight day has arrived and the two boxers enter the ring. The two dance around the ring with few punches being exchanged. Crawford smells a rat. The fight continues to the 7th round. But it is Hargrave who takes the dive to the canvas.

In the dressing room, Crawford tears into Hargrave. "Did you take money to throw the fight?" Boxer Wright comes in and explains what has happened. "I was mean't to lose so De Corsia could clean up. He lost 200,000 plus on Hargrave. You guys best split." De Corsia now bursts in and threatens Hargrave. Crawford steps up and flattens the bum. Everyone grabs their coats and hurry off to talk to the Police, and then the boxing commission.

De Corsia gets 2 years in prison while a real fight is arranged between Wright and Hargrave.

A nicely done fast and to the point, boxing yarn.

No need to mention Crawford's film noir pedigree. Real life pug, Johnny Indrisano, sported a pro record of 80 wins in 83 fights. He then moved to Hollywood where he trained actors for boxing films. He also became a bit player in film and television. He often appeared as a boxing ref or the third thug from the left type thing. He had roles in, MURDER MY SWEET, JOHHNY ANGEL, CRACK-UP, BODY AND SOUL, IN THIS CORNER, FORCE OF EVIL, KNOCK ON ANY DOOR, THE SET-UP, TENSION, "M", HI-JACKED, SHADOW ON THE WALL, NO QUESTIONS ASKED, IRON MAN, 99 RIVER STREET, DOWN 3 DARK STREETS, THE NAKED STREET, THE CRUEL TOWER and CHICAGO CONFIDENTIAL. Look close and you will spot Leonard Nimoy as one of the De Corsia henchmen.

Writer, director Blake Edwards does his usual solid work here. The man displays a real feel for noir material.

The d of p was noir regular, George Diskant. His work includes, RIFF-RAFF, DESPERATE, THEY LIVE BY NIGHT, PORT OF NEW YORK, BEWARE MY LOVELY, K.C.C., THE RACKET, BETWEEN MIDNIGHT AND DAWN, THE NARROW MARGIN and ON DANGEROUS GROUND.
4 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Not Blake's finest night
lor_6 March 2024
Blake Edwards delivers corn as high as an elephant's eye in this lousy Four Star Playhouse opus. It makes one wonder where the four real stars were hiding this week.

Broderick Crawford stars and narrates this standard boxing story, which Blake unfolds with all the cliches. Too much boring fight footage and way too much spoon-fed Brod narration kill off any interest, and the single plot twist left me cold. Poor Blake, every auteur is entitled to an off day and this is it. Adding to the insult, the supporting cast including a nonentity as the young boxer and Ted De Corsia as stereotyped villain is quite poor.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
One of the best in the series
planktonrules26 September 2014
The concept of "Four Star Playhouse" was great--four of Hollywood's top talents (Dick Powell, David Niven, Charles Boyer and Ida Lupino) would take turns starring in half hour teleplays each week. The stories covered a wide range of topics and the writing was usually stellar. However, and I have no idea why, but the original idea changed as the lineup of starts kept shifting. Soon, other stars began to appear in the show and it never remained a 'four star' show. This would explain, in part, why Broderick Crawford appeared in this particular show. And, like some of the other episodes, the star got to produce the show as well. Fortunately for Crawford and the rest of the cast, they really lucked out as Blake Edwards co- wrote the story and directed "Knockout" and it turns out to be one of the best shows of the series.

Crawford narrates the story and plays the part of a boxing promoter who is honest and is sick of corruption in the fight world. He's thrilled to acquire a hot new middle-weight boxer and the kid seems to have all it takes to be a pro. But, along the way, something unforeseen happens--and it all has to do with a fixed fight and a chance to win the title.

The story is gritty, entertaining and has a great twist. All in all, well worth seeing and a worth addition to the series even if it didn't star any of the original four stars.
2 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed