"Night Gallery" Pickman's Model/The Dear Departed/An Act of Chivalry (TV Episode 1971) Poster

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7/10
What Lies Beneath
AaronCapenBanner11 November 2014
'Pickman's Model' - Bradford Dillman plays Richard Pickman, who is a reluctant art teacher to wealthy society women who shocks them when he unveils a gruesome portrait of a legendary ghoul in a graveyard. One woman in particular is fascinated by him, but he has a dark secret that prevents him getting involved, though her life will still be in danger... Worthy filming of the H.P. Lovecraft story is one of the best, with a memorable monster and ending.

'The Dear Departed' - A phony séance act gets a shock when one of them is killed, but despite being betrayed by them, still wants in on the act... Marginal story is unremarkable but passable time-filler.

'An Act Of Chivalry' - Pointless, though good for one chuckle.
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7/10
"Offered to you now on The Night Gallery..."
classicsoncall30 May 2017
Warning: Spoilers
For some odd reason I've never read any Lovecraft, but I think the first episode here has turned the trick; I'll be seeking out some of his work. Based on other reviewers for this picture here, it sounds like the story was based pretty closely on one of his titles. It has an artist (Bradford Dillman) harboring a dark secret that's threatened to be revealed by the interference of one of his art students (Louise Sorel). One would think the monster in the story was a figment of Pickman's creative imagination, but it turns out that the creature had an off canvas presence as well. Horror fans who like Lovecraft would probably enjoy this segment.

'The Dear Departed' features Steve Lawrence as phony fortune teller Rahda Ramadi in one of the very few times he might have appeared in a vehicle without long time spouse Eydie Gorme. They had a ubiquitous presence on TV variety shows of the era, so it was a little surprising to note her absence here. Whenever I see Harvey Lembeck in any kind of role now I have to groan because it always conjures up an image of his Eric Von Zipper character from the beach blanket movie genre. Lembeck plays it a bit more straight here, even though he's in cahoots with Mark Bennett/Ramadi in the seance scam. You know, it was never apparent that Joe Casey (Lembeck) was aware of the affair between his wife (Maureen Arthur) and the boss, but taking no chances, he was going to stick around a while after getting hit by that truck.

'An Act of Chivalry' was just like so many of the Night Gallery short subjects in that it was just plain dumb. And can you believe it! - when the creepy whatever it was took his hat off, you could see the top of the guy's exposed head playing the part. Don't you think they could have done that scene over?
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7/10
The Lovecraft segment makes this worth watching.
Hey_Sweden22 November 2020
'Pickman's Model'. Scripted by Alvin Sapinsley, based on the short story by H.P. Lovecraft. Bradford Dillman plays Richard Upton Pickman, a painter / instructor whose works are decidedly creepy. Nevertheless, one of his students (Louise Sorel), a girl from a good, wealthy family, takes a BIG interest in him. She takes things to the point of tracking him to his studio, where, as it turns out, he is NOT the only resident. Lovecraft is served well with this almost 30 minute long segment: it's richly atmospheric, with appropriate costumes and set design. Sorel is appealing as the girl, and Dillman has a great weary and haunted quality about him. You just KNOW that nothing good can come of the girls' fascination with the man. Excellent support is provided by top character actor Donald Moffat (playing Sorels' uncle), and the creature design in this is actually pretty good for a production that probably didn't have a huge budget. Directed by Jack Laird, who here makes up for a lot of his short, lame comic vignettes on the series with his capable handling of this adaptation.

'The Dear Departed'. Steve Lawrence is good as a phoney medium who collaborates with Harvey Lembeck and Maureen Arthur in bilking believers out of their money. Arthurs' & Lembecks' characters are married, but she's actually been carrying on with Lawrence for a while, as she finds Lembeck to be incredibly inane. When Lembeck perishes in a traffic accident, this seems to solve their problems. That is, until a highly predictable resolution that throws Lawrence & Arthur for a loop, but isn't likely to truly thrill the viewer. Overall, this isn't really bad at all, but it lacks punch. Scripted by Serling, based on the short story by Alice-Mary Schnirring, and directed by the great Jeff Corey.

'An Act of Chivalry'. More ho-hum nonsense from Laird, writing and directing this segment that runs less than two minutes. It's good for one mild chuckle, as a stranger in a ghoulish mask gets on an elevator, and is politely asked to take off the mask. There are no stars in the roles, but this isn't a story that really needs "name actors".

Seven out of 10.
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7/10
Pickman's model -- fascinating but flawed story
belanger7523 August 2019
It is a lotta talk before it's just payoff of a conclusion. Also, it's a Boston, Mass. that never was. I think some of the set here was previously used in Universal's Frankenstein movies in the 1940s.

BTW Josh Bryant plays one of the two men in the opening and he was a fairly frequent guest star on the bad left-wing legendary Mash ( See my reviews).
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9/10
Well Done Lovecraft and a Good Second Story
Hitchcoc11 June 2014
For the uninitiated, H. P. Lovecraft was Edgar Allen Poe without the press clippings. His stories are masterpieces of horror and the Cthulhu mythos is a wonderful creation. In this offering, a handsome young artist's life is looked at in retrospect. He made ends meet by giving painting lessons, teaching those he taught, to "paint what they see." His paintings are examples of incredible horror, disfigured, disgusting images on canvas. A young female artist takes a liking to him and begins to follow him. She wants to get inside his head and see his studio. Of course, she is heading for a fall. An excellent adaptation of the Lovecraft story.

A trio of film-flam artist make a living, doing séances, conjuring up phony spirits, and bilking vulnerable people out of their money. Steve Lawrence, Eydie's singing partner, plays the brains of the outfit. Harvey Lembeck, of the Beach Party movies, is the creative mastermind. Unfortunately, Steve can't keep his hands off Lembeck's wife. This leads to some unfortunate consequences in the afterlife. Kind of a standard story with little imagination.

"An Act of Chivalry" is a one minute filler. I will ask the question: When was the last time a group of men took off their hats in the presence of a woman?
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The Dear Departed
stones7822 March 2011
This interesting little segment revolves around the strange act of the séance to help those reunite with deceased loved ones, and the ones who are running these ceremonies are bilking their customers. The leader, and the one these poor folks pay good money to, is played by a slick Steve Lawrence(I never knew he acted), who knows how to tug at the purse strings. I have to admit, the first séance proved very effective as the whole scene was very creepy, especially the floating tambourine and dummy head(made to look like a young girl)in the dark room. Soon after, we see Joe(Harvey Lembeck) accidentally smoking a cigar as he enters the room, and Mark(Lawrence)makes a gesture for him to put it out; this lets us know that the whole thing is a scam. It's also knowledge that the handsome Mark and Joe's quirky wife(Maureen Arthur)have eyes for each other, but Joe's in the way. Mark insists he needs Joe to operate the cables to make the scam appear real for the paying customers, so he's at odds with Angela on why Joe needs to stay. The next scene has the 3 at a restaurant, and they convince Joe to go to the movies alone(I'm not 100% certain that's why he leaves), and as he's out, he gets hit by a car or truck and is killed. Mark has a mixed reaction, but now the 2 are together, and plan to go on with the scam without the talents of Joe, which turns out to be a big mistake.

Mark and Angela conduct another seance, yet this turns out rather sloppy, as Joe's absence(is he really absent?)is obvious and mistakes are made. Angela doesn't have the behind the scenes skills as her late husband once did. As it turns out, Mark calls for a spirit, but surprisingly, the spirit is Joe; he's surrounded by green light and mist. During an earlier conversation in the episode between Mark and Joe, they spoke of being partners for a long time and scam their way to a small fortune. Now, Joe(as a spirit)taunts Mark and insists he'll be with him forever, no matter what. This episode begins and ends with creepy scenes, with not much filler in between. I recommend this short episode, as it's one of the solid ones from Night Gallery's best season.
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6/10
Okay!
mm-3928 April 2024
Warning: Spoilers
Okay! Or jut okay! Pickman's model had a bit of mystery. Directed and acted like a well done romance novel. Well the ending was a bit predictable, but still watchable. The Dear Departed had a con show with a love triangle. The build up and story line was okay. I found the conclusion lame. All build up and a big fissile. An Act of Chivalry was a lame attempt at humor. Sight gag humor. Funny but lame. I give Pickman a seven, Departed a four started out strong, but ended lame. Chivalry a three. In my calculus I give this installment a six out of ten stars. Watch the Pickman's Model/The Dear Departed/An Act of Chivalry one time only.
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9/10
Posing for Pick's...
poe-4883317 December 2016
Warning: Spoilers
PICKMAN'S MODEL was one of my favorite episodes of NIGHT GALLERY when I was but a lad, and it still holds up (for the most part) Today. The one problem I have with it is Bradford Dillman as Pickman: he lacks that glint of Madness in the eyes that most of Lovecraft's protagonists no doubt would've had had they been Real (think Vincent Price, perhaps). The real star of this one, though, is (of course) the "model." My first glimpse of it those many years ago wasn't clear enough for me to fully appreciate what John Chambers and friend had wrought (not only that, but I saw it in Black and White, on a very small screen, and the green scales weren't as discernible as they are in Color): the hunch-backed, loping gait of this monster gives it that downright creepy, rat-like feel; and the face is Fantastic-plus. STILL one of the finest episodes.
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6/10
The best and the worst
BandSAboutMovies24 March 2023
Warning: Spoilers
Finally, an episode of Night Gallery you can savor, as "Pickman's Model" is one of the better stories that the show would present. Sure, you have to deal with a middling story in the, well, middle, and the Jack Laird blackout segment is predictable flotsam and jetsam, but when you have an opening this strong, that's why you stay with this show.

Remarkably, Laird would direct the first segment from a script by Alvin Sapinsley. Based on the H. P. Lovecraft story, this is about Richard Upton Pickman (Bradford Dillman), a painting teacher at a women's college. Somehow, he keeps his job despite all of his work being so horrific it nearly causes people to pass out. Mavis Goldsmith (Louise Sorel) becomes obsessed with him, despite him trying to remain apart from her. As she tracks him down, she discovers that the creatures in his paintings are horribly real, thanks to special effects by Leonard Engelman and John Chambers, who used the original mold for the Creature from the Black Lagoon to make their monster. Another tie to monster films is that Mavis lives in the same studio backlot house that was once home to the Munsters.

For someone so devoted to humorous vanilla horror, the fact that Laird made more than one Lovecraft story on this show is slightly perplexing. Maybe people really aren't all good or bad; there are shades of everything.

"The Dear Departed" was directed by Jeff Corey and written by host Rod Serling. Based on a Alice-Mary Schnirring story, it's about two spiritualist con artists - Mark Bennett (Steve Lawrence) and Joe (Harvey Lembeck) - and the affair Mark is having with his partner's wife Angela (Maureen Arthur). Once Joe is hit by a bus, their act becomes legitimate, to Mark's horror.

"An Act of Chivalry" is the absolute nadir of this show, if "Pickman's" is near the height. Just the dumbest of sight gags and something that denigrates this show to a degree that emotionally bothers me. About the only nice thing you can say is that at least future Electra Woman Deidre Hall is in it.

Ah Night Gallery. Often you are the peak and the valley at the same time.
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9/10
Rare H P Lovecraft filming.
andreygrachev7 June 2009
Wau, I was so delighted to see this rare episode today. Well it looks like really good English movie with costumes, atmosphere and fantastic painting, that is the center of the plot I think. Really close to the atmosphere of that great horror story. I really enjoy reading Lovecraft and the films that give good atmosphere of suspense and dark sci fi. A young lady is interested in her teacher-painter. But he is painting really gloomy and monstrous visions in his works. The young girl tries to attract the painter and comes to his work place. But she does not know who really lives there in addition to her teacher.

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8/10
Two good stories and one fizzler
Woodyanders1 October 2018
Warning: Spoilers
"Pickman's Model" - Reclusive art teacher and renowned painter Richard Upton Pickman (an excellent performance by Bradford Dillman) tries to stop smitten student Mavis Goldsmith (an appealing portrayal by Louise Sorel) from finding out where he lives. Director Jack Laird presents a flavorsome period setting as well as ably crafts a spooky mood. This H.P. Lovecraft adaptation further benefits from a cool'n'creepy monster and a rousing climax.

"The Dear Departed" - A trio of con artists run a phony séance racket that runs aground when medium Mark Bennett (smoothly played by Steve Lawrence) gets involved with his assistant Joe's (likeable Harvey Lembeck) fed-up wife Angela Casey (the fetching and funny Maureen Arthur). This particular tale boasts an amiable lighthearted tone and concludes on an amusing ironic note.

"An Act of Chivalry" - Yet another cornball comic short with a silly punchline.
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