(TV Series)

(1959)

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9/10
I want my money!
gordonl566 September 2013
Warning: Spoilers
PETER GUNN – Breakout – 1959

This is episode 27 of the 1958 to 1961 P.I. series, PETER GUNN. Craig Stevens headlines as the hard as nails detective who is always dressed with style. Regulars in the series are Hope Emerson as the owner of, MOTHER'S jazz club, and Lola Albright as Stevens' squeeze, Edie Hart, who is the club singer at, MOTHER'S.

A priest is shown into the cell of a prison convict. When the guard exits the room, the priest opens his bible and pulls out a .38 snub nose. The priest, Cliff Lyons, hands the weapon to con, Frank De Kova. Lyons then calls out to the guard who takes him to the prison exit. A short time later, De Kova calls the guard to his cell. When the guard shows, De Kova shoves the gun in his face and nods at the lock. After the guard opens the door, a crack to the head is applied and his uniform lifted. De Kova manages to work his way past the other guards and escape.

Several days later, Stevens is summoned to a seedy hotel for a meeting. A man whose face is heavily bandaged would like Stevens to find someone. He hands over a grand and gives Stevens a name. Stevens pockets the cash and says he will look into the matter.

First place he heads, is the Police Station for a talk with his bud, Herschel Bernardi. Bernardi is busy dealing with the escape of De Kova. So Stevens has a chat with Detective John Anderson instead. The name given to Stevens turns out to be a local mob guy who just happens to be involved with the just escaped De Kova. The man, H.M. Wynant is suspected of being in on the $300,000 robbery De Kova got sent up for. None of the money was ever recovered.

Of course the man in the bandages was a disguised De Kova. He broke out because he figured Wynant was going to keep all the cash. Stevens and the Police arrange a sting to catch both De Kova and Wynant. Stevens calls De Kova and gives him Wynant's address.

Sure enough, De Kova and his fake priest friend come a calling. Wynant is somewhat reluctant to fork over De Kova's end of the score. Guns blaze and De Kova hits the carpet. Stevens and the Police kick in the door and grab Lyons. Wynant tosses a chair through the window and bolts down the street into the arms of four more Policemen. Gunfire splits the night as Wynant fails in his get-away move.

A highly entertaining episode with some excellent camera-work from two-time Oscar nominated cinematographer, Philip Lathrop. (b/w)
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8/10
Partners? On Second Thought, no way.
biorngm8 October 2017
Warning: Spoilers
Review - Breakout Known character actors appearing in the episode make it stand out along with a believable plot to the story and the regular cast members were well in form, too. Police Sergeant Rainey, Lieutenant Jacoby both were providing details for Pete to work off to find all the perpetrators and innocent family member. Plenty of action moves the tale from beginning to end without a wasted moment; above average overall, intrigue, touch of film noir coming old cop movies of the past. For twenty-six minutes the viewer has plenty to occupy their attention.
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10/10
One Of The Best In The First Season
ccthemovieman-12 August 2006
This was one of the best episodes in the first year of suave private eye "Peter Gunn," played so coolly by Craig Stevens. What set this one apart was the exceptional film-noir photography with some great facial closeups and solid lighting. This show always that film-noir feel but the camera-work in "Breakout" was a notch above normal.

The story also was above-average as a man posing as a cleric visits in an inmate and smuggles in a gun. The inmate escapes and finally catches up to his partner-in-crime who had never been caught and had stashed away the loot the two had taken. Of course he wants his share. I won't give away the ending.

Along the way, we get some interesting minor characters, a man in disguise, and a woman who needs no disguise: the beautiful Lola Albright ("Edie") who treats us a song and then goes out back to neck with Mr. Gunn for a bit until the latter is interrupted when business calls.
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A Solid Gunn
dougdoepke14 February 2018
You know something's up when the priest looks more like a gangster than the jailed guy he's visiting. It's a typically stylish Gunn entry that touches all the trademark bases, from Mother's cool jazz to cuddling with Edie to inventive camera angles. The plot's got Pete tracking down a guy, as usual. Seems robber Frank Norbert (Wynant) has double-crossed fellow robber Taber (DeKova) and kept the loot while tipping off cops to Taber's whereabouts. Now Taber's broken out of jail and hired Pete to find his double-crosser.

That brawl in the barber shop's a doozy and shows how a barber chair has more than one use. Then too, that final scene is unusual for its uncompromised desolation. I am curious though as to why a second cop (the great John Anderson) plays Jacoby's (Bernardi) usual station house role. Maybe they were trying for a realistic touch. Anyway, it's a solid half-hour from the classic series.
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