"Route 66" You Can't Pick Cotton in Tahiti (TV Episode 1963) Poster

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8/10
Julian Roeback
rwint161113 October 2008
This episode is made more interesting by its main character than by the actual story. It pertains to a self-centered middle-aged man who jilts his bride on their wedding night by faking his own suicide. He then hops on a bus and stops off at a small southern town where he tricks everybody into thinking he is an artist researching the origins of folk music, which he only does in order to get closer to a young beauty that he is attracted to. Of course the 'hicks' finally catch on to the fact that he is using them and this leads to several uneasy confrontations.

The part of the cad, who is given a very pretentious sounding name of Julian Roeback, is brilliantly played by actor Richard Basehart. He was pretty much known as an average actor at best, but his performance here is a real stand out and possibly the pinnacle of his career. The character is quite believable. Half time you want to see him get punched in the face, but he ends up being strangely engaging no matter what he does.

The only problems with the story are some of the actions by Tod (Buz was again off due to the illness by actor Maharis). Tod sees right through the Roeback character and yet is always defending him so he won't get beat up. In fact Tod ends up taking a beating twice that should have gone to Roeback. What is worse is that Tod goes the next day and forgives the men who beat him up and continues to work alongside them like somehow he deserved it, which doesn't make any sense at all.

An interesting scene involves Tod and Roeback walking alongside a dirt road while holding a conversation. A dragonfly then appears and lands on the back of actor Basehart's neck while he is talking and then flies right into actor Milner's face. Both actors duck out of the way of the fly, but still manage to say their lines without missing a beat.

Overall this is a good episode, but the 'double' ending is a bit disappointing.

Grade: A-
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7/10
With guest star Richard Basehart this one was a winner.
padutchland-11 June 2006
The storyline of YOU CAN'T PICK COTTON IN TAHITI was a little silly and a bit of a put down of Southern people or hillbillies. However, with Richard Basehart as the man who gets off the bus in town, the TV episode was a winner from the beginning. A lesser actor may not have been able to pull it off. The general idea was that Richard Basehart was a shiftless type, but apparently good at accumulating music as he left his car on the beach and faked a suicide to avoid getting married. He jumps on a bus and ends up getting off in a small town in Tennessee where the bus only comes through every three days. He is a kind of con artist who can get people to help him be even more shiftless. But in the town he discovers some down country type music that he knows he can turn into a great success for himself. He shines up to the local town beauty to be allowed to stay and that makes her boyfriend mighty unfriendly. Martin Milner gets in the middle. Basehart has it on his mind to get his work done and skip town after he agrees to marry the girl. The town folk try to keep him in the area to follow through. Like I said, the idea that something like this would happen in the South is a little insulting to the folks in the mountains and hard to believe. Richard Basehart was such a veteran actor of not only TV, but stage and screen as well, that he pulled it off handily. Remember him in Moby Dick and as Admiral Nelson on Voyage to the Bottom of the Sea? A great actor. In this episode, Martin Milner used the telephone booth (pre cell phones eh?) to call Buz (George Maharis) who was supposed to be in the hospital. No doubt Maharis was away from the series for some reason. Martin Milner has always been a competent actor. I remember him all the way back as a young boy in Life With Father and so many other good works like The Kent Family Chronicles, Adam 12, The Fighting Coast Guard, The Long Gray Line, and so many others. He has had a good career. The young lady in the show was Jena Engstrom who did work but seems to have stopped working in the middle 1960's. Her boyfriend was played by William Bramlette and the credits said - introducing. Apparently he didn't go to much further in show business. Jena's mother was played by Adrienne Marden who did plenty of TV work and you may remember her as occasionally appearing on The Waltons as Mrs. Breckenridge. Her husband Richard Shannon was another TV veteran actor. It's been a long time since the show was on, but still holds your interest.
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1/11/63 "You Can't Pick Cotton In Tahiti"
schappe13 October 2015
Richard Basehart plays a Hollywood type, (I assume he's a composer since his expertise seems to be music), who fakes his suicide to get away from an environment he's tired of. We next see him on a bus in Tennessee, pulling into a small town where Todd is working in a cotton gin. (Why didn't he stay in the cushy job he had in the last episode?) Basehart, ("Julian Roebuck") tries his charm on a young lady who is the fiancé of Todd's buddy at the gin.

Roebuck becomes fascinated with the folk music of the area, pointing out that many great composers have been influenced by it. Somehow he's not without funds and buys a tape recorder and goes around recording people singing, including the young lady, (played by Jena Engstrom). Todd isn't sure that Roebuck really admires these people or is making fun of them for his own pleasure. Neither are the townspeople, especially when he puts poor Jena in front of an audience when she really can't sing. Eventually he proposes marriage but does he really mean that?

I agree with the other reviewers that the real reason to watch this one is Basehardt, who does a good job with a con man who may be conning himself.

There's another phone conversation with Buz, with Maharis still in the credits. Again, there is no evidence of a role Buz would have played in this story.
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4/10
Goof
robwoodford-833905 May 2018
There's a potential goof in the episode. Julian says the line, "Ask for me tomorrow, you'll find me a grave man," and attributes it to Hamlet. The line is paraphrased and actually spoken by Mercutio, in Romeo and Juliet. It might also be the writer chose to have the main character Julian Roebuck, played by veteran actor Richard Basehart, make this error to add to the viewers' perception he's a con artist. As for a review of the episode it's pretty much a goof overall, with a plot that makes no sense. Not one of the better Route 66 shows, it might be the result of extensive rewrites due to the absence of George Maharis, who returns for his final appearance in the next episode,
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The Tortured Artist Who Just Tortures
AudioFileZ25 March 2012
Warning: Spoilers
Route 66 stays in the south for yet another episode. It is not, however, particularly flattering - except that it illustrates southerners believe in truth and honesty above pretentiousness, if draped with a certain narrow view of a outside world's changing social climate, some of it for good while some not so much.

Opening with a scene where Julian Roeback fakes his death to allude his marriage with a woman and flagging Hollywood career (if, in fact, he has one)it is immediately a bit of an enigma. As Julian, apparently serendipitously, exits a bus in his soiled tuxedo and soggy shoes he lands in a rural Mississippi town in which he decides the town, and a young beauty, will be his next muse. In his quest to become the tortured artist he brings his, apparent, usual collateral damage. The man really believes he answers to a "higher calling" and parks his conscience accordingly. If you're thinking "oh, brother" you are correct in that this seems rather slight. However, the role of Julian Roeback gets a top-shelf spin by actor Richard Basehardt. Basehardt plays the scamming artist with aplomb and engages the viewer to both despise him and have a kind of attraction to his character who stops at nothing, including asking the young lass to marry him while it is apparent to even the locals he has no such intent other than to use her.

Tod, solo again due to Maharris's supposed recuperation from the dreaded "echo-virus", gets in the middle of things since he works with the betrothed's former long-time boyfriend in a cotton mill (correctly called a gin). As Tod seeks to minimize the damage to both parties, as a result he receives a couple of cursory beatings intended for Roeback - who being his slimy self alludes his just up-commence. So Roeback goes about his business, fairly unimpeded, as a kind of sponge soaking up local folk art, never really giving up if he is making fun of it or revering something that time is quickly washing over in need of preservation (to this viewer it's another part of the aforementioned fact the episode is an enigma of sorts). This demands the viewer to keep watching as it may end, but how?

A huge part of the charm of Route 66 is that it is a travelogue of America in the early phases of great change beginning to occur faster than ever before. Growing up in an agriculturally based southern town, which was actually changing from primarily cotton to manufacturing, I found the locale quite interesting. The locals, if steeped in the past, are shown to be totally upright and honorable which is true to the time I was born into where a man's word was his bond - no questions. A fake artist like Roeback would be labeled as such by most, except the gullible who Roeback uses as his stock and trade. So, though not terribly realistic, this installment of Route 66 certainly entertains in no small part due to Basehardt's truly excellent performance. Julian's attempts to exit town are quite humorous and he is forced to fall back on his old tricks - the faked death - before he finally breaks free. Tod decides, after the brouhaha, that he too should hit the road and the last scene calls to mind the old adage: fool me once, shame on you...fool me twice, shame on me! If you like the series this is a solid watch in which I didn't particularly miss Maharris, though I bet Tod did when he became a punching bag a few times!
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