"Thriller" The Big Blackout (TV Episode 1960) Poster

(TV Series)

(1960)

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7/10
"You scream, and I'll make hamburger out o' ya."
classicsoncall20 January 2012
Warning: Spoilers
For what was nominally supposed to be a suspenseful mystery, I almost cracked up when thug Nick Fisher (Robert Carricart) came out with that 'hamburger' line in my summary above. The bad guys were roughing up Burt Lewis (Jack Carson) and his wife Midge (Nan Leslie), and that just kind of broke up the mood of the moment for me.

So when all was said and done, this was like an episode of 'Seinfeld' - nothing actually happened. Lewis, by virtue of a two year blackout due to his binge drinking, couldn't get a grip on who he was after finding a note in the possession of a hit-man sent to rub him out. Talk about being dealt a bad hand, it was revealed in the story that his first wife and child died in a car crash, and now it looks like another nightmare scenario is about to be played out.

But let me get this straight. The Bill Logan (get the initials - BL?) everyone was on the lookout for was the husband of the Pelican Bar owner and died three years earlier. Why did these guys wait so long for anyway? Seven hundred grand would have been a lot of cash back in the Sixties for anyone to be taking their sweet old time about it. I don't know, maybe I'm missing something here, but this turned out to be one Thriller that wasn't.
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5/10
Who the hell is Bill Logan!
sol-kay3 April 2013
Warning: Spoilers
****SPOILERS**** Whoever this guy Bill Logan is he did something that the mob is out to knock him off and knock him off in the most painful way possible. It's ex-con and now recovering alcoholic Burt Lewis', Jack Carson, great misfortune to be mistaken for Logan that put his as well as his wife's Midge, Nan Leslie, and infant daughter's lives in jeopardy. This all started when this stranger from out of town George Adams, who's part was so difficult that it took two actor Steve Darrell & Sol Gross to play him him, passed out at the Paradise Motel and sent to a nearby clinic for medical treatment. It's there where Burt, in his chartered boat, brought Adams and found a note on him saying that he, Burt Lewis, is really Bill Logan!

Burt still suffering black outs because of his alcoholism has no idea who this Bill Logan is or if in fact he's really him. That has Burt end up getting worked over by the mobsters who in fact knew who Logan and looked like in them trying to find out if Burt knows where Logan is at this very moment. During that time Adams and fellow alcoholic Charlie Pringle, Chubby Johnson, end up getting killed or murdered by someone who's out to keep Logan's whereabouts secret as well as frame Burt for their deaths!

****SPOILERS**** Burt who by now has been together with his wife and child put through the ringer by the mobsters sent to find Bill Logan finally finds out who this Logan guy is from a photo provided to him by Paul Hawkins, Paul Newland. Hawkins who like almost everyone else in town has it in from Logan in him being responsible for his's son's, Roy, murder! It's then that the local police, with Burt's help, get the drop on the mobsters looking for Logan and end up whacking them instead of them whacking Logan. As we soon find out all that Burt really wanted to know, besides if he is or is not Bill Logan, is if had anything to do with Logan or his, the big secret in this "Thriller" episode, secret drug trafficking operation. And the answer he got, from Logan's old lady, was happily no he didn't! He was either too honest or too stupid, or both, to be part of it.
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5/10
Pretty forgettable crime drama
preppy-31 July 2016
Jack Carson plays a recovered alcoholic. It seems the previous two years he had been drinking so much that he blacked out and doesn't remember a thing. Then a seriously drunk man shows up and passes out near his place. He has a piece of paper in his pocket that implies that Carson (during his blackout stage) had been involved in some crimes under a different name. Carson hides the paper but then thugs start threatening him and his family and people are being killed.

Not a bad plot but badly handled. Carson (a good actor) appears to be drugged while making this. The plot drags out and all the supporting actors just seem to be going through the motions. The ultimate resolution also seems more than a little unlikely. A VERY mediocre crime drama.
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6/10
Twist That Plot to Twist
Hitchcoc20 November 2016
In this offering, a man who has a history of alcoholism is suddenly in the middle of a situation where he can't remember events necessary to deal with it. The "Blackout" in the title involves his past. The problem with this episode is that the crooks are monumentally stupid. They seem to have their eyes on some guy who never appears and our guy is mistaken for him. Poor Jack Carson is trying to lead a clean life after spending part of it in prison, but these fellows can't seem to leave him alone. There is also a man who is seeking to avenge his son and things get more and more difficult to follow. It's almost as if a group of writers were in a room saying, "OK. Let's do this. No let's do this.
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3/10
Even with Jack Carson and Charles McGraw in this one, it's not that interesting.
planktonrules5 May 2014
Jack Carson plays a recovering alcoholic named Burt Lewis. Early in the show, he's called to someone's house and he finds a note in the guy's pocket that might indicate that he's there to kill Burt...or at least some guy named Bill Logan--who Burt may be. It seems that during his drunk days, Burt MIGHT have done something bad--and that might be why someone may want to kill him. Maybe.

Like too many of the early episodes of "Thriller", this one is strictly a crime show--and not a particularly exciting one. Fortunately the shows got better as the series progressed. But, as for "The Big Blackout", I found it awfully dull. Plus, you'd think Burt would have more idea what he'd been doing while drinking. Unless his mind was severely scrambled by REALLY heavy drinking, you'd think that these years wouldn't be one long blackout.
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8/10
Overlooked
go_titans18 January 2015
Okay, okay, this is as most other people here have described it - a fairly lame episode. I won't argue...apart from the fact that everyone has apparently missed the brilliance of the episode's fight scene.

Now let me explain: I have a complete Bruce Lee collection including every one of his Green Hornet episodes, and I own over 60 of Jackie Chan's movies, and I regard the fight scene in the Big Blackout to be HIGHLY IMPRESSIVE!! It is clumsy and realistic, making it the most authentic scene in the episode, but most importantly - and amazingly - it was done in one shot! I can't think of another fight scene that was done without at least a couple of breaks in the film, so this one stands on its own.

The episode itself might be lame, but this is one of the most important episodes in the Thriller series for me simply because of the fight scene. You won't get any Chan or Lee style high kicks, but I'm sure both of those guys would have appreciated the achievement of completing the whole fight sequence without needing a cut in the film. Watch it!!
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2/10
How did "THRILLER" ever stay on the air with Dump like this?
lrrap29 March 2020
Pathetic. Inept. Like a bad high-school play. Almost as bad as Thriller's "Mark of the Hand"; at least here we got some scenic variety in the cheesy rear-projection scenes out on the high seas.

I assume that Maxwell Shayne---the savior/producer of Thriller's future crime episodes, was JUST brought on board for this one. So this turkey was already in production, probably with cast and director already hired. Pitiful script AND direction; at least a competent director could have given the episode some sense of style (Mitchell Leisen's work in "Girl with a Secret" now becomes that much more impressive).

Jack Carson, whom I usually like in his light comedy roles (he was always fun in his late 40's films with Doris Day) simply can't stop his stupid face-scrunching, grimacing and silly double takes; THEY DON"T WORK HERE, JACK---SAVE 'EM FOR YOUR NEXT COMEDY ROLE! A recitation of the outrageous plot holes and contrivances in this show would bore everyone almost as much as this episode itself.

Pete Rugolo's score is particularly annoying---all brass and winds, with some percussion. I find it dreary and intrusive (just wait 'til Goldsmith and Stevens start writing their STRING-based scores...)

CHECK OUT 23:21' in "Big Blackout"---the cops have just left the house, and Carson spots the liquor bottle on the table. Rugolo actually quotes "How Dry I Am"--I kid you not--- in a somewhat "freaky, far-out" distorted version, played by the vibraphone and clarinet, while the cellos provide some "hallucinagenic" chromatic scales underneath; I almost burst out laughing.

And how about the beat-up girl friend at the end? They all just let her lie there with big old welts, bruises, cuts, etc---not even a band-aid in sight---while she provides the show's boffo conclusion.

With moldy turkeys like this one, It's a miracle that THRILLER was able to survive long enough on the air for the big turn-around in format--from wimpy, lifeless, no-style crime duds to magnificent, landmark tales of horror. LR
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3/10
Forgettable Thriller
AaronCapenBanner29 October 2014
Jack Carson stars as recovering alcoholic Burt Lewis, who one day is summoned to a motel room by his charter boat business partner Ethel(played by Jeannie Cooper) after a body was found there, likely a murder victim. Burt finds out that the victim was a man looking into his past, and this involves Burt in a most complicated criminal scheme involving several different people that may just push Burt into jail, an early grave, or back to the booze... Aptly titled episode is among the weakest, with an absurdly over-complicated plot that fails to maintain viewer interest; exactly the kind of crime episode that series fans didn't want!
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2/10
Jack Carson and Charles McGraw
kevinolzak17 October 2008
A rather dull Maxwell Shane entry featuring Jack Carson as former alcoholic Burt Lewis, who fears he may have been responsible for a murder during one of his blackouts. When several characters turn up looking for a drug smuggler named Bill Logan, he begins to wonder if he and Logan are one and the same person. Alas, audiences will no doubt give up long before the complications get sorted out. The local sheriff is played by gravel voiced Charles McGraw, who did many such roles, while the equally gruff Paul Newlan makes his series debut, returning in "The Cheaters," "The Grim Reaper," and "The Remarkable Mrs. Hawk." This would be one of Jack Carson's last appearances as he died of stomach cancer little more than 2 years later.
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4/10
Thriller's first season had some real duds.
mark.waltz7 October 2019
Warning: Spoilers
This starts off very promising with alcoholics anonymous sponsor Jack Carson finding himself drawn back to his past of black-outs and forgotten past as he begins to wonder about all of this events he's forgotten, making him wonder if he was somehow involved in organized crime. Wife Nan Leslie and assistant Jeanne Cooper try to aide him in finding the truth out about himself, especially after one of the people he's trying to help go sober is killed while in rehab.

The road to recovery wasn't even as twisted as this messed up script that gives good material for the individual performers to sink their teeth into but unfortunately rings a complete false note as an entire episode. It's trying too hard once again to be intelligent, and unfortunately that just makes this episode very pretentious and messy.

It's always good to see the young Jeanne Cooper before she became one of daytime's most popular matriarchs, and Charles McGraw is excellent as a raspy-voiced detective. But as evidenced by the episodes surrounding this, "Thriller" as it reached the first half of its first season wasn't really doing very well with quality complex episodes, even though it had some top-notch actors, writers and directors. The problem here is that a tries to put too much into a 50-minute episode and it's too much convoluted detail to really be convincingly set up and wrapped up.
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