Sovereign is proud to announce that award-winning Mexican director Amat Escalante’s powerful thriller Lost In The Night received its UK premiere at the 2023 BFI London Film Festival, as part of the ‘Thrill’ section, and now the film is available to rent/buy on Amazon Prime Video in the UK.
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
- 4/11/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Exclusive: 3Point0 Labs has followed up recent strategic moves by signing In the Summers co-producer Luz Films.
Headed by Sergio Lira, Lynette Coll and Cristobal Güell, Luz was created with a mission to make Latino-focused prestige and elevated-genre content from diverse creatives and producers in the film and TV space. Its debut film, In the Summers, was a prize winner at Sundance earlier this year.
“Sergio, Lynette, and Cristobal bring such an authentic desire to foster family and community in everything they do,” said Andrew Cutrow, Chief Business Officer and Head of the Entertainment division of 3Point0 Labs. “They bring a vision that is so core to 3Point0’s mission to build communities and infrastructure globally. Luz is a rocket ship and we are so humbled to be a part of their growth as they take off.”
As we revealed at the time, Luz Films launched in January with former...
Headed by Sergio Lira, Lynette Coll and Cristobal Güell, Luz was created with a mission to make Latino-focused prestige and elevated-genre content from diverse creatives and producers in the film and TV space. Its debut film, In the Summers, was a prize winner at Sundance earlier this year.
“Sergio, Lynette, and Cristobal bring such an authentic desire to foster family and community in everything they do,” said Andrew Cutrow, Chief Business Officer and Head of the Entertainment division of 3Point0 Labs. “They bring a vision that is so core to 3Point0’s mission to build communities and infrastructure globally. Luz is a rocket ship and we are so humbled to be a part of their growth as they take off.”
As we revealed at the time, Luz Films launched in January with former...
- 4/2/2024
- by Jesse Whittock
- Deadline Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
And the Razzie Goes to . . .
As much as we hate to give Razzies any sort of promotion, The Criterion Channel has a new series to show just how wrong the execrable organization has been over the past decades. Launching today, they are spotlighting comedic gems like Tom Green’s Freddy Got Fingered, Elaine May’s Ishtar, and Neil Labute’s The Wicker Man, alongside Cruising, Heaven’s Gate, Xanadu, Querelle, Under the Cherry Moon, Cocktail, Showgirls, Barb Wire, The Blair Witch Project, Swept Away and Gigli.
Where to Stream: The Criterion Channel
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score.
And the Razzie Goes to . . .
As much as we hate to give Razzies any sort of promotion, The Criterion Channel has a new series to show just how wrong the execrable organization has been over the past decades. Launching today, they are spotlighting comedic gems like Tom Green’s Freddy Got Fingered, Elaine May’s Ishtar, and Neil Labute’s The Wicker Man, alongside Cruising, Heaven’s Gate, Xanadu, Querelle, Under the Cherry Moon, Cocktail, Showgirls, Barb Wire, The Blair Witch Project, Swept Away and Gigli.
Where to Stream: The Criterion Channel
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score.
- 3/1/2024
- by Jordan Raup
- The Film Stage
Exclusive: Sergio Lira, Lynette Coll and Cristobal Güell are launching Luz Films, a newly formed entertainment company founded with the mission of making Latino-focused prestige and elevated-genre content from diverse visionary creatives and producers in the film and TV space.
Lira and Coll will serve as co-CEOs while Guell will serve as CFO.
Through a collaborative community spirit, Luz Films will produce and co-finance projects from the Latino perspective for U.S. and global audiences. The company believes in mentoring and supporting projects from debut filmmakers and connecting them with veteran Latino creatives who can collaborate with these new voices behind the camera and on-screen.
‘While Latinos are one of the fastest-growing communities in the United States, representation for storytellers in the community lags behind other demographics,” the trio shared in an exclusive statement to Deadline. “Luz Films, named with purpose, embodies ‘light.’ Our mission is to illuminate opportunities. We...
Lira and Coll will serve as co-CEOs while Guell will serve as CFO.
Through a collaborative community spirit, Luz Films will produce and co-finance projects from the Latino perspective for U.S. and global audiences. The company believes in mentoring and supporting projects from debut filmmakers and connecting them with veteran Latino creatives who can collaborate with these new voices behind the camera and on-screen.
‘While Latinos are one of the fastest-growing communities in the United States, representation for storytellers in the community lags behind other demographics,” the trio shared in an exclusive statement to Deadline. “Luz Films, named with purpose, embodies ‘light.’ Our mission is to illuminate opportunities. We...
- 1/12/2024
- by Rosy Cordero
- Deadline Film + TV
New York-based The Film Sales Company has pounced on the worldwide rights to Colombian documentary feature “Igualada” by Juan Mejía Botero ahead of its world premiere at the Sundance Film Festival in the World Cinema Documentary Competition sidebar.
Mejía Botero, whose most recent feature documentary “Death by a Thousand Cuts” won the Audience Award at Doc NYC, chronicles politician Francia Márquez’s groundbreaking journey from her start as a rural grassroot activist to her history-making campaign to become not only the first black but also the first female president of her native Colombia.
Given exclusive access, Mejía Botero follows Márquez as she “dares to challenge the status quo by launching a presidential campaign in Colombia, a nation beset by profound racial and socio-economic disparities,” per the synopsis.
Reclaiming the derogatory term “igualada” (used to belittle individuals asserting rights deemed beyond their position in society), Márquez propels a movement into the upper spheres of influence,...
Mejía Botero, whose most recent feature documentary “Death by a Thousand Cuts” won the Audience Award at Doc NYC, chronicles politician Francia Márquez’s groundbreaking journey from her start as a rural grassroot activist to her history-making campaign to become not only the first black but also the first female president of her native Colombia.
Given exclusive access, Mejía Botero follows Márquez as she “dares to challenge the status quo by launching a presidential campaign in Colombia, a nation beset by profound racial and socio-economic disparities,” per the synopsis.
Reclaiming the derogatory term “igualada” (used to belittle individuals asserting rights deemed beyond their position in society), Márquez propels a movement into the upper spheres of influence,...
- 1/8/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Bookmark this page for the latest updates in the territory.
Screen is listing the 2023 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2023 here.
December
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2023 (Trafalgar - event cinema)
Previous releases January
January 6
Piggy (Vertigo), The Enforcer (Vertigo), Alcarràs (Mubi), A Man Called Otto (Sony), Rashomon (BFI), Till (Universal)
January 7
Andre Rieu In Dublin 2023 (Piece of...
Screen is listing the 2023 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2023 here.
December
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2023 (Trafalgar - event cinema)
Previous releases January
January 6
Piggy (Vertigo), The Enforcer (Vertigo), Alcarràs (Mubi), A Man Called Otto (Sony), Rashomon (BFI), Till (Universal)
January 7
Andre Rieu In Dublin 2023 (Piece of...
- 12/30/2023
- by Ben Dalton
- ScreenDaily
Exclusive: Management and production company 2Am is bolstering its finance and sales division with the hire of former Sundance Catalyst executive Julia Nelson.
Nelson will report to former WME & Endeavor Content exec Christine D’Souza Gelb who oversees the sales arm of 2Am.
2Am will be launching sales on two titles at the upcoming Sundance Film Festival: Sam and Andy Zuchero’s Love Me starring Kristen Stewart and Steven Yeun, and produced by 2Am, ShivHans, and AgX; and Haley Elizabeth Anderson’s Tendaberry, produced by Dweck and Flies Collective. 2Am is co-repping worldwide rights on both projects with WME, where the filmmakers are also represented.
The company, which is a producer on Celine Song’s Golden Globe nominee Past Lives, has previously repped Sing J. Lee’s Accidental Getaway Driver, Andrew Semans’ Resurrection, and Christopher Makoto Yogi’s I Was A Simple Man.
Nelson joins the company after six years at...
Nelson will report to former WME & Endeavor Content exec Christine D’Souza Gelb who oversees the sales arm of 2Am.
2Am will be launching sales on two titles at the upcoming Sundance Film Festival: Sam and Andy Zuchero’s Love Me starring Kristen Stewart and Steven Yeun, and produced by 2Am, ShivHans, and AgX; and Haley Elizabeth Anderson’s Tendaberry, produced by Dweck and Flies Collective. 2Am is co-repping worldwide rights on both projects with WME, where the filmmakers are also represented.
The company, which is a producer on Celine Song’s Golden Globe nominee Past Lives, has previously repped Sing J. Lee’s Accidental Getaway Driver, Andrew Semans’ Resurrection, and Christopher Makoto Yogi’s I Was A Simple Man.
Nelson joins the company after six years at...
- 12/15/2023
- by Andreas Wiseman and Anthony D'Alessandro
- Deadline Film + TV
Above: first US teaser poster for Poor Things. Design by Vasilis Marmatakis.I don’t know whether it’s because of the power of Yorgos Lanthimos, or the popularity of Emma Stone, or the sheer genius of designer Vasilis Marmatakis, or a combination of all of them, but three out of the four most liked posters on my Movie Poster of the Day Instagram over the past six months have all been posters for Lanthimos’s latest, Poor Things. The teaser above is now the most liked poster ever on my feed.Breaking up the Poor Things monopoly at number two is Polish designer Maks Bereski’s fan-art design for Ridley Scott’s yet-to-be-released Napoleon, which also went through the roof with over 4,000 likes when I posted it in June in conjunction with my article on Bereski and his favorite movie posters. Instagram likes are a fickle thing but it...
- 10/12/2023
- MUBI
Chile’s at it again. Since’s Andrés Wood’s breakout “Machuca” in 2004, Chilean filmmakers, led by Pablo Larraín, Sebastián Lelio and now Maite Alberdi, have punched consistently above the country’s weight, consistently winning plaudits at Sundance, Berlin and Cannes. Chile has also won three Oscars – for Claudio Miranda’s cinematography on 2012’s “Life of Pi,” 2015’s animated short “Bear Story” and Lelio’s 2017’s fiction feature “A Fantastic Woman” – more any other South American country apart from Argentina.
First half 2023 has proved no exception in Chile’s statue trawl. Some of the awards on offer are among the biggest out: Alberdi’s “The Eternal Memory,” from Fabula, scooped Sundance’s World Cinema Grand Prize; Andrés Wood’s “News of a Kidnapping” walked off with best series at the Platino Awards, the Spanish-speaking world’s nearest kudos fest to the Oscars.
In all, according to a CinemaChile study released during Sanfic,...
First half 2023 has proved no exception in Chile’s statue trawl. Some of the awards on offer are among the biggest out: Alberdi’s “The Eternal Memory,” from Fabula, scooped Sundance’s World Cinema Grand Prize; Andrés Wood’s “News of a Kidnapping” walked off with best series at the Platino Awards, the Spanish-speaking world’s nearest kudos fest to the Oscars.
In all, according to a CinemaChile study released during Sanfic,...
- 8/24/2023
- by John Hopewell, Anna Marie de la Fuente and Holly Jones
- Variety Film + TV
Chile’s Francisca Alegria, whose debut feature “The Cow Who Sang a Song Into the Future” premiered at Sundance 2022, is launching a Latinx production company called Madre, with offices based in Chile, Uruguay and the U.S.
Together with her partners Fernanda Urrejola, Gabriela Rosés and Cristóbal Güell, Alegria said: “We firmly believe that stories have the ability to shape perspectives, challenge norms, and inspire action. With this in mind, we strive to select projects that not only entertain but also provoke thought and spark meaningful conversations.”
Recognizing that “representation matters,” the company intends to showcase Latinx culture “beyond surface-level diversity” stating: “We aim to portray the complexities, nuances, and rich tapestry of our community, shedding light on the multifaceted experiences and identities that often go unseen or are misunderstood.”
The new company is working on a fantasy feature set in Chile with Latinx producers Sergio Lira and Lynette Coll atLuz Films and “The Cow…...
Together with her partners Fernanda Urrejola, Gabriela Rosés and Cristóbal Güell, Alegria said: “We firmly believe that stories have the ability to shape perspectives, challenge norms, and inspire action. With this in mind, we strive to select projects that not only entertain but also provoke thought and spark meaningful conversations.”
Recognizing that “representation matters,” the company intends to showcase Latinx culture “beyond surface-level diversity” stating: “We aim to portray the complexities, nuances, and rich tapestry of our community, shedding light on the multifaceted experiences and identities that often go unseen or are misunderstood.”
The new company is working on a fantasy feature set in Chile with Latinx producers Sergio Lira and Lynette Coll atLuz Films and “The Cow…...
- 8/18/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Babylon (Damien Chazelle)
Those seeking an insightful exploration of cinema history in Hollywood’s Golden Age or a nuanced, affecting character study on the lives within this early era will mostly like be disappointed by Damien Chazelle’s latest. Babylon is a brash, bombastic, unwieldy comic opera conveyed with enough bad taste and directorial panache that it—refreshingly—registers as a refutation of the well-mannered prestige drama to which these kinds of nostalgic odes often conform. And while there’s a touch of wistfulness in regards to the communal power of big-screen cinema, the film is more defined by an acidic unsentimentality, both when it comes to its characters and the precarious world they inhabit. Capturing the mad, violent clash of high...
Babylon (Damien Chazelle)
Those seeking an insightful exploration of cinema history in Hollywood’s Golden Age or a nuanced, affecting character study on the lives within this early era will mostly like be disappointed by Damien Chazelle’s latest. Babylon is a brash, bombastic, unwieldy comic opera conveyed with enough bad taste and directorial panache that it—refreshingly—registers as a refutation of the well-mannered prestige drama to which these kinds of nostalgic odes often conform. And while there’s a touch of wistfulness in regards to the communal power of big-screen cinema, the film is more defined by an acidic unsentimentality, both when it comes to its characters and the precarious world they inhabit. Capturing the mad, violent clash of high...
- 7/21/2023
- by Jordan Raup
- The Film Stage
As Sanctuary, Zachary Wigon’s twisted tale of a dominatrix and her wealthy client, opens in NY and LA, David Lancaster of producer Rumble Films recalls a speedy 18-day shoot on a custom-made set in Brownsville, Brooklyn in late summer of 2021. It was Covid, so not the easiest time for indie financing.
It world premiered in Toronto, Neon picked it up. Rumble is pretty prolific with projects including Whiplash, Night Crawler, Eye In The Sky, Drive and Donnybrook. It lost one project to a lack of pandemic insurance and more recently saw another fall away since it wouldn’t have been finished shooting by the end of June – when actor and director contracts expires and they could potentially be on strike alongside writers. “It’s a tricky world,” he said.
He’s in Cannes with eOne horror thriller Visitation by Nicolas Pesce starring Olivie Cooke and Isla Johnston that finished...
It world premiered in Toronto, Neon picked it up. Rumble is pretty prolific with projects including Whiplash, Night Crawler, Eye In The Sky, Drive and Donnybrook. It lost one project to a lack of pandemic insurance and more recently saw another fall away since it wouldn’t have been finished shooting by the end of June – when actor and director contracts expires and they could potentially be on strike alongside writers. “It’s a tricky world,” he said.
He’s in Cannes with eOne horror thriller Visitation by Nicolas Pesce starring Olivie Cooke and Isla Johnston that finished...
- 5/19/2023
- by Jill Goldsmith
- Deadline Film + TV
Hundreds of fish lie dead on a riverbed. A lone (lonely?) cow ambles around late at night in a forest. A flock of birds fly in discordant unison up above. The arresting images of nature gone awry in Francisca Alegría’s “The Cow Who Sang a Song Into the Future” are but the first clues that this rural-set Chilean feature has a distinct ecological interest. This hypnotic tale about how hard it can be to heal earthly and familial wounds marks a singular feature debut from the director of 2016 short “And the Whole Sky Fit in the Dead Cow’s Eye.”
Aptly matching its dizzying and obfuscating title, the film opens with a premise that owes much to Latin America’s most treasured literary genre: magical realism. A young woman, with a motorcycle helmet in tow, emerges from the river where she presumably committed suicide decades ago. She washes ashore only slightly disoriented,...
Aptly matching its dizzying and obfuscating title, the film opens with a premise that owes much to Latin America’s most treasured literary genre: magical realism. A young woman, with a motorcycle helmet in tow, emerges from the river where she presumably committed suicide decades ago. She washes ashore only slightly disoriented,...
- 5/18/2023
- by Manuel Betancourt
- Variety Film + TV
Francisca Alegría’s The Cow Who Sang a Song Into the Future is an object lesson in what can result when a work of art subordinates itself to a message. And in this case, that the message of ecological redemption feels too little too late makes the film’s failure to give it resonance all the more frustrating. Between its half-realized characters, unresolved plotlines, and perfunctory stab at magical realism, it’s hard to take this story as seriously as it takes itself.
Set in present-day rural Chile, the film opens with Magdalena (Mía Maestro) washing up on the banks of a river alongside the bodies of countless fish. The woman, it turns out, drowned decades earlier after driving her motorcycle into the water. Having aged not a day since the accident—or was it suicide?—she wanders into the village where she used to live. And it’s there that Magdalena’s former husband,...
Set in present-day rural Chile, the film opens with Magdalena (Mía Maestro) washing up on the banks of a river alongside the bodies of countless fish. The woman, it turns out, drowned decades earlier after driving her motorcycle into the water. Having aged not a day since the accident—or was it suicide?—she wanders into the village where she used to live. And it’s there that Magdalena’s former husband,...
- 5/15/2023
- by William Repass
- Slant Magazine
Leonor Varela with Anne-Katrin Titze on The Cow Who Sang A Song Into The Future: “For me the stories that came to mind to build my character had to do with familiar echoes in the disconnect …”
Francisca Alegría’s The Cow Who Sang A Song Into The Future (La Vaca Que Cantó Una Canción Hacia El Futuro), co-written with Fernanda Urrejola, Manuela Infante and shot by Inti Briones, stars Leonor Varela with Mia Maestro, Alfredo Castro, Marcial Tagle, Enzo Ferrada Rosati, Laura Del Rio Rios, María Velasquez, and 2222, the cow.
Leonor Varela as Cecilia with a calf: “it’s so sad, they’re separated from their mother very early on, but their instinct is to suck.” Photo: Inti Briones
In recent years, a number of outstanding films brought to the forefront an issue society at large is all too willing to ignore, namely the treatment of farm animals and...
Francisca Alegría’s The Cow Who Sang A Song Into The Future (La Vaca Que Cantó Una Canción Hacia El Futuro), co-written with Fernanda Urrejola, Manuela Infante and shot by Inti Briones, stars Leonor Varela with Mia Maestro, Alfredo Castro, Marcial Tagle, Enzo Ferrada Rosati, Laura Del Rio Rios, María Velasquez, and 2222, the cow.
Leonor Varela as Cecilia with a calf: “it’s so sad, they’re separated from their mother very early on, but their instinct is to suck.” Photo: Inti Briones
In recent years, a number of outstanding films brought to the forefront an issue society at large is all too willing to ignore, namely the treatment of farm animals and...
- 5/14/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
“I always imagined this moment.” Amidst the bodies of dead fish succumbing to pollution caused by deadly chemicals from a nearby factory rises Magdalena. Magdalena (Mía Maestro), long-deceased, brings with her not only the shock of resurrection, but old wounds and a litany of family secrets, setting the stage for “The Cow Who Sang a Song Into the Future,” the feature-length debut from young Chilean director Francisca Alegría.
Continue reading ‘The Cow Who Sang A Song Into The Future’ Trailer: Francisca Alegría’s Haunting Ecological Fairy Tale Hits Theaters On May 19 at The Playlist.
Continue reading ‘The Cow Who Sang A Song Into The Future’ Trailer: Francisca Alegría’s Haunting Ecological Fairy Tale Hits Theaters On May 19 at The Playlist.
- 5/12/2023
- by Rosa Martinez
- The Playlist
If you’ve perused our summer movie preview you may already have a sense of what films to keep on your radar this month, but it’s time to dig deeper into May. While much of our attention will be on the Cannes Film Festival, plenty of worthwhile offerings arrive stateside.
15. The Starling Girl (Laurel Parmet; May 12)
After breaking out in Babyteeth and Little Women, Eliza Scanlen finds an impressive new starring role with The Starling Girl. Michael Frank said in his review, “Scanlen shines as Starling, playing someone much younger than herself. She brings an assurance to the role. We belive in Jem. She’s naive-yet-overconfident, isolated-yet-connected, carefree-yet-shackled by a system designed to believe the word of men much older than her. Scanlen shows all of that and more. Her performance grounds a film that risks blending together with preceding pictures, raising it above any average trappings.”
14. L’immensita (Emanuele Crialese...
15. The Starling Girl (Laurel Parmet; May 12)
After breaking out in Babyteeth and Little Women, Eliza Scanlen finds an impressive new starring role with The Starling Girl. Michael Frank said in his review, “Scanlen shines as Starling, playing someone much younger than herself. She brings an assurance to the role. We belive in Jem. She’s naive-yet-overconfident, isolated-yet-connected, carefree-yet-shackled by a system designed to believe the word of men much older than her. Scanlen shows all of that and more. Her performance grounds a film that risks blending together with preceding pictures, raising it above any average trappings.”
14. L’immensita (Emanuele Crialese...
- 5/3/2023
- by Jordan Raup
- The Film Stage
Where to begin with this year’s summer preview?
The “big” titles, including new superhero films, another zippy entry into the “Fast and Furious” franchise, the continuing adventures of Tom Cruise running against “Impossible” odds, or even a kicky new Indiana Jones film? What about the latest picks from some of our favorite filmmakers, Wes Anderson to Greta Gerwig, Christopher Nolan to Nicole Holofcener, Paul Schrader to Niki Caro, Christian Petzold to Rachel Sennott?
Or what about the rising filmmaking stars we’ve already fallen for, like Celine Song, Laurel Parmet, Adele Lim, Charlotte Regan, and Savanah Leaf? Should we bet even bigger, noting that this summer includes at least two films we’ve already crowned some of the best of the year?
Or, better yet, how about we let the films speak for themselves? As another summer movie season beckons, we’ve dug into the calendar to pull out...
The “big” titles, including new superhero films, another zippy entry into the “Fast and Furious” franchise, the continuing adventures of Tom Cruise running against “Impossible” odds, or even a kicky new Indiana Jones film? What about the latest picks from some of our favorite filmmakers, Wes Anderson to Greta Gerwig, Christopher Nolan to Nicole Holofcener, Paul Schrader to Niki Caro, Christian Petzold to Rachel Sennott?
Or what about the rising filmmaking stars we’ve already fallen for, like Celine Song, Laurel Parmet, Adele Lim, Charlotte Regan, and Savanah Leaf? Should we bet even bigger, noting that this summer includes at least two films we’ve already crowned some of the best of the year?
Or, better yet, how about we let the films speak for themselves? As another summer movie season beckons, we’ve dug into the calendar to pull out...
- 4/18/2023
- by Kate Erbland
- Indiewire
Also opening is ’80 For Brady’, ’Louis Tomlinson: All Of Those Voices’ and ‘A Good Person’
Lionsgate’s John Wick: Chapter 4 will be looking to dominate the UK-Ireland box office this weekend as it opens in 651 cinemas.
The fourth instalment in the neo-noir action franchise sees Keanu Reeves’ titular character face off against new enemies and old friends. Laurence Fishburne also returns, while newcomers in the cast include Donnie Yen and Bill Skarsgard.
Chad Stahelski directs once again, having directed all three previous films, with a screenplay from Shay Hatten and Michael Finch.
The first John Wick opened to £540,466 in...
Lionsgate’s John Wick: Chapter 4 will be looking to dominate the UK-Ireland box office this weekend as it opens in 651 cinemas.
The fourth instalment in the neo-noir action franchise sees Keanu Reeves’ titular character face off against new enemies and old friends. Laurence Fishburne also returns, while newcomers in the cast include Donnie Yen and Bill Skarsgard.
Chad Stahelski directs once again, having directed all three previous films, with a screenplay from Shay Hatten and Michael Finch.
The first John Wick opened to £540,466 in...
- 3/24/2023
- by Ellie Calnan
- ScreenDaily
Warner Bros.’ “Shazam! Fury Of The Gods” debuted atop the U.K. and Ireland box office with £2.3 million ($2.9 million), according to numbers released by Comscore.
In its third weekend, in second place, another Warner Bros. title, “Creed III,” punched its way to £1.2 million for a total of £11.6 million. In third place, Paramount’s “Scream VI” scared up £987,312 in its second weekend and now has a total of £5.1 million.
Debuting in fourth position was Warner Bros.’ “Allelujah” with £715,783 and rounding off the top five was Sony’s “65,” which earned £567,710 in its second weekend for a total of £2.4 million.
The other debut the past weekend was Disney’s well-reviewed British romantic comedy “Rye Lane” that bowed in seventh place with £260,210. Another British romantic comedy, Studiocanal’s “What’s Love Got to Do with It?,” collected £242,791 in eighth position in its fourth weekend for a total of £4.2 million.
Coming up, Trafalgar Releasing is...
In its third weekend, in second place, another Warner Bros. title, “Creed III,” punched its way to £1.2 million for a total of £11.6 million. In third place, Paramount’s “Scream VI” scared up £987,312 in its second weekend and now has a total of £5.1 million.
Debuting in fourth position was Warner Bros.’ “Allelujah” with £715,783 and rounding off the top five was Sony’s “65,” which earned £567,710 in its second weekend for a total of £2.4 million.
The other debut the past weekend was Disney’s well-reviewed British romantic comedy “Rye Lane” that bowed in seventh place with £260,210. Another British romantic comedy, Studiocanal’s “What’s Love Got to Do with It?,” collected £242,791 in eighth position in its fourth weekend for a total of £4.2 million.
Coming up, Trafalgar Releasing is...
- 3/21/2023
- by Naman Ramachandran
- Variety Film + TV
The Sundance Institute announced the eight participants selected for the fifth annual Momentum Fellowship with names such as Charlotte Wells, Nikyatu Jusu and Francisca Alegria among the selected pack of eight. The program is designed to support and provide coaching to mid-career artists with a focus on career development during a pivotal moment in their creative practice. The 2023 Momentum Fellows are:
Francisca Alegria is an award-winning filmmaker who’s short film And the Whole Sky Fit in the Dead Cow’s Eye received the award for Best International Fiction Short at Sundance Film Festival. Her debut feature The Cow Who Sang A Song Into the Future premiered at Sundance Film Festival in 2022 and was supported by the 2017 Sundance Institute Screenwriters and Directors Lab along with the Catalyst Forum.…...
Francisca Alegria is an award-winning filmmaker who’s short film And the Whole Sky Fit in the Dead Cow’s Eye received the award for Best International Fiction Short at Sundance Film Festival. Her debut feature The Cow Who Sang A Song Into the Future premiered at Sundance Film Festival in 2022 and was supported by the 2017 Sundance Institute Screenwriters and Directors Lab along with the Catalyst Forum.…...
- 3/2/2023
- by Eric Lavallée
- IONCINEMA.com
Eight Fellows to receive year-round support.
Aftersun director Charlotte Wells and Huesera director Michelle Garza are among the eight participants selected for the Sundance Institute’s fifth annual Momentum Fellowship.
The initiative supports and provides coaching to mid-career artists from historically marginalised communities and is aimed at talent who have recently achieved a noteworthy accomplishment like an acclaimed feature or series.
The 2023 Momentum Fellows are: Francisca Alegria (whose debut feature The Cow Who Sang A Song Into the Future premiered at Sundance 2022); Rita Baghdadi (Sirens premiered at Sundance 2022 and and won the Outfest grand jury prize); Mexico’s Michelle Garza...
Aftersun director Charlotte Wells and Huesera director Michelle Garza are among the eight participants selected for the Sundance Institute’s fifth annual Momentum Fellowship.
The initiative supports and provides coaching to mid-career artists from historically marginalised communities and is aimed at talent who have recently achieved a noteworthy accomplishment like an acclaimed feature or series.
The 2023 Momentum Fellows are: Francisca Alegria (whose debut feature The Cow Who Sang A Song Into the Future premiered at Sundance 2022); Rita Baghdadi (Sirens premiered at Sundance 2022 and and won the Outfest grand jury prize); Mexico’s Michelle Garza...
- 3/2/2023
- by Jeremy Kay
- ScreenDaily
Sundance Institute announced the eight participating filmmakers selected for the fifth annual Momentum Fellowship, a program “designed to support and provided coaching to midcareer artists with a focus on career development during a pivotal moment in their creative practice.”
The program was designed to support storytellers from historically marginalized communities and filmmakers that have “recently achieved a noteworthy accomplishment” (like a TV show or movie). The Momentum Fellowship provides each artist with a ”full-year program of deep, customized support around the goals they have identified for themselves to level up in their craft and career.” The Momentum Fellowship is a program of Women at Sundance with support from Equity, Inclusion and Belonging.
Among the Momentum Fellows are “Aftersun” director Charlotte Wells and “Nanny” filmmaker Nikyatu Jusu.
“The most ingenious part of Momentum is its timing at this precarious point in our careers as we all consider our futures beyond the first film.
The program was designed to support storytellers from historically marginalized communities and filmmakers that have “recently achieved a noteworthy accomplishment” (like a TV show or movie). The Momentum Fellowship provides each artist with a ”full-year program of deep, customized support around the goals they have identified for themselves to level up in their craft and career.” The Momentum Fellowship is a program of Women at Sundance with support from Equity, Inclusion and Belonging.
Among the Momentum Fellows are “Aftersun” director Charlotte Wells and “Nanny” filmmaker Nikyatu Jusu.
“The most ingenious part of Momentum is its timing at this precarious point in our careers as we all consider our futures beyond the first film.
- 3/2/2023
- by Drew Taylor
- The Wrap
Sundance Institute on Thursday announced the eight participants selected for the fifth annual Momentum Fellowship, a program at the nonprofit designed to support and provide coaching to mid-career artists with a focus on career development.
Created to support storytellers from historically marginalized communities who have recently achieved a noteworthy accomplishment, such as a regarded feature film or series, Momentum provides fellows with a full-year program of deep, customized support around the goals they have identified for themselves to level up in their craft and career. The fellowship is a program of Women at Sundance with support from Equity, Inclusion and Belonging.
The Momentum Fellowship includes an unrestricted artist grant; professional coaching offered by Renee Freedman & Company, supported by The Harnisch Foundation; connection to Elevate, Sundance’s professional development initiative; and bespoke year-round support from Sundance Institute staff. Additionally, as part of an ongoing partnership with Universal’s Global Talent Development & Inclusion team,...
Created to support storytellers from historically marginalized communities who have recently achieved a noteworthy accomplishment, such as a regarded feature film or series, Momentum provides fellows with a full-year program of deep, customized support around the goals they have identified for themselves to level up in their craft and career. The fellowship is a program of Women at Sundance with support from Equity, Inclusion and Belonging.
The Momentum Fellowship includes an unrestricted artist grant; professional coaching offered by Renee Freedman & Company, supported by The Harnisch Foundation; connection to Elevate, Sundance’s professional development initiative; and bespoke year-round support from Sundance Institute staff. Additionally, as part of an ongoing partnership with Universal’s Global Talent Development & Inclusion team,...
- 3/2/2023
- by Valerie Complex
- Deadline Film + TV
"There will always be things we can't explain." Kino Lorber has unveiled an official US trailer for a Chilean film with the exquisite title The Cow Who Sang a Song Into the Future. What a name for a film! This initially premiered at the 2022 Sundance Film Festival last year, before stopping by numerous other film festivals throughout 2022. It's set for a small theatrical release in the US starting this May. It's one of these very artsy cinematic creations that is indescribable, but we'll try anyway. Cecilia travels to her father's farm after he has a heart attack. Back in her childhood home, Cecilia is met by her long-deceased mother whose presence brings to life a painful past chorused by the natural world surrounding them. "A lyrical rumination on family, nature, renewal, and resurrection, The Cow Who Sang A Song Into The Future is an ambitious proposal for acceptance and healing,...
- 3/2/2023
- by Alex Billington
- firstshowing.net
One of the most striking directorial debuts to come out Sundance Film Festival last year, Francisca Alegría’s gorgeously haunting The Cow Who Sang a Song Into the Future takes a mysterious journey of magical realism through Chile. Revisiting themes from her short And the Whole Sky Fit in the Dead Cow’s Eye, the film centers on the long-deceased Magdalena (Mia Maestro), who appears from the water, bringing with her old wounds and a wave of family secrets. Her daughter Cecilia (Leonor Varela) returns home to the family’s dairy farm with her own children, as they reconcile this strange occurrence in a bid for healing. Ahead of a release beginning on May 19 in New York City, we’re pleased to exclusively debut the U.S. trailer from Kino Lorber.
Michael Frank said in his review, “Chilean filmmaker Francisca Alegria’s The Cow Who Sang a Song Into the Future...
Michael Frank said in his review, “Chilean filmmaker Francisca Alegria’s The Cow Who Sang a Song Into the Future...
- 3/2/2023
- by Jordan Raup
- The Film Stage
There’s a moment in the Netflix film “The Old Guard” where Marwan Kenzari is sitting, handcuffed in a car, surrounded by guards, next to his partner passed out. And a shitty cop says “what is he, your boyfriend?.” All the cops giggle like morons. And then, Marwan proceeds to give one of the most beautiful speeches about love, ending in, “he’s not my boyfriend, he’s all and he’s more.” And then they kiss. And oh, what a kiss. The next time you see them, they are walking out of that armored van having knocked out all the guards. Not only did that monologue make me cry, but I was so overwhelmed to finally see two openly gay characters in a superhero movie wax poetic about love and then kick major ass. It made me realize that that’s what I’m craving in cinema. I want us to be the superhero,...
- 8/2/2022
- by Addison Heimann
- The Wrap
The Chilean fable had its world premiere at Sundance.
Exclusive: Kino Lorber has acquired North American distribution rights to environmental fable The Cow Who Sang a Song Into the Future, which had its world premiere in the World Cinema Competition at this year’s Sundance festival.
Kino Lorber is planning a theatrical release later this year for the film, the feature debut of Chilean director Francisca Alegría, who won the Sundance Short Film Jury Award for international fiction in 2017 with And the Whole Sky Fit in the Dead Cow’s Eye.
Written by Alegría, Fernanda Urrejola and Manuela Infante, The Cow Who Sang a Song Into the Future...
Exclusive: Kino Lorber has acquired North American distribution rights to environmental fable The Cow Who Sang a Song Into the Future, which had its world premiere in the World Cinema Competition at this year’s Sundance festival.
Kino Lorber is planning a theatrical release later this year for the film, the feature debut of Chilean director Francisca Alegría, who won the Sundance Short Film Jury Award for international fiction in 2017 with And the Whole Sky Fit in the Dead Cow’s Eye.
Written by Alegría, Fernanda Urrejola and Manuela Infante, The Cow Who Sang a Song Into the Future...
- 5/25/2022
- by John Hazelton
- ScreenDaily
Led by a special screening slot for celebrated documentarian Patricio Guzman’s “My Imaginary Country,” plus Directors’ Fortnights “1976” and a new short by 2018 Cinéfondation prizewinner Diego Céspedes in Critics’ Week, Chile boats the biggest presence of any Latin American country at Cannes.
“Our cinema is a living and pulsating entity, a cinema full of risky auteurist viewpoints that are capable of expressing our particular experiences in a universal way and at the same level playing field as bigger filmmaking territories, says CinemaChile executive director Constanza Arena, taking note of Chile’s strong showing.
“The directors of a new wave of Chilean cinema take on powerful themes with deep socio-historical weight, but with fresh stylistically innovation, whether it’s political trauma in ‘1976’ by Manuela Martelli, or the LGBTQ+ theme in ‘Las Criaturas que se Derriten Bajo el Sol’ by Céspedes. With their daring, they are pushing forward a new generation of Chilean and Latin American cinema,...
“Our cinema is a living and pulsating entity, a cinema full of risky auteurist viewpoints that are capable of expressing our particular experiences in a universal way and at the same level playing field as bigger filmmaking territories, says CinemaChile executive director Constanza Arena, taking note of Chile’s strong showing.
“The directors of a new wave of Chilean cinema take on powerful themes with deep socio-historical weight, but with fresh stylistically innovation, whether it’s political trauma in ‘1976’ by Manuela Martelli, or the LGBTQ+ theme in ‘Las Criaturas que se Derriten Bajo el Sol’ by Céspedes. With their daring, they are pushing forward a new generation of Chilean and Latin American cinema,...
- 5/17/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Producer Shrihari Sathe of New York-based production company Dialectic is enjoying the best time of his life, with no less than three of his projects, each completely different in style, genre and tone, being selected at A-list festivals.
The latest career high for Sathe began with Bangladeshi filmmaker Mostofa Sarwar Farooki’s continent-hopping, multilingual identity tale “No Land’s Man” being selected at Busan in October 2021, followed by Francisca Alegria’s Spanish-language magical realist drama “The Cow Who Sang a Song Into the Future” premiering at this year’s Sundance. Now, “Stay Awake,” an expansion of Jamie Sisley’s 2015 short film of the same name that premiered at the Berlinale and won the Jury Prize at Slamdance, makes its world premiere at the Berlin Film Festival’s Generation 14plus strand on Feb. 12.
The “Stay Awake” cast includes Wyatt Oleff, Fin Argus and Chrissy Metz. “Prescription drug and opioid addiction is a global problem.
The latest career high for Sathe began with Bangladeshi filmmaker Mostofa Sarwar Farooki’s continent-hopping, multilingual identity tale “No Land’s Man” being selected at Busan in October 2021, followed by Francisca Alegria’s Spanish-language magical realist drama “The Cow Who Sang a Song Into the Future” premiering at this year’s Sundance. Now, “Stay Awake,” an expansion of Jamie Sisley’s 2015 short film of the same name that premiered at the Berlinale and won the Jury Prize at Slamdance, makes its world premiere at the Berlin Film Festival’s Generation 14plus strand on Feb. 12.
The “Stay Awake” cast includes Wyatt Oleff, Fin Argus and Chrissy Metz. “Prescription drug and opioid addiction is a global problem.
- 2/12/2022
- by Naman Ramachandran
- Variety Film + TV
Key Chilean projects being moved at this year’s European Film Market:
Alis
Directors: Clare Weiskopf and Nicolás van Hemelryck
Casatarántula produced this Chile-Colombia-Romania doc along with Pantalla Cines and Defilm. Produced by Alexandra Galvis and Radu Stancu, it world premieres at Berlinale’s Generation 14plus sidebar. The Bogota, Colombia-set doc follows 10 teens at a public boarding school in a therapy exercise where they construct a narrative around a make-believe classmate dubbed Alis.
International sales: Latido Films
Cazadora
Director: Martín Duplaquet
A thriller set in a dystopian future in which a mother and her teen, on a hunting trip in the mountains, have a chance encounter with a woman that triggers some bizarre changes, merging the personalities of the two women. The film is penned by Valeria Hofmann and Antonio Luco, produced by Francisca Barraza of Funky Films with Platforma Post.
International sales: House of Film
The Cow Who Sang a Song into the Future...
Alis
Directors: Clare Weiskopf and Nicolás van Hemelryck
Casatarántula produced this Chile-Colombia-Romania doc along with Pantalla Cines and Defilm. Produced by Alexandra Galvis and Radu Stancu, it world premieres at Berlinale’s Generation 14plus sidebar. The Bogota, Colombia-set doc follows 10 teens at a public boarding school in a therapy exercise where they construct a narrative around a make-believe classmate dubbed Alis.
International sales: Latido Films
Cazadora
Director: Martín Duplaquet
A thriller set in a dystopian future in which a mother and her teen, on a hunting trip in the mountains, have a chance encounter with a woman that triggers some bizarre changes, merging the personalities of the two women. The film is penned by Valeria Hofmann and Antonio Luco, produced by Francisca Barraza of Funky Films with Platforma Post.
International sales: House of Film
The Cow Who Sang a Song into the Future...
- 2/10/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Francisca Alegria’s The Cow Who Sang a Song Into the Future is unlike any other experience offered by Sundance ’22: a deeply moving onscreen poem of unshakeable, dreadful beauty. In collaboration with lead actors Mia Maestro and Leonor Varela, Chilean writer/director Alegria paints a visually rich, emotionally layered fable about motherhood—where two troubled humans symbolize Mother Earth and the threats posed by our species. Adapted from Alegria’s award-winning short from Sundance ’17, The Cow premiered in this year’s World Cinema Dramatic Competition. A stunning first feature, it’s both an urgent call to action and a study in contrasts. Reality vs.…...
- 2/5/2022
- by Dylan Kai Dempsey
- IONCINEMA.com
The Miami Film Festival returns this year with a hybrid event that includes nine premieres from March 4-13 in the Florida city. The festival had previously announced that “The Good Boss” would open the event while “Plaza Catedral” would be the closer. In total, 120 films from more than 35 countries will unspool next month.
The festival, organized by Miami Dade College, will bestow its Precious Gems Awards on Ramin Bahrani (“The White Tiger”) and Ryusuke Hamaguchi (“Drive My Car”), while Dp Ari Wegner and composer Cristobal Tapia de Veer will receive the Art of Light Awards.
“The collective spirit of joy and gratitude that we felt from patrons and filmmakers at last year’s shared in-person theatrical screenings strengthened the always mighty creative heart of Miami Film Festival,” said executive director Jaie Laplante. “As we take all necessary precautions to ensure the continued safety of our patrons, we look forward to...
The festival, organized by Miami Dade College, will bestow its Precious Gems Awards on Ramin Bahrani (“The White Tiger”) and Ryusuke Hamaguchi (“Drive My Car”), while Dp Ari Wegner and composer Cristobal Tapia de Veer will receive the Art of Light Awards.
“The collective spirit of joy and gratitude that we felt from patrons and filmmakers at last year’s shared in-person theatrical screenings strengthened the always mighty creative heart of Miami Film Festival,” said executive director Jaie Laplante. “As we take all necessary precautions to ensure the continued safety of our patrons, we look forward to...
- 2/1/2022
- by Shalini Dore
- Variety Film + TV
Editor’s note: This review was originally published at the 2022 Sundance Film Festival. Kino Lorber releases the film in theaters on Friday, May 19.
“The Cow Who Sang a Song into the Future” uses magical realism to blend the story of a family deeply scarred by a suicide decades ago, and a fable of Mother Nature crying out for help. Thankfully, Francisca Alegría’s feature debut manages to be hauntingly moving and hopeful instead of angry and pessimistic, like Adam McKay’s recent doomsday satire “Don’t Look Up.”
The fish are dying from pollution, the bees are disappearing, and the milking cows are not far behind, not unlike the beginning of Douglas Adam’s “Hitchhiker’s Guide to the Galaxy.” And like the 2005 adaptation of the book, the lamentations of the animals is presented in song form, with the fish and cows singing woes of death and despair, begging for their...
“The Cow Who Sang a Song into the Future” uses magical realism to blend the story of a family deeply scarred by a suicide decades ago, and a fable of Mother Nature crying out for help. Thankfully, Francisca Alegría’s feature debut manages to be hauntingly moving and hopeful instead of angry and pessimistic, like Adam McKay’s recent doomsday satire “Don’t Look Up.”
The fish are dying from pollution, the bees are disappearing, and the milking cows are not far behind, not unlike the beginning of Douglas Adam’s “Hitchhiker’s Guide to the Galaxy.” And like the 2005 adaptation of the book, the lamentations of the animals is presented in song form, with the fish and cows singing woes of death and despair, begging for their...
- 1/28/2022
- by Rafael Motamayor
- Indiewire
Chilean filmmaker Francisca Alegria’s The Cow Who Sang a Song Into the Future opens on pensive shots of the river and its inhabitants, most of whom are dead. As the dying and already passed fish sing a song of sadness, a woman, motorcycle helmet in tow, rises from the water. She walks aimlessly, hopping on a local bus and appearing outside a story, scaring her ex-husband into enough anxiety to land him in the hospital. The next 90 minutes of Alegria’s meditative drama exist largely in silence or one-sided conversation––people confronting their past like a monster that grows with each passing day.
It follows a straightforward structure: the woman who supposedly committed suicide decades early, Magdalena (Mía Maestro), revisits the members of her family one-by-one, appearing like a waking ghost, a mirror allowing them to reckon with whatever might be on their minds. Without speaking, Magdalena inhabits her family’s property,...
It follows a straightforward structure: the woman who supposedly committed suicide decades early, Magdalena (Mía Maestro), revisits the members of her family one-by-one, appearing like a waking ghost, a mirror allowing them to reckon with whatever might be on their minds. Without speaking, Magdalena inhabits her family’s property,...
- 1/28/2022
- by Michael Frank
- The Film Stage
Five years after her lauded short “And the Whole Sky Fit in the Dead Cow’s Eye” won Sundance’s short film jury award in international fiction, Chile’s Francisca Alegria is bowing her feature debut on Jan. 23 at the Park City, Utah, fest.
In “The Cow Who Sang a Song Into the Future,” Alegria continues to further expand the themes in her short. “I was exploring this in-between place, which exists beyond our physical senses. It’s where the subtle entities are, where our sensations live, where death appears,” she says. “I wanted to convey those spaces through the stories and themes that have been with me since childhood. I do feel that in the short film, these themes became more like symbols because I didn’t have time to develop and dig into the heart and bones of the matter.”
In the short, 85-year-old Emeteria is visited by...
In “The Cow Who Sang a Song Into the Future,” Alegria continues to further expand the themes in her short. “I was exploring this in-between place, which exists beyond our physical senses. It’s where the subtle entities are, where our sensations live, where death appears,” she says. “I wanted to convey those spaces through the stories and themes that have been with me since childhood. I do feel that in the short film, these themes became more like symbols because I didn’t have time to develop and dig into the heart and bones of the matter.”
In the short, 85-year-old Emeteria is visited by...
- 1/22/2022
- by Anna Marie de la Fuente
- Variety Film + TV
International sales company The Match Factory has revealed its Berlin Film Festival lineup, including two titles in Competition: “A E I O U – A Quick Alphabet of Love” by Nicolette Krebitz and “Rabiye Kurnaz vs. George W. Bush” by Andreas Dresen.
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
- 1/19/2022
- by Leo Barraclough
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.