A24 has nabbed U.S. rights to “The Death of Robin Hood,” one of the hottest packages at this year’s Cannes. The Sherwood Forest-set film stars Hugh Jackman and Jodie Comer and is directed by Michael Sarnoski, the filmmaker behind the critically acclaimed “Pig” and this summer’s “A Quiet Place: Day One.”
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
- 5/21/2024
- by Brent Lang
- Variety Film + TV
Hugh Jackman and Jodie Comer are heading to Sherwood Forest for one last hurrah.
The “Wolverine” star and the “Killing Eve” actress are attached to star in “The Death of Robin Hood,” a cheery-sounding new film from Michael Sarnoski, the director of the critically-acclaimed “Pig” and this summer’s “A Quiet Place: Day One.”
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story like the one portrayed by Errol Flynn, this Robin Hood is “a battleworn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” It sounds reminiscent of Richard Lester’s elegiac take on the popular story, “Robin and Marian,” a 1976 film starring Sean Connery and Audrey Hepburn as a middled-aged Robin Hood and Maid Marian.
The “Wolverine” star and the “Killing Eve” actress are attached to star in “The Death of Robin Hood,” a cheery-sounding new film from Michael Sarnoski, the director of the critically-acclaimed “Pig” and this summer’s “A Quiet Place: Day One.”
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story like the one portrayed by Errol Flynn, this Robin Hood is “a battleworn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” It sounds reminiscent of Richard Lester’s elegiac take on the popular story, “Robin and Marian,” a 1976 film starring Sean Connery and Audrey Hepburn as a middled-aged Robin Hood and Maid Marian.
- 5/3/2024
- by Brent Lang
- Variety Film + TV
Jodie Comer has become the 100th performer to win a Tony Award for their Broadway debut for her performance in the play, “Prima Facie.”
She won Best Actress in a Play for portraying Tess, a lawyer who concentrates in providing legal defense for men who are accused of sexual assault but soon has the unthinkable happen to her. She is the 11th person to win the category for her first outing on a Broadway stage. She joins:
SEE2023 Tony Awards: Every winner (and nominee) in all 26 competitive categories
Martita Hunt, “The Madwoman of Chaillot” (1949)
Beryl Reid, “The Killing of Sister George” (1967)
Phyllis Frelich, “Children of a Lesser God” (1980)
Jane Lapotaire, “Piaf” (1981)
Joan Allen, “Burn This” (1988)
Pauline Collins, “Shirley Valentine” (1989)
Janet McTeer, “A Doll’s House” (1997)
Marie Mullen, “The Beauty Queen of Leeane” (1998)
Jennifer Ehle, “The Real Thing” (2000)
Deanna Dunagan, “August: Osage County” (2008)
Below are the Broadway debuts in the seven other...
She won Best Actress in a Play for portraying Tess, a lawyer who concentrates in providing legal defense for men who are accused of sexual assault but soon has the unthinkable happen to her. She is the 11th person to win the category for her first outing on a Broadway stage. She joins:
SEE2023 Tony Awards: Every winner (and nominee) in all 26 competitive categories
Martita Hunt, “The Madwoman of Chaillot” (1949)
Beryl Reid, “The Killing of Sister George” (1967)
Phyllis Frelich, “Children of a Lesser God” (1980)
Jane Lapotaire, “Piaf” (1981)
Joan Allen, “Burn This” (1988)
Pauline Collins, “Shirley Valentine” (1989)
Janet McTeer, “A Doll’s House” (1997)
Marie Mullen, “The Beauty Queen of Leeane” (1998)
Jennifer Ehle, “The Real Thing” (2000)
Deanna Dunagan, “August: Osage County” (2008)
Below are the Broadway debuts in the seven other...
- 6/12/2023
- by Charles Bright
- Gold Derby
Robin Wagner, one of Broadway’s most prolific and celebrated set designers with three Tony Awards and a roster of major credits including Angels in America, Dreamgirls, A Chorus Line, The Producers and Jelly’s Last Jam, died Monday in his sleep in New York City. He was 89.
Wagner’s death was announced through a spokesperson by his daughter Christie Wagner Lee.
Born in San Francisco, Wagner developed his interest in set design while attending the Palace of Fine Arts (now the California School of Fine Arts). He did some early work for San Francisco theaters before moving to New York in the early 1960s, quickly finding work on both the Off Broadway and Broadway scenes.
His major Broadway breakthrough came with the original and acclaimed production of Hair in 1968. From there he would go on to design sets for productions from the memorable to the landmark, with a remarkable...
Wagner’s death was announced through a spokesperson by his daughter Christie Wagner Lee.
Born in San Francisco, Wagner developed his interest in set design while attending the Palace of Fine Arts (now the California School of Fine Arts). He did some early work for San Francisco theaters before moving to New York in the early 1960s, quickly finding work on both the Off Broadway and Broadway scenes.
His major Broadway breakthrough came with the original and acclaimed production of Hair in 1968. From there he would go on to design sets for productions from the memorable to the landmark, with a remarkable...
- 5/30/2023
- by Greg Evans
- Deadline Film + TV
Robin Wagner, a set designer who worked on more than 50 Broadway plays and musicals over a 50-year career and won three Tony Awards for best scenic design, has died. He was 89.
Wagner died in his sleep on Monday in New York City, publicist Matt Polk told The Hollywood Reporter after receiving confirmation from Wagner’s daughter Christie Wagner Lee.
His Broadway play and musical design credits between 1961 and 2012 included the original productions of Hair, Jesus Christ Superstar, Angels in America, Victoria/Victoria, The Producers, The Boy From Oz, A Chorus Line, 42nd Street and Dreamgirls. Wagner also designed Crazy For You and Chess for London’s West End.
Rather than a stage designer with a painterly style, Wagner was a pioneer of mobile, automated sets on Broadway with productions like On the Twentieth Century and Dreamgirls. Because of his innovations, the large-scale use of technology to smoothly move and shift...
Wagner died in his sleep on Monday in New York City, publicist Matt Polk told The Hollywood Reporter after receiving confirmation from Wagner’s daughter Christie Wagner Lee.
His Broadway play and musical design credits between 1961 and 2012 included the original productions of Hair, Jesus Christ Superstar, Angels in America, Victoria/Victoria, The Producers, The Boy From Oz, A Chorus Line, 42nd Street and Dreamgirls. Wagner also designed Crazy For You and Chess for London’s West End.
Rather than a stage designer with a painterly style, Wagner was a pioneer of mobile, automated sets on Broadway with productions like On the Twentieth Century and Dreamgirls. Because of his innovations, the large-scale use of technology to smoothly move and shift...
- 5/30/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
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