Carlos Batts is a pornographer who fancies himself as having talent, but "Voluptuous Life" spotlighting plumper star April Flores negates this claim. Having recently watched another stinker from Batts titled "Sex Gallery" released by Adam & Eve's off-brand Bad Seed label, I can testify to his incompetence.
Compiled from shoots in six different cities taking place over a full year's duration, it consists of MOS footage of April posing or having sex with various women. Only one scene has dialog, when she visits a drag queen played by Dale Guy Madison (credited as "FREEda") who elects to teach Flores how to be a diva. Mercifully Batts presents his stage act after hitting the Mute button. Lousy rap music accompanies the dull footage throughout.
Brief XXX content is included, notably in the scene when a young BaKimberly Kane during her blonde phase services April with dildo and fingering, as well as participating in rope tying and bondage content.
Flores appeared in several Adam & Eve releases over a 10-year period, but this dalliance in the Adult mainstream has had zero effect upon moving Big Women into conventional cinema. She deserves a lot better than what Batts afforded her, little more than a feature-length equivalent of a BTS short subject, with flashes galore indicating much of this footage was merely live-action recording of "pretty girl" still photo shoots.
Compiled from shoots in six different cities taking place over a full year's duration, it consists of MOS footage of April posing or having sex with various women. Only one scene has dialog, when she visits a drag queen played by Dale Guy Madison (credited as "FREEda") who elects to teach Flores how to be a diva. Mercifully Batts presents his stage act after hitting the Mute button. Lousy rap music accompanies the dull footage throughout.
Brief XXX content is included, notably in the scene when a young BaKimberly Kane during her blonde phase services April with dildo and fingering, as well as participating in rope tying and bondage content.
Flores appeared in several Adam & Eve releases over a 10-year period, but this dalliance in the Adult mainstream has had zero effect upon moving Big Women into conventional cinema. She deserves a lot better than what Batts afforded her, little more than a feature-length equivalent of a BTS short subject, with flashes galore indicating much of this footage was merely live-action recording of "pretty girl" still photo shoots.