Two premiere screenings of rock documentary Freakscene: The Story Of Dinosaur Jr
grossed over 19K this weekend with a single Saturday show at iconic music venue The Opera House in Williamsburg, Brooklyn taking in north of 17K. Independent distributor Utopia worked with Murmrr, which produces live music events, and art shingle Mondo, which created a limited edition poster only for sale in person.
Tickets ranged from 30 (balcony seating) to 50. The band’s frontman J Mascis played a solo set for the nearly sold-out 600-seat venue.
Utopia’s VP of marketing and distribution Kyle Greenberg said the audience was 65 male with a strong 35-44+ turnout, although there was no shortage of Utopia’s signature younger demos. The turnout was “a testament to Dinosaur Jr. ‘s impact, with the band also continuing to find new audiences on the heels of a new album and international tour ahead this summer.”
“This is just classic alternative programming.
grossed over 19K this weekend with a single Saturday show at iconic music venue The Opera House in Williamsburg, Brooklyn taking in north of 17K. Independent distributor Utopia worked with Murmrr, which produces live music events, and art shingle Mondo, which created a limited edition poster only for sale in person.
Tickets ranged from 30 (balcony seating) to 50. The band’s frontman J Mascis played a solo set for the nearly sold-out 600-seat venue.
Utopia’s VP of marketing and distribution Kyle Greenberg said the audience was 65 male with a strong 35-44+ turnout, although there was no shortage of Utopia’s signature younger demos. The turnout was “a testament to Dinosaur Jr. ‘s impact, with the band also continuing to find new audiences on the heels of a new album and international tour ahead this summer.”
“This is just classic alternative programming.
- 5/29/2022
- by Jill Goldsmith
- Deadline Film + TV
On Wednesday night, just a few hours after a mob of Trump supporters, egged on by President Donald Trump, forcibly broke into the U.S. Capitol, Brittany Aldean shared an image of two of the rioters on her Instagram stories. “Antifa disguised as Trump supporters,” the wife of country singer Jason Aldean captioned it. “Shocker.”
But like much of what the Trump loyalists who stormed the Capitol believe, the information Aldean shared was false. The two bearded men in her post were not members of “Philly antifa,” as a since...
But like much of what the Trump loyalists who stormed the Capitol believe, the information Aldean shared was false. The two bearded men in her post were not members of “Philly antifa,” as a since...
- 1/8/2021
- by Joseph Hudak
- Rollingstone.com
Every year, movie-preview pieces herald the holidays’ arrival; in 2020, the headlines are a little different. As USA Today proclaimed, “10 Must-See Movies to Stream Over the Holiday Season.” They include “Soul,” “Mank,” “Ma Rainey’s Black Bottom,” “Let Them All Talk,” and “Small Axe” — major awards contenders, many of which would have have been theatrical releases. However, they all belong to streamers, not VOD.
Meanwhile, on Friday Vertical Entertainment dropped an action film, “The Informer,” which stars Joel Kinnaman as an ex-con who returns to prison undercover to expose a Polish drug cartel. Shot in 2017 and released in most of the world in 2019, this title from the director of “Escobar: Paradise Lost” is unlikely to show up on anyone’s awards-season list. However, even at $19.99 to rent, it topped two major VOD charts this weekend.
“The Informer” has a strong ensemble cast that includes Rosamund Pike, Common, Clive Owen, and Ana de Armas...
Meanwhile, on Friday Vertical Entertainment dropped an action film, “The Informer,” which stars Joel Kinnaman as an ex-con who returns to prison undercover to expose a Polish drug cartel. Shot in 2017 and released in most of the world in 2019, this title from the director of “Escobar: Paradise Lost” is unlikely to show up on anyone’s awards-season list. However, even at $19.99 to rent, it topped two major VOD charts this weekend.
“The Informer” has a strong ensemble cast that includes Rosamund Pike, Common, Clive Owen, and Ana de Armas...
- 11/10/2020
- by Tom Brueggemann
- Indiewire
Despite the plethora of horror and other genre releases that glutted home platforms this week, romance “After We Collided” placed best on VOD charts this weekend. It ranked #1 at both Apple TV and Google Play, both of which rank by transactions.
“Unhinged” is #1 at FandangoNow, which is based on revenue and gives an edge to Premium VOD titles like this $19.99 entry. Cable giant Spectrum still shows the Alec Baldwin-starring mystery “An Imperfect Murder,” which has little action elsewhere, atop its chart.
Surging late on the charts, “The Craft: Legacy” from Blumhouse Prods. and indie director Zoe Lister-Jones performed strongly at $19.99. It likely missed the top spot at FandangoNow because its full-week chart covered four days prior to its Friday release, but still took the #2 spot there. It is #3 at Apple TV and Google Play, despite its higher cost.
As the evolving strategies surrounding VOD releases emerge, the placements this...
“Unhinged” is #1 at FandangoNow, which is based on revenue and gives an edge to Premium VOD titles like this $19.99 entry. Cable giant Spectrum still shows the Alec Baldwin-starring mystery “An Imperfect Murder,” which has little action elsewhere, atop its chart.
Surging late on the charts, “The Craft: Legacy” from Blumhouse Prods. and indie director Zoe Lister-Jones performed strongly at $19.99. It likely missed the top spot at FandangoNow because its full-week chart covered four days prior to its Friday release, but still took the #2 spot there. It is #3 at Apple TV and Google Play, despite its higher cost.
As the evolving strategies surrounding VOD releases emerge, the placements this...
- 11/2/2020
- by Tom Brueggemann
- Indiewire
“After We Collided” is the big winner this week. It is #1 at both Apple TV and Google Play, and #2 at FandangoNow (where its $6.99 price on the revenue-based chart put it at a disadvantage). Its Friday debut precluded Spectrum.
This is the sequel to 2019 college romance “After,” which grossed $12 million domestic and $57 million overseas. “After We Collided” also had a theatrical release this weekend, but earned only $420,000 at theaters willing to play day and date. This opened weeks ago in international theaters (including Canada), where it’s earned over $46 million. It’s a sign of how foreign results are dwarfing domestic ones (albeit with minimal competition).
Briarcliff opted to go at a non-premium VOD price and this clicked right away. “After” cost $14 million; figure this is more. It’s recouped a nice share of its cost overseas, and now can collect 70 percent of its domestic VOD from what appears to be a strong response.
This is the sequel to 2019 college romance “After,” which grossed $12 million domestic and $57 million overseas. “After We Collided” also had a theatrical release this weekend, but earned only $420,000 at theaters willing to play day and date. This opened weeks ago in international theaters (including Canada), where it’s earned over $46 million. It’s a sign of how foreign results are dwarfing domestic ones (albeit with minimal competition).
Briarcliff opted to go at a non-premium VOD price and this clicked right away. “After” cost $14 million; figure this is more. It’s recouped a nice share of its cost overseas, and now can collect 70 percent of its domestic VOD from what appears to be a strong response.
- 10/26/2020
- by Tom Brueggemann
- Indiewire
After selling off a half-dozen titles to Amazon and Netflix, “Love and Monsters” is one of the few Paramount Pictures titles to receive a 2020 theatrical release. It’s not much of a release — 387 theaters this weekend, for $255,000 — but its PVOD performance (at $19.99) may suggest why Paramount chose to hold on to it.
Scheduled pre-covid for theatrical release April 17, “Love and Monsters” (original title: “Monster Problems”) is no. 1 at both Apple TV and FandangoNow. Budgeted at $30 million, this adventure comedy led by”Maze Runner” and “Teen Wolf” star Dylan O’Brien, is not unlike “Zombieland” in its use of a young hero fighting off monsters in a dystopian society.
It’s the only new PVOD title this week, so it’s unsurprising to see its high placement at FandangoNow, which ranks its charts by revenue. Still, it beat out “Mulan,” which costs $29.99. More impressive: It leads at Apple TV, which ranks by number of transactions,...
Scheduled pre-covid for theatrical release April 17, “Love and Monsters” (original title: “Monster Problems”) is no. 1 at both Apple TV and FandangoNow. Budgeted at $30 million, this adventure comedy led by”Maze Runner” and “Teen Wolf” star Dylan O’Brien, is not unlike “Zombieland” in its use of a young hero fighting off monsters in a dystopian society.
It’s the only new PVOD title this week, so it’s unsurprising to see its high placement at FandangoNow, which ranks its charts by revenue. Still, it beat out “Mulan,” which costs $29.99. More impressive: It leads at Apple TV, which ranks by number of transactions,...
- 10/19/2020
- by Tom Brueggemann
- Indiewire
The range of pricing in VOD play has never been so clear. Two films at the extreme ranges of budget and premium stand out among new releases. At $3.99, which represents rock-bottom for a new film, Dinesh D’Souza’s latest right-wing polemic “Trump Card” is #1 at both Apple TV and Google Play, charts that rank by transaction volume.
At the same time, Disney’s “Mulan” is now available on platforms beyond Disney+ for $29.99, and is #1 at the revenue-based FandangoNow. “Ava” also continues its successful showings, with first place at Spectrum.
“Trump Card” is pitched as an expose of “socialism, corruption, and the deep state,” and clearly aimed at Election Day interest. In his past films (which received theatrical release), D’Souza preferred to specifically demonize Barack Obama or Hillary Clinton. This time, the target is far broader than the tougher-to-hate Joe Biden. It placed #2 at FandangoNow, where its low price hurts its ranking.
At the same time, Disney’s “Mulan” is now available on platforms beyond Disney+ for $29.99, and is #1 at the revenue-based FandangoNow. “Ava” also continues its successful showings, with first place at Spectrum.
“Trump Card” is pitched as an expose of “socialism, corruption, and the deep state,” and clearly aimed at Election Day interest. In his past films (which received theatrical release), D’Souza preferred to specifically demonize Barack Obama or Hillary Clinton. This time, the target is far broader than the tougher-to-hate Joe Biden. It placed #2 at FandangoNow, where its low price hurts its ranking.
- 10/13/2020
- by Tom Brueggemann
- Indiewire
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week […]
The post This Week In Trailers: Trump Card, The Swamp, My Rembrandt, Uncle Peckerhead, Represent appeared first on /Film.
The post This Week In Trailers: Trump Card, The Swamp, My Rembrandt, Uncle Peckerhead, Represent appeared first on /Film.
- 7/18/2020
- by Christopher Stipp
- Slash Film
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