Reklaw (2021) Poster

(2021)

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9/10
I wonder what the 90 minute version would look like!
crimsonworx15 April 2021
I was invited to watch this by mysterious email, the kind you typically see go straight to spam, but this one didn't, which means I must have let one go through quite a long time ago before this.

As it turned out, this short was produced and directed by the guy/team that made the Casey Jones short many moons ago, and just as that one did, Reklaw left me wanting to see more.

The first few minutes I was repeating in my head "Surely this has something to do with Walker spelled backwards, but what?" Instead I was treated to a curious blend of R-rated Wes Anderson meets Cohen Brothers (before they went all arthouse filmmaking) and a slice of modern Phillip K. Dick dark humor with a compelling but shortly teased crime concept that was highly intriguing, whetting my curiosity just enough to wonder what a 30 minute short would look like, and then that snowballed into a 90 minute feature.

I'm not even going to break into critic mode and reveal any story plot; you can spare 12 minutes and enjoy this one yourself.
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10/10
I WANT MORE!
BandSAboutMovies28 June 2022
Warning: Spoilers
Fed-up prosecutor Lott (Lance Henriksen!) has given up on the justice system and devoted what's left of his life to leading a team of criminals who work to pardon other lawbreakers by destroying crime scene evidence. In this twelve-minute short, his team is protecting a murderer named Melissa (Tasha Guevara) from going to jail by cleaning up the scene of the crime, including sawing the victim's feet off to it him in a special sarcophagus.

The team believes that by allowing people to atone for their crimes in the real world, they will actually become better people than if they had gone to prison. Driven by his faith in the healing power of unconditional forgiveness, Lott and his team of vigilantes intercept 911 calls and fix things before the cops get there.

Working with Bangs (Scott Allen Perry), Wylie (Michael Schnick), Donna (Clara Francesca Pagone) and Missy (director and writer Polaris Banks), they find their mission tested when a killer returns to the scene of this crime, as Melissa as been set up.

At one point Lott tells Melissa, "Punishment without love behind it, you'll come out worse. Everything you need for rehabilitation is out here." It's an intriguing idea and begs for way more than a short. I love the look of all of this, from the strange eye-covered lens the team wears to the shock ending. And I want so much more.
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