Margate, England, 1980. As widespread unemployment and a rising wave of extremism plunge the seaside town and
Margaret Thatcher's Britain into recession, depressed Hilary sticks to her daily routine as the dutiful front-of-house manager at the Empire: a dying, golden-era movie palace. But even movies like
All That Jazz (1979) and
The Blues Brothers (1980) can't help lonely Hillary keep her inner demons at bay. And then, bright-eyed new employee Stephen suddenly enters the picture, shaking Hilary's troubled existence. If the celluloid-scented power of cinema can pave the way for meaningful human connection, is there still hope for the once majestic movie theatre?
—Nick Riganas