After Artie saves Pete and Myka Pete goes from having the wings total off to taking them off depending on the camera angle.....
When Pete is pointing to the hatch he is using his left arm but in the next scene he is using his right arm.
When artie claps his hands and tells everyone what to do his hands change positions multiple times.
First they are claps together then they are far apart from each other then they are clasped again.
First they are claps together then they are far apart from each other then they are clasped again.
When the vet holds the mirror in her right hand and she puts her left arm around the dog but in the next scene she is reaching for her phone with her right hand and holding the mirror in her left hand.
When the vet faints after pete takes away the knife from her her head changes. First she is fainted next her head is back up and normal with her eyes open then she is back to fainted again.
When Mrs. Frederic is reading out Myka's resignation letter, the chessboard on the table is set up the wrong way round - white corner should be on right.
When Myka and Pete are in "Paris", the cars all have American license plates.
When myka lets go of the the secretarys head when she is checking to see if she is still alive her eyes flutter also when myka opens the secretarys eye the eye moves..
When myka and pete pull up to the warehouse when pete gets the photo from the vet the camera is reflected in the drivers door.
When the agents leave with HG you can see a studio light and some crew members reflected in the back of the suv.
When Dr. Hernandez is saying the Lizzie Borden skipping rope rhyme, which originated during Lizzie's trial for the murder of her parents, she says "Lizzie Borden took an axe and gave her father forty whacks. When the job was neatly done, she gave her mother forty-one". The correct rhyme is "Lizzie Borden took an axe and gave her MOTHER forty whacks. WHEN SHE SAW WHAT SHE HAD DONE, she gave her FATHER forty-one". Something that she would have known if she was being controlled by the compact, or artifact, of Lizzie Borden.