Following part one of our 2024 preview, we’re counting down our 50 most-anticipated films of the year.
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
- 1/8/2024
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All These Sons
With his first documentary Minding the Gap, Bing Liu turned the lens on himself and his friends to examine the domestic violence around them. One of the more human documentaries of the last decade, Liu’s film looked at Rockford, Illinois, and the racial and social elements that affect young men and women in this decent-sized city. With his newest effort, All These Sons, Liu and collaborator Joshua Altman focus on Chicago’s South and West Sides, following young Black men at Iman and Maafa, two community organizations aiming to keep these men away from the gun violence that surrounds them. Once again the resulting film bursts with empathy, built-in trauma, and forgiveness. – John F. (full review)
Where to...
All These Sons
With his first documentary Minding the Gap, Bing Liu turned the lens on himself and his friends to examine the domestic violence around them. One of the more human documentaries of the last decade, Liu’s film looked at Rockford, Illinois, and the racial and social elements that affect young men and women in this decent-sized city. With his newest effort, All These Sons, Liu and collaborator Joshua Altman focus on Chicago’s South and West Sides, following young Black men at Iman and Maafa, two community organizations aiming to keep these men away from the gun violence that surrounds them. Once again the resulting film bursts with empathy, built-in trauma, and forgiveness. – John F. (full review)
Where to...
- 4/28/2023
- by Jordan Raup
- The Film Stage
The cringe-inducing rushes comprising the documentary portrait “Rewind and Play,” carefully stitched together from a decades-old French TV interview with American jazz pianist Thelonius Monk, are supposed to make your skin crawl with discomfort.
And it’s supposed to not fit inside the neat little pre-packaged format box for consumer-ready documentaries.
In his 65-minute film which forms part of the documentary slate at the 5th Joburg Film Festival, the 50-year-old French-Senegalese filmmaker Alain Gomis simultaneously does an exposition of Monk’s jazz genius while exposing a Paris media’s stereotyped coaxing of what it wanted – what it needed – a black interview subject to be and say in 1969.
For Gomis’ first foray into the documentary genre, he uses unseen outtakes to craft a celluloid mosaic carefully culled from the rolls of takes and retakes for a TV program that never aired.
The silence is often deafening as interviewer Henri Renaud unsuccessfully...
And it’s supposed to not fit inside the neat little pre-packaged format box for consumer-ready documentaries.
In his 65-minute film which forms part of the documentary slate at the 5th Joburg Film Festival, the 50-year-old French-Senegalese filmmaker Alain Gomis simultaneously does an exposition of Monk’s jazz genius while exposing a Paris media’s stereotyped coaxing of what it wanted – what it needed – a black interview subject to be and say in 1969.
For Gomis’ first foray into the documentary genre, he uses unseen outtakes to craft a celluloid mosaic carefully culled from the rolls of takes and retakes for a TV program that never aired.
The silence is often deafening as interviewer Henri Renaud unsuccessfully...
- 2/2/2023
- by Thinus Ferreira
- Variety Film + TV
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