Like all of Robert K. Bonine's actualities of the aftermath of the San Francisco Earthquake, this follows a pattern: open focus on ruins. Pan to the right, showing more ruins. End. There's a slight difference in that most of them start with not a soul in sight; they usually show up later, hurrying on their ways. This one starts with a horse on the left edge of the frame, hurrying off. No other living being seems to be around.
I doubt this will make enough of a difference to interest you. All of these show ruins. , buildings shaken apart, leving only rubble behind.