"Jules" (Nathan Stewart-Jarrett) is a confident drag artist who runs out of cigarettes one night after coming off stage. He sets off to the local shop to replenish and encounters a gang of homophobic chavs. Maybe ill-advisedly, he responds to their taunts and when outside is followed and badly beaten. Not surprisingly, this experience turns the young man into a bit of a recluse. He struggles to come to terms with what has happened and this affects his relationships with flatmates "Toby" (John McCrea) and "Molly" (Antonio Clarke). His mindset changes, however, after a trip to a sauna re-introduces him to his protagonist "Preston" (George MacKay) who aside from being a bit of a thug, is clearly closeted too. The two hook up, it's raw and visceral - and his new mate drives off and leaves him afterwards! This, however, sows a seed in his mind and some You-tubing later leaves him with a plan to film and expose "Preston" to the very creatures with whom he exists. What he doesn't quite count on, indeed neither man (nor us) really, follows as the story evolves from one of violence and vengeance into one that might actually touch on something deeper. "Jules" learns to adapt to his nemesis's world of drugs, violence and hatred - even to turn it to his own advantage, and that elicits a response from his new found "friend" that is almost touching at times... Thing is though, can leopard's change their spots? NJS is superb here but for me it's MacKay who made me sit up and take notice. There is something distinctly authentic about his depiction of this screwed up bully and as the film progresses and the dynamic between the men changes, his is the character that I actually began to feel ever so slightly sorry for. Don't look for vindication at the end, there is a finish to the film but not to the story... This is a well written drama that snacks of realism and reminds us all that bigotry in all it's forms is still alive and well! It's certainly worth watching.
26 Reviews
An unflinching debut
masonsaul6 March 2024
Femme is a psychosexual thriller that's unbearably tense from the get go. A tale of revenge and repression that barely gives itself a minute to breathe. Every scenario and encounter is filled with a growing sense of dread which culminates in an explosive confrontation that's terrifying.
The power play between Nathan Stewart-Jarrett and George MacKay is incredible to witness. As it progresses Nathan Stewart-Jarrett goes from being uneasy and uncomfortable to having real power over George MacKay, who starts off absolutely terrifying and becomes more self conscious in the later moments.
Debuting directors and writers Sam H. Freeman & Ng Choon Ping announce themselves with a heavy film that depicts its violence in an unflinching fashion and has a power play that's suitably sexually charged. It's all helped by Adam Janota Bzowski's score which is always present at the right moment.
The power play between Nathan Stewart-Jarrett and George MacKay is incredible to witness. As it progresses Nathan Stewart-Jarrett goes from being uneasy and uncomfortable to having real power over George MacKay, who starts off absolutely terrifying and becomes more self conscious in the later moments.
Debuting directors and writers Sam H. Freeman & Ng Choon Ping announce themselves with a heavy film that depicts its violence in an unflinching fashion and has a power play that's suitably sexually charged. It's all helped by Adam Janota Bzowski's score which is always present at the right moment.
Transfixed
laduqesa4 February 2024
I sat watching this after a heavy meal in the evening and had been afraid I might have dropped off. Not a chance. The writing and direction, let alone the two main characters, kept the tension high all the time. An hour and forty minutes seemed to speed by.
I'd been worried that I might not get into the film as the world of drag and effeminacy is not mine. However the brilliance of the acting swept all such doubts aside as Jules and Preston developed their affair.
This isn't a simple revenge film. There's more to it than that and the film starts to delve into real feelings that the two lovers develop for each other.
The ending is bleak but leaves enough scope for hope. I recommend this film.
I'd been worried that I might not get into the film as the world of drag and effeminacy is not mine. However the brilliance of the acting swept all such doubts aside as Jules and Preston developed their affair.
This isn't a simple revenge film. There's more to it than that and the film starts to delve into real feelings that the two lovers develop for each other.
The ending is bleak but leaves enough scope for hope. I recommend this film.
unbearable tension
christopher-underwood5 December 2023
Adapted from an award winning short film of the same name, this follows the path of Jules (Nathan Stewart Jarrett), who after an horrific homophobic attack is drawn into the world of Preston (George Mackay) one of his assailants for revenge, or maybe not. Preston and his circle inhabit a different lifestyle of criminality and underlying violence which imbues this film with almost unbearable tension and we fear for Jules all the time. We are surprised by the availability of every kind of gay porn to access or contribute to, which could also be used as a weapon to destroy someone's life. The dialogue is authentic and compelling throughout and holds our interest until the scary climax. All the actors are excellent especially the two main guys.
Powerful and punchy film
ethanbresnett23 December 2023
Femme is a brilliantly tense and gripping thriller that will truly have you on the edge of your seat.
It follows drag performer Jules who seeks a unique sort of revenge on the perpetrator of a homophobic attach against him. It's a thoroughly unique and engaging and superbly constructed plot that keeps pace and momentum throughout. It really feels like anything could happen at any moment which gives the film such a great energy.
The greatest thing about this film though is the two lead performances from Nathan Stewart-Jarrett and George McKay. They are both exquisite and bring such intriguing complexity to each of their characters. The dynamic between them is so hard to capture but they both do it so well. The performance from McKay is particularly strong as he cultivates this anything could happen tone through his erratic portrayal of the character.
Aside from the brilliant performances and plot, the tone and style of the film are great and make for a rich and engaging film.
Femme is a powerful, punchy, and unique piece of cinema that will have you hooked from start to finish.
It follows drag performer Jules who seeks a unique sort of revenge on the perpetrator of a homophobic attach against him. It's a thoroughly unique and engaging and superbly constructed plot that keeps pace and momentum throughout. It really feels like anything could happen at any moment which gives the film such a great energy.
The greatest thing about this film though is the two lead performances from Nathan Stewart-Jarrett and George McKay. They are both exquisite and bring such intriguing complexity to each of their characters. The dynamic between them is so hard to capture but they both do it so well. The performance from McKay is particularly strong as he cultivates this anything could happen tone through his erratic portrayal of the character.
Aside from the brilliant performances and plot, the tone and style of the film are great and make for a rich and engaging film.
Femme is a powerful, punchy, and unique piece of cinema that will have you hooked from start to finish.
A Gritty Tale of Healing, Love And Hatred
cutie720 March 2024
"Femme," a 2023 thriller, grabs you and doesn't let go. It's the story of Jules, whose life is torn apart by a brutal homophobic attack. Things take a wild turn when he runs into Preston, one of the attackers, in a gay sauna. Jules is torn between revenge and something deeper.
This movie hits hard. It's gritty, real, and punches you right in the feelings. The actors bring their A-game, making every moment believable and raw. You're not just watching; you're living through Jules's pain and his complex road to possibly finding peace.
"Femme" is more than a movie. It's a deep dive into the aftermath of love & hate, showing how it scars everyone involved. It's uncomfortable, yes, but it's also incredibly powerful. It's one of those rare films that sticks with you, challenging you to see the world and its harsh realities in a new light.
This movie hits hard. It's gritty, real, and punches you right in the feelings. The actors bring their A-game, making every moment believable and raw. You're not just watching; you're living through Jules's pain and his complex road to possibly finding peace.
"Femme" is more than a movie. It's a deep dive into the aftermath of love & hate, showing how it scars everyone involved. It's uncomfortable, yes, but it's also incredibly powerful. It's one of those rare films that sticks with you, challenging you to see the world and its harsh realities in a new light.
A Day Has Passed Since Watching, And I Am Still Trying to Decipher It: Absolute Brilliance
valentinopso13 March 2024
Warning: Spoilers
You will most likely recognize yourself in either of the two main characters at multiple times during this film. You will feel empathy and at the same time, anger towards them, as you can be both empathatic and angry towards yourself.
I personally felt a lot of different emotions whilst watching this film and even learned things about myself I would've rather not known.
The acting is incredible. It is common for an actor to portray certain behaviours, emotions and even developments of a character their playing. But in this film we see 2 characters with various states of beings, interacting with each other from each stage. Essentially they're trying to recreate two very real people, with extremely different backgrounds, with multiple personalities or 'layers', being triggered by a set of different events and environments. Both characters go through a difficult journey of how they view society, their peers and theirselves. And both characters are constanly ruled by fear, anger and desparation, expressing these emotions in very different ways.
The disurbing part for me was my own response to the events in the film: I was more drawn to Preston's story in general and felt more sympathy towards him. I felt sorry for him throughout the entire film. At first I thought this was because I do have more in common with him than with Jules, but quickly I realized this went deeper than that. When Jules meets Preston in the sauna and follows him to his car, even though wrong in so many ways, I realized I would have followed him too. I would have allowed him to insult me the way he would continue to do after that first encounter. He would even have had all my sympathy and fascination. I would have tried to make him feel good and get him to smile, which would then make me forgive all the horrible things he would be doing to me. Eventually I would be the one, like Jules, taking over control. Knowing that at that point I have won his complete trust, and made him dependant of me too. Gave him what I know he would desperately want, someone who leads him, loves him. Gives him purpose. But he would also regularly creep into his 'safe' mode which would entail agression and defensiveness, slowly destroying me mentally and physically. But this wouldn't matter.
The way Preston opened up, started to trust himself and some of the new people around him, was satisfying to see. Which is why the ending was initially so utterly unsatisfying. I understand 'negative-open' endings leave a greater impact on the viewer which is what writers will want to achieve when writing about these topics, however, it is disheartening that most gay themed films end with both getting very hurt or someone dying. But after thinking about the entire film more and more I realize that the ending couldn't have been more perfect.
I spent the last minute hoping Jules would go back and hug Preston as he was laying there. Understanding him, consolidating him. Yet, all we see is Jules continuously defending himself and trying to walk away. To escape.
After everything Preston has done, I was judging Jules' actions.
In retrospect: Jules who starts at a place of extreme strength. This strength and much more was taken from him by Preston. He is then forced to come to terms with many more parts of himself and realize they all make one 'Jules'. Masculine, femmine, and weaker and stronger parts of his being. All while being abused in many ways by Preston. You can tell he refuses to fully reflect on his behaviours and is in constant conflict with what is right and wrong and what he should do and desires to do. At the end we can see how he has figured out that it doesn't matter anymore, he doesn't care. He is reborn. He has the control now. He's created more strength from everything that he lost. A stable, fearless form of strength that no one can take from him anymore, not even Preston.
The fact that I would have gone and hug Preston shows that I do not have this strength yet. He would have taken even more from me until there is nothing of me left. I would have let him consume me.
His pain does not weigh greater than Jules', and he doesn't get to abuse Jules and then also require Jules to pick him up after he's done. This represents millions of abusive relationships around the world. I hope this film gets to awaken other people on why it is we fall for this trap. Why we would let Preston's abuse us instead of letting them go. Whether they will find their way or not in this world is not our responsibility, we're responsible for ourselves.
I would say the following, I wish all Prestons in the world could be healed and all the Jules' of the world would not meet any Prestons. This, however, is impossible. What I do hope is that all the Jules' of the world who do meet Prestons can find a similar strength, and walk out of those gates.
I personally felt a lot of different emotions whilst watching this film and even learned things about myself I would've rather not known.
The acting is incredible. It is common for an actor to portray certain behaviours, emotions and even developments of a character their playing. But in this film we see 2 characters with various states of beings, interacting with each other from each stage. Essentially they're trying to recreate two very real people, with extremely different backgrounds, with multiple personalities or 'layers', being triggered by a set of different events and environments. Both characters go through a difficult journey of how they view society, their peers and theirselves. And both characters are constanly ruled by fear, anger and desparation, expressing these emotions in very different ways.
The disurbing part for me was my own response to the events in the film: I was more drawn to Preston's story in general and felt more sympathy towards him. I felt sorry for him throughout the entire film. At first I thought this was because I do have more in common with him than with Jules, but quickly I realized this went deeper than that. When Jules meets Preston in the sauna and follows him to his car, even though wrong in so many ways, I realized I would have followed him too. I would have allowed him to insult me the way he would continue to do after that first encounter. He would even have had all my sympathy and fascination. I would have tried to make him feel good and get him to smile, which would then make me forgive all the horrible things he would be doing to me. Eventually I would be the one, like Jules, taking over control. Knowing that at that point I have won his complete trust, and made him dependant of me too. Gave him what I know he would desperately want, someone who leads him, loves him. Gives him purpose. But he would also regularly creep into his 'safe' mode which would entail agression and defensiveness, slowly destroying me mentally and physically. But this wouldn't matter.
The way Preston opened up, started to trust himself and some of the new people around him, was satisfying to see. Which is why the ending was initially so utterly unsatisfying. I understand 'negative-open' endings leave a greater impact on the viewer which is what writers will want to achieve when writing about these topics, however, it is disheartening that most gay themed films end with both getting very hurt or someone dying. But after thinking about the entire film more and more I realize that the ending couldn't have been more perfect.
I spent the last minute hoping Jules would go back and hug Preston as he was laying there. Understanding him, consolidating him. Yet, all we see is Jules continuously defending himself and trying to walk away. To escape.
After everything Preston has done, I was judging Jules' actions.
In retrospect: Jules who starts at a place of extreme strength. This strength and much more was taken from him by Preston. He is then forced to come to terms with many more parts of himself and realize they all make one 'Jules'. Masculine, femmine, and weaker and stronger parts of his being. All while being abused in many ways by Preston. You can tell he refuses to fully reflect on his behaviours and is in constant conflict with what is right and wrong and what he should do and desires to do. At the end we can see how he has figured out that it doesn't matter anymore, he doesn't care. He is reborn. He has the control now. He's created more strength from everything that he lost. A stable, fearless form of strength that no one can take from him anymore, not even Preston.
The fact that I would have gone and hug Preston shows that I do not have this strength yet. He would have taken even more from me until there is nothing of me left. I would have let him consume me.
His pain does not weigh greater than Jules', and he doesn't get to abuse Jules and then also require Jules to pick him up after he's done. This represents millions of abusive relationships around the world. I hope this film gets to awaken other people on why it is we fall for this trap. Why we would let Preston's abuse us instead of letting them go. Whether they will find their way or not in this world is not our responsibility, we're responsible for ourselves.
I would say the following, I wish all Prestons in the world could be healed and all the Jules' of the world would not meet any Prestons. This, however, is impossible. What I do hope is that all the Jules' of the world who do meet Prestons can find a similar strength, and walk out of those gates.
A good film but missed a chance to be more
tomfarm9512 December 2023
Warning: Spoilers
I went into this film knowing nothing more than the synopsis (I had expected George Mackay to be playing the protagonist actually, so evidently I hadn't read very much about it). It was enjoyable to an extent but I was left feeling somewhat disappointed because I don't feel it particularly explored the two main characters in sufficient depth. The audience is privy to some of the journey Preston goes on, but there was so much more that could've been explored with his character. Nonetheless Mackay's performance was excellent. There is not a great deal of growth and development with Jules, he starts a drag queen and he ends a drag queen. At least with Preston the layers were starting to peel back and I developed some sympathy for him. Overall I would say a decent story that should've been taken further, there was a nice redemption arc in there somewhere for Preston. With regards to calling this a 'thriller', I wouldn't say I was especially thrilled by it and at several points I was just asking myself "why are they doing that, this doesn't make sense". I'm rating it a 6/10 but that is mainly down to Mackay's performance. I really wish I'd been given more background to the complicated feelings he has around his sexuality and his internal conflict.
A dive into the human mind
dakjets15 April 2024
Warning: Spoilers
Violence against queers occurs in all possible forms. Closet homosexuals also, as this film shows.
In this enlightening film is a good example. The drag artist Jules is subjected to blind violence because he is who he is. The assailant is queer himself. George MacKey plays the abuser. The bitter and probably psychopathic Preston. He is both violent, criminal and "super straight", actually straight straight - outwardly. The way George MacKey brilliantly manages to portray this character. For me he is the real star of this film, although the main character Jules played by Nathan Stewart-Jarrett is also made for this role.
The film shows hate crime and the complexity of people who commit violence. Although the abuser Preston is unable to understand these difficult feelings he has, it still comes across in this film. The incredible thing is that Jules is the one who manages to actually manage (masterfully) to challenge a deeper set of emotions in Preston. The actor is incredibly good at showing layers upon layers. This means that this film avoids becoming a stereotypical story about "bad guys and good guys".
The film turns to a story of revenge. But dives further into the chaotic and sad life of Preston. It also makes the film a kind of sociological study, in addition to being a story about what happens when people suppress emotions and become dangerous ticking, unpredictable bombs.
Kudos to everyone involved in this story.
Send tilbakemelding Sidepaneler.
In this enlightening film is a good example. The drag artist Jules is subjected to blind violence because he is who he is. The assailant is queer himself. George MacKey plays the abuser. The bitter and probably psychopathic Preston. He is both violent, criminal and "super straight", actually straight straight - outwardly. The way George MacKey brilliantly manages to portray this character. For me he is the real star of this film, although the main character Jules played by Nathan Stewart-Jarrett is also made for this role.
The film shows hate crime and the complexity of people who commit violence. Although the abuser Preston is unable to understand these difficult feelings he has, it still comes across in this film. The incredible thing is that Jules is the one who manages to actually manage (masterfully) to challenge a deeper set of emotions in Preston. The actor is incredibly good at showing layers upon layers. This means that this film avoids becoming a stereotypical story about "bad guys and good guys".
The film turns to a story of revenge. But dives further into the chaotic and sad life of Preston. It also makes the film a kind of sociological study, in addition to being a story about what happens when people suppress emotions and become dangerous ticking, unpredictable bombs.
Kudos to everyone involved in this story.
Send tilbakemelding Sidepaneler.
From Powerful to Powerless
pollygregorash23 February 2024
In a nutshutt, Femme is a story about the protagonist's power being stolen and their realization that the only way to get it back is to TAKE IT BACK. And the plan to do so is a story told in the narrative that is enticing, tension building and slow burn perfection.
Following an attack, Jules goes from a confident extrovert to a scared introvert. Months go by and all Jules can do is play street fighter on the couch (albeit well). Jules begrudgingly leaves their flat to go to a bath house. In doing so, a chance encounter with the attacker presents itself. Jules is curious.
Enter Preston... This is a guy who has bad tattoos and a bad attitude. But that doesn't stop Jules from being curious and that curiosity leads to a creative plan of revenge. Does Jules get their power back? You will need to watch this one to find out.
George Mackay and Nathan Stewart both execute phenomenal performances. If you're a fan on Nathan Stewart in this movie, see also the series Soulmates (Black Mirror style genre). I haven't come across George Mackay before, but equally impressed.
Following an attack, Jules goes from a confident extrovert to a scared introvert. Months go by and all Jules can do is play street fighter on the couch (albeit well). Jules begrudgingly leaves their flat to go to a bath house. In doing so, a chance encounter with the attacker presents itself. Jules is curious.
Enter Preston... This is a guy who has bad tattoos and a bad attitude. But that doesn't stop Jules from being curious and that curiosity leads to a creative plan of revenge. Does Jules get their power back? You will need to watch this one to find out.
George Mackay and Nathan Stewart both execute phenomenal performances. If you're a fan on Nathan Stewart in this movie, see also the series Soulmates (Black Mirror style genre). I haven't come across George Mackay before, but equally impressed.
Outstanding
cam21-660-80160620 January 2024
There was absolutely nothing not to love here. The writing and the direction were spot on, it was gritty and real, no gloss, totally believable. The locations were perfect to set the scenes, the pacing was spot-on, no superfluous dialogue, everything kept the story moving along at just the right pace, and the actors performances were incredible. So fully developed and 3 dimensional, you were engrossed in their story and whilst the main characters' performances were flawless, all the supporting cast were perfect in their roles as well . I was hooked from the very start and this is one of the very few films where I wished it had been longer. An outstanding piece of work.
Good performances
LetsReviewThat261 March 2024
Femme is one of the first LGBTQ films I think nextflix have the rights to. I liked this film and I thought the performances were very good all around and believable it almost played our as real life and that added to it. So Jules is a dragstar that decides to go to the local shop after running out of cigarettes. It's viewing discretion after this as some punk follows and beats poor Jules up, leaving them for dead. We skip and things seem normal until Jules spots him again now coming to be known as Preston and Jules sets our to get Thier revenge on him. I like revenge thrillers like this and aside from the hard to watch parts it was overall a fine film.
Failed to grip me
onefineday3629 February 2024
A revenge drama is a tricky business. You don't want it to be a too much of exploitation trash, but you don't want it to be too safe either. 'Femme' falls closer to 'playing it too safe' team.
I found the biggest issue was that the key moments didn't ring true. The assault scene, for example, is the basis of the rest of the ensuing drama. I wouldn't have expected it to be the level of 'Irreversible'... but it definitely relied too much on camera works and editing than the rawness of the violence, thus making Jules' resulting trauma less gripping to the audience.
The following key moments of shift also failed to be convincing. How Jules re-encounters Preston, how that chance encounter leads to hook up, how that again leads to a proper steak date... all seem to just happen for the convenience of the plot. Also Preston's changes as a character, namely how he develops deeper feeling towards Jules and admits his submissive side... all come along without much development (after literally one scene after another of him using Jules like a sex toy, that is).
Together with Jules' frankly flimsy plan of 'revenge' (why would he bring Preston back to his place and let his friends meet him if he truly was serious about his revenge?), the overall result is that it made it hard to take the whole thing rather seriously. A revenge drama that keeps you at the edge of the seat, 'Femme' is not.
One of the weaknesses was also Stewart-Jarrett playing Jules. His switch between feminine-masculine persona was impressive, but his display of tension/fear/emotional struggle was pretty mono-toned. Say, his fear before the assault should have a different colour to his fear when he later faces Preston's thug friends, for example. But to my eyes, it all felt pretty generic 'fear'.
Mackay's display of explosive temper and the contrasting soft/weak side is great, but even his great acting cannot quite make up (already mentioned) lack of convincing development.
I want to see more risk taking and raw approach when the film maker took up such a controversial subject to start with.
I found the biggest issue was that the key moments didn't ring true. The assault scene, for example, is the basis of the rest of the ensuing drama. I wouldn't have expected it to be the level of 'Irreversible'... but it definitely relied too much on camera works and editing than the rawness of the violence, thus making Jules' resulting trauma less gripping to the audience.
The following key moments of shift also failed to be convincing. How Jules re-encounters Preston, how that chance encounter leads to hook up, how that again leads to a proper steak date... all seem to just happen for the convenience of the plot. Also Preston's changes as a character, namely how he develops deeper feeling towards Jules and admits his submissive side... all come along without much development (after literally one scene after another of him using Jules like a sex toy, that is).
Together with Jules' frankly flimsy plan of 'revenge' (why would he bring Preston back to his place and let his friends meet him if he truly was serious about his revenge?), the overall result is that it made it hard to take the whole thing rather seriously. A revenge drama that keeps you at the edge of the seat, 'Femme' is not.
One of the weaknesses was also Stewart-Jarrett playing Jules. His switch between feminine-masculine persona was impressive, but his display of tension/fear/emotional struggle was pretty mono-toned. Say, his fear before the assault should have a different colour to his fear when he later faces Preston's thug friends, for example. But to my eyes, it all felt pretty generic 'fear'.
Mackay's display of explosive temper and the contrasting soft/weak side is great, but even his great acting cannot quite make up (already mentioned) lack of convincing development.
I want to see more risk taking and raw approach when the film maker took up such a controversial subject to start with.
What Oscars should be made for
Goosegirl1414 March 2024
I'd heard an interview with both George Mackay and Nathan Stuart-Jarrett about their experiences on set and during the filming of Femme, and was intrigued. Previously, Mackay has played pretty easy to like, or ar least average/'ordinary' character. He comes across as a,fairly gentle soul.
His performance in Femme is testament to his acting talent. He embodies a violent, intimidating man, who is almost unrecognisable from the actor as I'd had previously perceived him. When an actor can truly transform in the way he does, it is incredible to watch.
The film focuses on two main characters, one openly queer and immersed in the sphere of free expression of identity and gender and sexuality. The other, is caught up in a very toxic, aggressive, and closed minded circle, who are hostile to any 'non-traditional'/-patriarchal gender and sexual stereotypes. When these two characters collide, we witness devastating, moving and captivating consequences. Each is thrown into the other's completely foreign 'world', and the film explores how they navigate this- the impact it has upon their perceptions and relationships with themselves and those around them.
Nathan Stuart-Jarrett is lesser known than Mackay, but totally matches his skills at portraying a hugely complex character who is respond to life changing experiences. It is believable, tragic, beautiful, crushing and so so worthy of attention and praise.
His performance in Femme is testament to his acting talent. He embodies a violent, intimidating man, who is almost unrecognisable from the actor as I'd had previously perceived him. When an actor can truly transform in the way he does, it is incredible to watch.
The film focuses on two main characters, one openly queer and immersed in the sphere of free expression of identity and gender and sexuality. The other, is caught up in a very toxic, aggressive, and closed minded circle, who are hostile to any 'non-traditional'/-patriarchal gender and sexual stereotypes. When these two characters collide, we witness devastating, moving and captivating consequences. Each is thrown into the other's completely foreign 'world', and the film explores how they navigate this- the impact it has upon their perceptions and relationships with themselves and those around them.
Nathan Stuart-Jarrett is lesser known than Mackay, but totally matches his skills at portraying a hugely complex character who is respond to life changing experiences. It is believable, tragic, beautiful, crushing and so so worthy of attention and praise.
Stunning depiction of the struggle of queer identity
Couchkik2021 February 2024
Queer movies have been hit and miss recently as they always engage in the caricature of romanticizing the pains between the queer one and the closeted one.
Femme had all the chances of ending in the déjà vu world of sad gay movies but it does the opposite.
By showing incredibly realistic characters, with their emotional anxieties and doubts evolving in real time, by building an insane level of tension and ambiguity, Femme manages the impossible. It resets the queer love story to new highs. There are no arty effects, artificial pose, comfortable moments. This is a drama where love tries to find a place in mountains of pain.
At the center is identity and where each of us fits in defining our queer sensibility. I particularly loved the moments where the closeted one tries to create casual and romantic moments the way his mind can accept it. It's groundbreaking.
Difficult to watch but absolutely outstanding.
Femme had all the chances of ending in the déjà vu world of sad gay movies but it does the opposite.
By showing incredibly realistic characters, with their emotional anxieties and doubts evolving in real time, by building an insane level of tension and ambiguity, Femme manages the impossible. It resets the queer love story to new highs. There are no arty effects, artificial pose, comfortable moments. This is a drama where love tries to find a place in mountains of pain.
At the center is identity and where each of us fits in defining our queer sensibility. I particularly loved the moments where the closeted one tries to create casual and romantic moments the way his mind can accept it. It's groundbreaking.
Difficult to watch but absolutely outstanding.
Hurt people, hurt people.
danielleshaffi28 March 2024
Warning: Spoilers
I actually really loved this story but the ending just didn't do it for me.
It touched light upon discrimination and just pure hate towards anyone in the LGBTQ+ community.. it actually was a really touching story and I thought it was actually rather beautiful in it own way. This sort of discrimination happens every single day and the sentiment was there it just had a few bits that didn't do it justice.
I loved the fact that Jules (Nathan Stewart-Jarrett) felt like the only way he could reclaim what was taken from him was by outing Preston (George MacKay) through revenge porn. I honestly thought at the end he would either go through with it and it ruin Prestons life, or he'd not go through with it and fall in love with his abuser.
The fact Preston actually found out at a drag show just didn't feel right to me. Why would Jules just randomly go up on stage and start blurting out about his plan for revenge. It just seemed like a rushed ending.
They also made Preston out to be a victim too much. Yes, he was probably hurt by someone else and that's exactly why he hurts others and hides who he is but that's no excuse for him to beat a person up. In the end I felt my deepest sympathy for Preston and it took away from the fact Jules was beaten and victimised by this man.
I'm not saying it was right for Jules to out Preston or post revenge porn but it felt a little messy as it built up to the end.
I don't know if Nathan Stewart (Jules) has ever done any drag work before but he really slayed it. As a massive fan of Drag Race he played this part like he belonged on Ru Paul's stage.
It touched light upon discrimination and just pure hate towards anyone in the LGBTQ+ community.. it actually was a really touching story and I thought it was actually rather beautiful in it own way. This sort of discrimination happens every single day and the sentiment was there it just had a few bits that didn't do it justice.
I loved the fact that Jules (Nathan Stewart-Jarrett) felt like the only way he could reclaim what was taken from him was by outing Preston (George MacKay) through revenge porn. I honestly thought at the end he would either go through with it and it ruin Prestons life, or he'd not go through with it and fall in love with his abuser.
The fact Preston actually found out at a drag show just didn't feel right to me. Why would Jules just randomly go up on stage and start blurting out about his plan for revenge. It just seemed like a rushed ending.
They also made Preston out to be a victim too much. Yes, he was probably hurt by someone else and that's exactly why he hurts others and hides who he is but that's no excuse for him to beat a person up. In the end I felt my deepest sympathy for Preston and it took away from the fact Jules was beaten and victimised by this man.
I'm not saying it was right for Jules to out Preston or post revenge porn but it felt a little messy as it built up to the end.
I don't know if Nathan Stewart (Jules) has ever done any drag work before but he really slayed it. As a massive fan of Drag Race he played this part like he belonged on Ru Paul's stage.
I didn't expect to like this film as much as I did
deanosuburbia4 March 2024
Warning: Spoilers
Gritty and realistic. Both the lead characters regularly flip from hunter to hunted building a palpable tension. Nathan Stewart-Jarrett captures Jules brilliantly from the early scenes when he is violently hurt in a homophobic attack, up to the end where he shows his power and takes charge. George MacKay is simply outstanding as Preston, Jules' attacker and then lover. I can't believe how MacKay was able to convey so much emotion that I actually felt sorry for Preston, even though I knew I shouldn't. Preston is a deeply troubled character, a man who is able to be tender and loving trapped in a world of toxic masculinity. MacKay has a kind face and is able to express the vulnerability that Preston faces but on the flick of a light switch can show us the monsterous behaviours that he is capable of. The storytelling and direction is outstanding as when the credits rolled I truly wanted more. The peacekeeper in me wanted Jules and Preston to reconcile but is there any way back for what Preston did? I do suspect not but stranger thanks have happened. Clearly Preston didn't belong in his world and felt more at ease in the arms of Jules but the threat of exposure is a cross too hard to bear.
Femme
henry8-34 March 2024
Jules (Nathan Stewart-Jarrett) is a popular drag artist whose life changes for the worse following a violent homophobic assault upon him by Preston (George Mackay) and his fanatically macho mates. Then one day he sees Preston in a gay sauna and sets out on a journey of revenge.
This is actually quite a hard watch with aggressive sex and brutal homophobic attitudes front and centre throughout such that you can cut the atmosphere with a knife. The performances, particularly Mackay are impressive and the tension is palpable with so many unpleasant characters - will Jules expose Preston as gay, will he get found out by Preston or his mates or will either of them change. This ultimately is an impressive, tough and tense piece of work and not, as I said, an easy watch.
This is actually quite a hard watch with aggressive sex and brutal homophobic attitudes front and centre throughout such that you can cut the atmosphere with a knife. The performances, particularly Mackay are impressive and the tension is palpable with so many unpleasant characters - will Jules expose Preston as gay, will he get found out by Preston or his mates or will either of them change. This ultimately is an impressive, tough and tense piece of work and not, as I said, an easy watch.
Gripping and thought provoking!!!
alexander_robinson29 February 2024
Went into this film thinking it was solely about drag and a 'straight' man falling for the drag queen... well I was very wrong. Interesting storyline, one I've not come across before. Amazing acting from both lead actors, you could really feel the emotion coming from them both. A fascinating look into the realm of self loathing and 'knowing your worth'.
Not the ending I was hoping for but still an unexpected twist. The signs of any great story telling is when you as the audience feel empathy and sorrow of the 'villain' and by the end I most certainly did!
Highly recommend!!!
Moral of the story... always be yourself.
Not the ending I was hoping for but still an unexpected twist. The signs of any great story telling is when you as the audience feel empathy and sorrow of the 'villain' and by the end I most certainly did!
Highly recommend!!!
Moral of the story... always be yourself.
Dark but impressive.
timmoss-263874 March 2024
I enjoyed this film very much and agree with other viewers about the high acting quality of the two leads.
As others have stated in their reviews,the world of drag queens and excessively effeminate men is not for me but the drama quicky transcends that scene as the central relationship develops into something that I was expecting to be quite touching.
The ending was open ended which is a device I personally do not like. I prefer a story that has a beginning,a middle and an end.
I don't think it would be giving anything aways to say that the romantic in me would have liked an ending worthy of 'Heartstopper' but of course it is an entirely different world.
One more thing,and this is not restricted to 'Femme'. Directors create mood partly with lighting but scenes that take part at night or in dark nightclubs should be lit more effectively. There were several scenes where I was not entirely sure what was going on.
In conclusion I would recommend this film for the performances of the two leads especially...and despite other issues,Preston is very sexy.
As others have stated in their reviews,the world of drag queens and excessively effeminate men is not for me but the drama quicky transcends that scene as the central relationship develops into something that I was expecting to be quite touching.
The ending was open ended which is a device I personally do not like. I prefer a story that has a beginning,a middle and an end.
I don't think it would be giving anything aways to say that the romantic in me would have liked an ending worthy of 'Heartstopper' but of course it is an entirely different world.
One more thing,and this is not restricted to 'Femme'. Directors create mood partly with lighting but scenes that take part at night or in dark nightclubs should be lit more effectively. There were several scenes where I was not entirely sure what was going on.
In conclusion I would recommend this film for the performances of the two leads especially...and despite other issues,Preston is very sexy.
Overwhelmed with emotion
Stephen-Anthony-Joseph4 March 2024
Warning: Spoilers
**potential spoiler**
I need more!! I need closure. I gave it 9/10 and just deducting for the ending. Fantastic acting throughout! I was so invested. I have so many questions after that ending. Why do I feel like I've just watched a really good M Night Shalalalalalalman flick. I'm rooting for Preston and I don't know why. I need to see them together. I'm working in 7 hours but i know i won't sleep a wink with my mind racing after this movie. I think this movie needed to be made. Gay men go through so much in their lives! I can resonate completely with some of these characters. Brilliant writing!!! Again... i need more.
I need more!! I need closure. I gave it 9/10 and just deducting for the ending. Fantastic acting throughout! I was so invested. I have so many questions after that ending. Why do I feel like I've just watched a really good M Night Shalalalalalalman flick. I'm rooting for Preston and I don't know why. I need to see them together. I'm working in 7 hours but i know i won't sleep a wink with my mind racing after this movie. I think this movie needed to be made. Gay men go through so much in their lives! I can resonate completely with some of these characters. Brilliant writing!!! Again... i need more.
Missed Mark
johanneslevoleur20 February 2023
"Femme" falls short in its exploration. The characters lack depth and are one-dimensional, especially Jules, who experiences homophobia and becomes the target of an attack. The movie's focus on a flimsy idea of retribution undermines its attempt to examine forgiveness and the impact of hatred, making the narrative fall flat.
Unfortunately, "Femme" fails to deliver as a significant and thought-provoking movie, and instead perpetuates the cycle of violence. It's disappointing that the film prioritises a tacky and poorly executed narrative over the chance for a nuanced exploration of identity and trauma.
Unfortunately, "Femme" fails to deliver as a significant and thought-provoking movie, and instead perpetuates the cycle of violence. It's disappointing that the film prioritises a tacky and poorly executed narrative over the chance for a nuanced exploration of identity and trauma.
A tense exploration of hidden personality....
FlashCallahan31 December 2023
Warning: Spoilers
With his performances as Aphrodite Banks, Jules has a place among London's celebrated drag artists.
One night after a show, he steps out to get some cigarettes and is brutally attacked by a man, out with a gang of his friends.
Although Jules is able to recover physically, he withdraws from the outside world, traumatized. Months later, he recognizes his attacker by chance in a gay sauna.
Without make-up and wrapped only in a towel, Jules is able to approach the other man incognito and find out who he is.
He begins an affair with the closeted Preston, with a plan to take his revenge......
Femme is one of those films that comes out of nowhere, metaphorically gives you a gut punch, and becomes one of the films of the year.
Never since Tommy Devito have I found a character so tense and terrifying. And Preston is that character. MacKay is at his career best as Preston, a ticking timebomb just waiting to explode. Every ounce of affection he gives Jules is just a facade. His affection is masked along with his personality. Preston is beyond saving. A troubled man in the closet fearing that he will be exposed to his entourage. He's a narcissist of the highest order, and every scene MacKay is in is electric.
And Jules is in constant fear that Preston will see his mask slip, and he will recall what he did to him. Preston must have so many emotions going through his head, that he knows deep down that the initial attack was for show, and that's all Preston is, a show, and his fear that his real self will be exposed could potentially cause him to be more explosive than he already is.
This is what makes the film so brilliant. It's the tension that runs along with the narrative that keeps the viewer on edge throughout.
What will happen when Jules exacts his revenge? Or is he developing feelings for someone that made him hide his true self?
It's all about hiding ones self for fear of the unknown, and it's a wonderful film, really wonderful.
It's no easy watch, that's for sure, but my gosh, it's brilliant.
One night after a show, he steps out to get some cigarettes and is brutally attacked by a man, out with a gang of his friends.
Although Jules is able to recover physically, he withdraws from the outside world, traumatized. Months later, he recognizes his attacker by chance in a gay sauna.
Without make-up and wrapped only in a towel, Jules is able to approach the other man incognito and find out who he is.
He begins an affair with the closeted Preston, with a plan to take his revenge......
Femme is one of those films that comes out of nowhere, metaphorically gives you a gut punch, and becomes one of the films of the year.
Never since Tommy Devito have I found a character so tense and terrifying. And Preston is that character. MacKay is at his career best as Preston, a ticking timebomb just waiting to explode. Every ounce of affection he gives Jules is just a facade. His affection is masked along with his personality. Preston is beyond saving. A troubled man in the closet fearing that he will be exposed to his entourage. He's a narcissist of the highest order, and every scene MacKay is in is electric.
And Jules is in constant fear that Preston will see his mask slip, and he will recall what he did to him. Preston must have so many emotions going through his head, that he knows deep down that the initial attack was for show, and that's all Preston is, a show, and his fear that his real self will be exposed could potentially cause him to be more explosive than he already is.
This is what makes the film so brilliant. It's the tension that runs along with the narrative that keeps the viewer on edge throughout.
What will happen when Jules exacts his revenge? Or is he developing feelings for someone that made him hide his true self?
It's all about hiding ones self for fear of the unknown, and it's a wonderful film, really wonderful.
It's no easy watch, that's for sure, but my gosh, it's brilliant.
ABSOLUTELY BRILLIANT. If you don't like gay stuff, skip this one
liberty-rebel-smalls6922 February 2024
Sorry. But this one is not for your TYPICAL heterosexual male or Christian fan base. Lots of gay stuff. And not pg-13 kind. You most likely won't enjoy it and we don't need the negative comments about it. This one's is for the gays, the theys, the girls, the trays and the ones who are in the closet. You been warned otherwise
This was an absolute marvel. Small read, her face was a bit beat up during her performances. But when I say Jules hit the nail right on the head with SEDUCTIVE REVENGE, that girl couldn't have done it better with a hammer.
STUNNING AND HOT AND SAD AND BRUTAL AND DAUNTING. I loved every moment this movie had to offer. The familiarity with the scene and the bathhouses and the community and the shows just made the movie feel like you were apart of it. The director fell short of no detail when it came to impressing a LGBTQ+ fan base. (Let's not even choke on how impressively beautiful both leading actors are. Along with the supporting actors/actress's)
And while it is revenge, it's so immaculate how this movie ends.
Love always wins.
This was an absolute marvel. Small read, her face was a bit beat up during her performances. But when I say Jules hit the nail right on the head with SEDUCTIVE REVENGE, that girl couldn't have done it better with a hammer.
STUNNING AND HOT AND SAD AND BRUTAL AND DAUNTING. I loved every moment this movie had to offer. The familiarity with the scene and the bathhouses and the community and the shows just made the movie feel like you were apart of it. The director fell short of no detail when it came to impressing a LGBTQ+ fan base. (Let's not even choke on how impressively beautiful both leading actors are. Along with the supporting actors/actress's)
And while it is revenge, it's so immaculate how this movie ends.
Love always wins.
Visually stunning queer psychological drama
ntjhforesthill6 May 2024
Amazing performances by Nathan Stewart-Jarrett and George MacKay combine with vibrant cinematography in a great British queer film. Give it a watch unless you hate queer hate people.
Stewart-Jarrett especially is captivating as Jules, bringing an authenticity to his drag performing, 'Femme' character. MacKay is nearly as good as the closeted Preston, who, like Jules, covers himself in gender-affirming clothes and accessories. But instead of makeup and drag wear, it's tattoos and urban clothes.
The sex-scenes are pretty unrealistic, at least by my queer experiences, but hey, they're very steamy.
In short, this is well shot, really well acted, and well-worth watching. God save the queens.
Stewart-Jarrett especially is captivating as Jules, bringing an authenticity to his drag performing, 'Femme' character. MacKay is nearly as good as the closeted Preston, who, like Jules, covers himself in gender-affirming clothes and accessories. But instead of makeup and drag wear, it's tattoos and urban clothes.
The sex-scenes are pretty unrealistic, at least by my queer experiences, but hey, they're very steamy.
In short, this is well shot, really well acted, and well-worth watching. God save the queens.
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