A look back at 2012 reveals an undeniable fact, it has been a great year for Latino film. Sundance started the year off strong with films like Aurora Guerrero’s sweet and tender Mosquita y Mari and Marialy Rivas’ rambunctious Joven y Alocada (Young & Wild). Gina Rodriguez broke out in Filly Brown, as a rapper who needs to make it big so she can raise money to get her mom out of jail. In the film, Jenni Rivera played the part of Filly’s mom in her first, and sadly last, movie role.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
- 12/19/2012
- by Vanessa Erazo
- Sydney's Buzz
The New York International Latino Film Festival (Nyilff),the premier Latino film festival in the country, opens its 13th edition with Filly Brown, starring breakout actress Gina Rodriguez (Go For It, Our Family Wedding), and closes with Lemon, the raw story of three-time felon and one-time Tony Award-winner, spoken word artist Lemon Andersen.
The festival kicks off on Monday, August 13 with a 15th anniversary presentation of Selena at Cinema Under The Stars, a free outdoor screening at St. Nicholas Park in uptown Manhattan.
Special Events include a World Premiere exclusive screening of The Girl Is In Trouble, attended by stars Wilmer Valderrama and Columbus Short, and will include a Q&A. The heartwarming Elliott Loves, winner of the Miami Gay & Lesbian Film Festival Audience Award for Best Picture, will headline the festival’s Dominican Night.
The New York International Latino Film Festival runs August 13 - 19, with most screenings taking place at Chelsea Clearview Cinemas. Schedule information and tickets will be available online and at the Chelsea Clearview Cinemas box office beginning July 27, 2012.
Opening Night – Co-Presented by Latina Magazine
Tuesday, August 14 – 7 pm – Chelsea Clearview Cinemas
Filly Brown (New York Premiere)
Directors: Youssef Delara, Michael D. Olmos
Writer: Youssef Delara
Cast: Gina Rodriguez, Jenni Rivera, Edward James Olmos, Chrissie Fit, Lou Diamond Phillips
Maria Jose “Majo” Tonorio is a tough La street poet who spits from the heart.
Dominican Night – Presented by Heineken.
Sponsored by HBO® and the Dominican American Professional Alliance
Thursday, August 16 – 7 pm – Columbia University Medical Center Alumni Auditorium
Elliott Loves (New York Premiere) (Isa:tla Releasing) Writer/Director: Gary Terracino
Cast: Elena Goode, Tillman Norsworthy and Robin de Jesus
Two stages of a Dominican-American’s life: first as a boy trying to bond with his young mother, and then a 21-year-old looking for love in New York City.
Closing Night – Presented by Pepsi
Saturday, August 18 – 7 pm – Chelsea Clearview Cinemas
Lemon (Isa:The Film Sales Company) Directors: Laura Brownson, Beth Levison
Written and Performed by: Lemon Andersen
A feature-length documentary film depicting Lemon Andersen’s struggle to free his family from poverty and pain as he exposes his most shocking secrets on the NY Stage.
World Premiere Exclusive Presentation
Saturday, August 18 – 8:45 pm – Chelsea Clearview Cinemas
The Girl Is In Trouble
Director: Julius Onah
Co-Written by: Julius Onah and Mayuran Tiruchelvam
Cast: Columbus Short, Wilmer Valderrama, Alicja Bachleda and Jesse Spencer
From executive producer Spike Lee comes the thriller “The Girl Is In Trouble,” a Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
2012 Film Program
Nyilff will present domestic and international features, documentaries and shorts in competition, plus On The Edge, a showcase of non-traditional film genres and Nyilff Spectrum, which highlights global urban films, not limited to the Latino perspective.
Domestic Features
186 Dollars To Freedom
Delusions Of Grandeur
Love, Concord
Mariachi Gringo
Sunset Stories
Tony Tango
Under My Nails
International Features
180 Segundos (180 Seconds) (Colombia)
A Novela Das 8 (Prime Time Soap) (Brazil)
El Rumor De Las Piedras (The Rumble of the Stones) (Venezuela)
Jaque Mate (Check Mate) (Dominican Republic)
La ÚLtima Isla (The Last Island) (Spain)
La Mujer De IVÁN (Ivan’s Woman) (Chile)
La Lucha De Ana (Ana’s Struggle) (Dominican Republic)
La Brujula La Lleva El Muerto (The Compass is Carried by the Dead Man) (Mexico)
Sangre De Familia (Family Blood) (Mexico)
Una Noche (Cuba)
ZoolÓGico (Zoo) (Chile)
Documentaries
Buscando A Larisa (Looking for Larisa) (Mexico)
El MÉDico: The CubatÓN Story (Cuba/Sweden)
Esperando A Los Bitles (Waiting For The Beatles) (Mexico)
Hija (Daughter) (Chile)
Spectrum
Wolf
On The Edge
El Hoyo Del Diablo (The Devil’s Hole) (Dominican Republic)
Los Chidos (Mexico)
Shorts Program 1: Something In The Way She Moves
A Journey To Homeland
La Playa
Pescadora
Gabi
Salome
Shorts Program 2: The Catchers In The Rye
Botes Al Amanecer
Fireworks
Jesus Loves Youssef
Flutter
How Jimmy Got Leverage
La Mirada Perdida
Quinha
Leyenda
Shorts Program 3: Use Your Illusion
The Lepidoctor
The Magicians
The Shooting Star Salesman
Otto And The Electric Eel
The Life & Freaky Times Of Uncle Luke
The Trainee
Cargols
Shorts Program 4: Check Yo Self
Desert Road Kill
DetrÁS Del Espejo
Maddoggin'
Divergence
Hour Glass
October 31St
Shorts Program 5: The Anatomy of Melancholy
After Ever After Or Numbers On A Napkin
La Boda
Primavera
Fallen Comrade
Mentiroso
TrÓPico ExÓTico
Reinaldo Arenas
About Nyilff
Launched in 1999, the New York International Latino Film Festival is now the premier Urban Latino film event in the country. The Nyilff’s mission is to showcase the works of the hottest emerging Latino filmmaking talent in the U.S. and Latin America, offer expansive images of the Latino experience, and celebrate the diversity and spirit of the Latino community. Calixto Chinchilla and Elizabeth Gardner head up the festival staff, acting as Co-Executive Directors. The programming team is made up of Juan Caceres, Director of Programming, and Vanessa Erazo, Documentary Programming Manager.
FindNyilffonFacebook
FollowNyilffonTwitter
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
The festival kicks off on Monday, August 13 with a 15th anniversary presentation of Selena at Cinema Under The Stars, a free outdoor screening at St. Nicholas Park in uptown Manhattan.
Special Events include a World Premiere exclusive screening of The Girl Is In Trouble, attended by stars Wilmer Valderrama and Columbus Short, and will include a Q&A. The heartwarming Elliott Loves, winner of the Miami Gay & Lesbian Film Festival Audience Award for Best Picture, will headline the festival’s Dominican Night.
The New York International Latino Film Festival runs August 13 - 19, with most screenings taking place at Chelsea Clearview Cinemas. Schedule information and tickets will be available online and at the Chelsea Clearview Cinemas box office beginning July 27, 2012.
Opening Night – Co-Presented by Latina Magazine
Tuesday, August 14 – 7 pm – Chelsea Clearview Cinemas
Filly Brown (New York Premiere)
Directors: Youssef Delara, Michael D. Olmos
Writer: Youssef Delara
Cast: Gina Rodriguez, Jenni Rivera, Edward James Olmos, Chrissie Fit, Lou Diamond Phillips
Maria Jose “Majo” Tonorio is a tough La street poet who spits from the heart.
Dominican Night – Presented by Heineken.
Sponsored by HBO® and the Dominican American Professional Alliance
Thursday, August 16 – 7 pm – Columbia University Medical Center Alumni Auditorium
Elliott Loves (New York Premiere) (Isa:tla Releasing) Writer/Director: Gary Terracino
Cast: Elena Goode, Tillman Norsworthy and Robin de Jesus
Two stages of a Dominican-American’s life: first as a boy trying to bond with his young mother, and then a 21-year-old looking for love in New York City.
Closing Night – Presented by Pepsi
Saturday, August 18 – 7 pm – Chelsea Clearview Cinemas
Lemon (Isa:The Film Sales Company) Directors: Laura Brownson, Beth Levison
Written and Performed by: Lemon Andersen
A feature-length documentary film depicting Lemon Andersen’s struggle to free his family from poverty and pain as he exposes his most shocking secrets on the NY Stage.
World Premiere Exclusive Presentation
Saturday, August 18 – 8:45 pm – Chelsea Clearview Cinemas
The Girl Is In Trouble
Director: Julius Onah
Co-Written by: Julius Onah and Mayuran Tiruchelvam
Cast: Columbus Short, Wilmer Valderrama, Alicja Bachleda and Jesse Spencer
From executive producer Spike Lee comes the thriller “The Girl Is In Trouble,” a Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
2012 Film Program
Nyilff will present domestic and international features, documentaries and shorts in competition, plus On The Edge, a showcase of non-traditional film genres and Nyilff Spectrum, which highlights global urban films, not limited to the Latino perspective.
Domestic Features
186 Dollars To Freedom
Delusions Of Grandeur
Love, Concord
Mariachi Gringo
Sunset Stories
Tony Tango
Under My Nails
International Features
180 Segundos (180 Seconds) (Colombia)
A Novela Das 8 (Prime Time Soap) (Brazil)
El Rumor De Las Piedras (The Rumble of the Stones) (Venezuela)
Jaque Mate (Check Mate) (Dominican Republic)
La ÚLtima Isla (The Last Island) (Spain)
La Mujer De IVÁN (Ivan’s Woman) (Chile)
La Lucha De Ana (Ana’s Struggle) (Dominican Republic)
La Brujula La Lleva El Muerto (The Compass is Carried by the Dead Man) (Mexico)
Sangre De Familia (Family Blood) (Mexico)
Una Noche (Cuba)
ZoolÓGico (Zoo) (Chile)
Documentaries
Buscando A Larisa (Looking for Larisa) (Mexico)
El MÉDico: The CubatÓN Story (Cuba/Sweden)
Esperando A Los Bitles (Waiting For The Beatles) (Mexico)
Hija (Daughter) (Chile)
Spectrum
Wolf
On The Edge
El Hoyo Del Diablo (The Devil’s Hole) (Dominican Republic)
Los Chidos (Mexico)
Shorts Program 1: Something In The Way She Moves
A Journey To Homeland
La Playa
Pescadora
Gabi
Salome
Shorts Program 2: The Catchers In The Rye
Botes Al Amanecer
Fireworks
Jesus Loves Youssef
Flutter
How Jimmy Got Leverage
La Mirada Perdida
Quinha
Leyenda
Shorts Program 3: Use Your Illusion
The Lepidoctor
The Magicians
The Shooting Star Salesman
Otto And The Electric Eel
The Life & Freaky Times Of Uncle Luke
The Trainee
Cargols
Shorts Program 4: Check Yo Self
Desert Road Kill
DetrÁS Del Espejo
Maddoggin'
Divergence
Hour Glass
October 31St
Shorts Program 5: The Anatomy of Melancholy
After Ever After Or Numbers On A Napkin
La Boda
Primavera
Fallen Comrade
Mentiroso
TrÓPico ExÓTico
Reinaldo Arenas
About Nyilff
Launched in 1999, the New York International Latino Film Festival is now the premier Urban Latino film event in the country. The Nyilff’s mission is to showcase the works of the hottest emerging Latino filmmaking talent in the U.S. and Latin America, offer expansive images of the Latino experience, and celebrate the diversity and spirit of the Latino community. Calixto Chinchilla and Elizabeth Gardner head up the festival staff, acting as Co-Executive Directors. The programming team is made up of Juan Caceres, Director of Programming, and Vanessa Erazo, Documentary Programming Manager.
FindNyilffonFacebook
FollowNyilffonTwitter
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
- 7/29/2012
- by Vanessa Erazo
- Sydney's Buzz
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