Directed by
Conor McMahon |
Writing Credits (in alphabetical order)
Conor McMahon | ||
David O'Brien |
Cast (in credits order)
Produced by
Badie Ali | ... | executive producer: MPI Media Group |
Hamza Ali | ... | executive producer: MPI Media Group |
Malik B. Ali | ... | executive producer: MPI Media Group (as Malik Ali) |
Anders Banke | ... | co-producer |
Julianne Forde | ... | producer |
Brendan McCarthy | ... | producer |
John McDonnell | ... | producer |
John McKeon | ... | executive producer |
Greg Newman | ... | executive producer: MPI Media Group |
Magnus Paulsson | ... | co-producer |
Ruth Treacy | ... | producer |
Music by
Paul McDonnell |
Cinematography by
Patrick Jordan |
Editing by
Chris Gill | ||
Conor McMahon |
Casting By
Alison Crosbie | ||
Nick McGinley |
Production Design by
Ferdia Murphy |
Costume Design by
Allison Byrne |
Makeup Department
Morna Ferguson | ... | makeup: Stitches |
Colum Mangan | ... | assistant prosthetic mould maker |
Aoife Noonan | ... | prosthetics: Bowsie Workshop |
Ben O'Connor | ... | prosthetics: Bowsie Workshop |
Christine Penston | ... | makeup/hair assistant |
Terri Pinnell | ... | makeup |
Matthew Smith | ... | special makeup effects artist |
Production Management
Julianne Forde | ... | post-production supervisor |
Alan Maher | ... | production executive: The Irish Film Board |
Ruth Treacy | ... | production manager |
Ciara Walsh | ... | post production supervisor: EMC Post Production Ltd |
Second Unit Director or Assistant Director
John Burns | ... | first assistant director |
Aoiffe Hewson | ... | third assistant director |
Conor Slattery | ... | second assistant director |
Art Department
Mick Cassidy | ... | props runaround |
Romek Delmata | ... | concept art (as Romek Delimata) |
Giacomo G. Ghiazza | ... | storyboard artist |
Olwen Kelleghan | ... | concept art |
Mark Kelly | ... | props master |
Mark Kilbride | ... | construction manager |
Hilary Lawlor | ... | storyboard artist |
Peter McCarthy | ... | additional construction: crew |
Ronan O'Hanlon | ... | concept art |
Aaron O'Sullivan | ... | production design trainee |
Kurt Oppermann | ... | additional construction: crew (as Kurt Opperman) |
Bob Pritchard | ... | specialist prop maker |
Anna Sweeney | ... | painter: ampule |
Jessica Timlin | ... | production design assistant |
Sound Department
Nick Baldock | ... | adr mixer |
Harry Barnes | ... | dialogue & ADR editor |
Alan Collins | ... | sound facility director: ardmore sound |
Conor Dowling | ... | sound trainee |
Steve Fanagan | ... | re-recording mixer / sound designer / supervising sound editor |
Hugh Fox | ... | sound equipment / sound recordist |
Andrea King | ... | foley artist |
Sean Levitas | ... | foley assistant |
Adam Mendez | ... | foley recordist |
Louie Trussell | ... | boom operator |
Special Effects by
Chloe Bourke | ... | model maker: assistant |
Ruairi Butler | ... | model maker: assistant |
Jen Dwyer | ... | model maker: assistant |
Gerry Johnston | ... | explosives: specialist |
Aoife Noonan | ... | physical special effects: Bowsie Workshop |
Ben O'Connor | ... | physical special effects: Bowsie Workshop |
Michael Roe | ... | special effects technician (uncredited) |
Visual Effects by
Declan Dowling | ... | post-production visual effects |
Thomas Fitzgerald | ... | opening title sequence |
Peter Kilkenny | ... | additional graphics |
Ben O'Connor | ... | opening title sequence / post-production visual effects |
Stunts
Dominick Hewitt | ... | additional stunts (as Dominic Hewitt) |
Donal O'Farrell | ... | stunt coordinator |
Camera and Electrical Department
Cris Ayoub | ... | focus puller |
Mark Boland | ... | epk: additional camera |
Eleanor Bowman | ... | second unit director of photography |
Peter Delaney | ... | clapper loader / digital imaging technician |
C.J. Dempsey | ... | best boy (as Con Dempsey Jnr) |
Con Dempsey | ... | gaffer |
Julianne Forde | ... | second unit director of photography |
Aiden Grey | ... | rigger: Event Serv |
Theo Jebb | ... | phantom operator: Crossing the Line Productions |
Niall Johansson | ... | camera: and grip trainee |
George Kane | ... | epk director and editor |
John Keane | ... | electrician |
Aidan Kelly | ... | stills photography |
Michael Lavelle | ... | second unit director of photography |
Conor Lynch | ... | epk: additional camera |
Ian McGurrell | ... | grip |
Hu O'Reilly | ... | stills photography |
Casting Department
Lorraine Harton | ... | extras coordinator |
Costume and Wardrobe Department
Lucie Corcoran | ... | costume cutter (as Lucy Corcoran) / costume maker |
Jennifer Hyland | ... | costume trainee: assistant |
Jacinta Jardine | ... | costume trainee |
Lorna Keating | ... | costume trainee |
Niamh Martin | ... | costume maker |
Jurgita Rackauskaite | ... | costume maker (as Jurgita Rackauskarte) |
Nadia Rice | ... | costume trainee: assistant |
Tara Roughneen | ... | costume assistant |
Ugeeta Yurginass | ... | costume maker |
Editorial Department
Colin Campbell | ... | assistant editor |
Cillian Duffy | ... | on-line editor |
Michael Higgins | ... | assistant editor |
Eugene McCrystal | ... | colourist |
Shane Woods | ... | assistant editor |
Location Management
Dermot Cleary | ... | location scout |
Julianne Forde | ... | location manager |
Brendan O'Sullivan | ... | location scout |
Music Department
Jeff Johns | ... | executive soundtrack producer |
Paul McDonnell | ... | original music: composed and produced by |
Luis Miguel Rojas | ... | soundtrack art director |
Script and Continuity Department
Eva Kelly | ... | script supervisor |
Transportation Department
Mervyn Adams | ... | minibus driver |
Stephen Carroll | ... | action vehicles: and tracking |
Michael Cassidy | ... | props driver |
Jimmy Devlin | ... | minibus driver (as Jimmy 'The Bus' Devlin) |
Stephen Fearon | ... | facilities: Irish Film & Television Location Facilities Ltd |
Matt Kelly | ... | minibus driver |
Tony Mullally | ... | minibus driver (as Tony Mulally) |
Additional Crew
Mark Byrne | ... | head of legal affairs: The Irish Film Board |
David Cromwell | ... | animal wrangler |
Jamie Cromwell | ... | animal wrangler |
James Cullen | ... | accounts assistant |
Conor Dowling | ... | on-set assistant: second unit |
John P Gleeson | ... | financing & tax advisor: Howarth Bastow Charlton (as John Gleeson) |
Lorraine Harton | ... | production coordinator |
Roisin Henehan | ... | section 481 finance |
Kevin Kearns | ... | health and safety consultant |
Lorna Keating | ... | on-set assistant: second unit |
Jonathan Kelly | ... | production lawyer: Philip Lee Solicitors |
Alan Lally | ... | animal wrangler |
Deirdre Levins | ... | production coordinator |
Rory MacDermott | ... | production accountant |
Cian McCarthy | ... | chicken wrangler |
Teresa McGrane | ... | deputy chief executive: & head of business affairs, The Irish Film Board |
John Mckenna | ... | walkie talkies |
John O'Sullivan | ... | production insurance: Media Insurance Brokers Ltd |
Brendan Walsh | ... | studio facilities: Ardmore Studios |
Christopher Warr | ... | Latin translator |
Thanks
Naoise Barry | ... | a special thanks to |
Sam Bishop | ... | a special thanks to: and Vast Valley |
Orla Brett | ... | a special thanks to: and everyone at Cabinteely Community School |
Curtis Brown | ... | a special thanks to |
Caroline Chignell | ... | a special thanks to: at PB Management |
Sarah Dillon | ... | a special thanks to |
Sharon Fitzpatrick | ... | a special thanks to: and Noleen at Fitzers Catering |
Roisin Henehan | ... | a special thanks to: Howarth Bastow Charleton |
Maxine Hoffman | ... | a special thanks to |
Diane Jennings | ... | thank you to |
Paul Kavanagh | ... | a special thanks to: and Enniskerry Football Club |
Alex Killiney | ... | a special thanks to: Church St. Alphonsus and Columbia (as Fr Alex Killiney) |
Linda Laird | ... | a special thanks to: Knockbawn House |
Roger Laird | ... | a special thanks to: at Knockbawn House |
Claire McCaughley | ... | a special thanks to |
Paddy McDonald | ... | a special thanks to |
Steven McDonnell | ... | thank you to |
Jill McGregor | ... | a special thanks to |
Patrick Murphy | ... | thank you to |
Claire Nightingale | ... | a special thanks to: at PB Management |
Helen O'Connor | ... | a special thanks to: and CBC Monkstown |
Niall O'Donoghue | ... | a special thanks to: at Martello Tower |
Rebecca O'Flanagan | ... | a special thanks to |
Nic Ransome | ... | thank you to |
Andy Robinson | ... | a special thanks to |
Stephen Shields | ... | thank you to |
Olga Sismanidi | ... | a special thanks to: at Media Programme |
Sarah Slazenger | ... | a special thanks to: at Powerscourt Estate |
Ann Treacy | ... | a special thanks to |
Robert Walpole | ... | a special thanks to |