Thanks to the incredible success of "Qualunquemente", Antonio Albanese doubles with "Tutti tutto niente niente" that's a little more surrealistic but suffers the few time since the first movie and doesn't manage to be a good build comedy. Here it is used a classical expedient of Carlo Verdone, with the triplication of the main actor in three characters (Cetto La Qualunque again, Frengo that is an old character invented by Albanese, and a northern racist thought exactly for this movie). But this technique risks to make the movie just a collection of sketches that obey to the different behaviors of the characters, and here this risk is not avoided. The movie results as satiric and cruel as the first one, but lacks of unity and interesting plot.
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