Peter Greenaway gets a new dimension for his already multi layered visual style which is very appropriate that you will want Tulsa Luper Cases in 3d version. This time though only wandering around a historical place with many information floating free of time, that you would not get this powerful experience with a real visit to there in real 3D world.
Edgar Pêra sees this new 3D hype as the first days of cinema where people were afraid of the train coming on them, and accepts that people as true believers of cinema.
Godard talks about when everything gets 1 dimensional, collapsed in a Hiroshima Mon Amour style, and underlines that you can never fully translate real life to cinema.
Edgar Pêra sees this new 3D hype as the first days of cinema where people were afraid of the train coming on them, and accepts that people as true believers of cinema.
Godard talks about when everything gets 1 dimensional, collapsed in a Hiroshima Mon Amour style, and underlines that you can never fully translate real life to cinema.