Transilvania International Film Festival has announced the line-up for its 23rd edition which takes place in Cluj-Napoca, Romania
The 12 features in competition feature several festival favourites including Shuchi Talati’s Indian romance Girls Will Be Girls which won the Sundance audience award in world cinema – dramatic and the Arte international prize at Berlinale.
Scroll down for full line-up
Also competing is Laura Ferres’ The Permanent Picture, best film winner at Valladolid; Ernst De Geer’s The Hypnosis, which scooped Karlovy Vary jury awards in Fipresci and Europa Cinema Label; and Berlinale Forum premiere The Adamant Girl from Indian director P.S. Vinothraj.
The 12 features in competition feature several festival favourites including Shuchi Talati’s Indian romance Girls Will Be Girls which won the Sundance audience award in world cinema – dramatic and the Arte international prize at Berlinale.
Scroll down for full line-up
Also competing is Laura Ferres’ The Permanent Picture, best film winner at Valladolid; Ernst De Geer’s The Hypnosis, which scooped Karlovy Vary jury awards in Fipresci and Europa Cinema Label; and Berlinale Forum premiere The Adamant Girl from Indian director P.S. Vinothraj.
- 5/16/2024
- ScreenDaily
Premiering in the Forum of the 74th Berlinale, “The Adamant Girl” is a story of patriarchal oppression. Set in Tamil Nadu, it unfolds as a tale of the marginalized ones – a girl named Mina is soon to be married, but it seems she developed a romantic feeling for an outsider, while her soon-to-become-husband was away for work. This sparks a spiral of misfortune and reveals the familial reciprocity, as the patriarchs won't take no for an answer. There's no margin for true feelings here – the family embarks on a trip to a neighborhood village to exorcise the girl; this is to say, to cast the spell of love away from her so that she can obey.
On their way to meet with a shaman, nothing goes as it should. The trip becomes an odyssey, an excruciating task in itself. The rickshaw car is nearly broken, every conversation turns into a fight,...
On their way to meet with a shaman, nothing goes as it should. The trip becomes an odyssey, an excruciating task in itself. The rickshaw car is nearly broken, every conversation turns into a fight,...
- 3/9/2024
- by Lukasz Mankowski
- AsianMoviePulse
Two families mobilize their forces in a colorful Ape (the marketing department of Piaggio will be pleased to see an impressive number of people comfortably travelling in it) and a tagging motorcycle to make sure that “the adamant” 21-year-old Meena (Anna Ben) gets purified at a holy site, and additionally exorcized by a seer to change her refusal to marry the impertinent, larger than life and physically abusive Pandi (Tamil film industry superstar Soori Muthuchamy). The arranged marriage has to take place at any cost, but Meena does not react to any of threats or attempts at conversation. She is dealing with all that hullabaloo with stubborn silence and passive participation in spiritual rituals she is dragged to like a sack of green potatoes.
The Adamant Girl is screening at Berlin International Film Festival
“The Adamant Girl”, P.S.Vinothraj's bitter drama sprinkled with dark humor, is the first film...
The Adamant Girl is screening at Berlin International Film Festival
“The Adamant Girl”, P.S.Vinothraj's bitter drama sprinkled with dark humor, is the first film...
- 2/20/2024
- by Marina D. Richter
- AsianMoviePulse
Farcical and viscerally upsetting in equal measure, P.S. Vinothraj’s “The Adamant Girl” masterfully exposes the nature of superstition by zeroing in on gendered expectations. A story of a betrothed woman being shepherded by her fiancé’s family between sites of religious ritual, the rural Tamil-language drama plays like an extension of “Pebbles,” Vinothraj’s remarkable 2021 debut in which an abusive, alcoholic husband and his young son traverse a harsh terrain on foot to retrieve his fleeing wife. This time, the men have cars and motorcycles, while the woman has little recourse but to silently bear the brunt of their beliefs, in a movie that makes deft use of the dynamic between bodies and their environments.
Vinothraj sets the stage by following his characters in lengthy, unbroken shots, observing their movement — or lack thereof, in some cases. He creates a sense of mood and texture around them even before they...
Vinothraj sets the stage by following his characters in lengthy, unbroken shots, observing their movement — or lack thereof, in some cases. He creates a sense of mood and texture around them even before they...
- 2/18/2024
- by Siddhant Adlakha
- Variety Film + TV
A Different Man.The Berlinale have begun to announce the first few titles selected for the 74th edition of their festival, set to take place from February 15 through 21, 2024. This page will be updated as further sections are announced.COMPETITIONAnother End (Piero Messina)Architecton (Victor Kossakovsky)Black Tea (Abderrahmane Sissako)La Cocina (Alonso Ruiz Palacios) Dahomey (Mati Diop)A Different Man (Aaron Schimberg)The Empire (Bruno Dumont)Gloria! (Margherita Vicario)Suspended Time (Olivier Assayas)From Hilde, With Love (Andreas Dresen)My Favourite CakeLangue Etrangère (Claire Berger)Small Things Like These (Tim Mielants)Who Do I Belong To (Meryam Joobeur)Pepe (Nelson Carlos De Los Santos Arias)Shambhala (Min Bahadur Bham)Sterben (Matthias Glasner)Small Things Like These (Tim Mielants)A Traveler’s Needs (Hong Sang-soo)Sleep With Your Eyes Open. ENCOUNTERSArcadia (Yorgos Zois)Cidade; Campo (Juliana Rojas)Demba (Mamadou Dia)Direct ActionSleep With Your Eyes Open (Nele Wohlatz)The Fable (Raam Reddy...
- 1/23/2024
- MUBI
Berlinale co-directors Carlo Chatrian and Mariette Rissenbeek are going out with a bang in their final year, with a lineup unveiled today featuring the latest works by Olivier Assayas, Bruno Dumont, Mati Diop, Hong Sang-soo, Abderrahmane Sissako, Jane Schoenbrun, Alonso Ruizpalacios, Matias Pineiro, Travis Wilkerson, Kazik Radwanski, Annie Baker, and more.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
- 1/22/2024
- by Jordan Raup
- The Film Stage
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