Directed by
| Michael Canzoniero | ||
Cast
 |
Brian Blade | ... | Self |
|
|
Dan Iead | ... | Self |
| Norah Jones | ... | Self | |
|
|
Gus Seyffert | ... | Self |
Produced by
| Max Berger | ... | producer |
| Jamie Landry | ... | co-producer |
| Sarah Oda | ... | co-producer |
Cinematography by
| David Morrett | ||
Editing by
| Phillip Vernon | ||
Makeup Department
| Stacy Skinner | ... | hair stylist / makeup artist |
Sound Department
| Jamie Landry | ... | sound mixer |
| John Valesio | ... | sound recordist |
Camera and Electrical Department
| Francesco Amaya | ... | gaffer |
| Charlie Collins | ... | camera operator |
| Matt Hadley | ... | camera operator |
| Aubrey Hardwick | ... | DIT |
| Howard Heitner | ... | jib operator |
| Roberto Muolo | ... | best boy grip (as Roberto Moulo) |
| Alex Purifoy | ... | key grip |
| Marvin Zana | ... | camera operator |
Location Management
| Francesco D'Angelo | ... | location manager |
Music Department
| Brian Blade | ... | performer: background vocals / performer: drums |
| Dan Iead | ... | performer: guitar / performer: pedal steel guitar |
| Norah Jones | ... | performer: guitar / performer: piano / performer: vocals |
| Gus Seyffert | ... | performer: background vocals / performer: bass guitar / performer: synth bass |
Additional Crew
| Britton Billik | ... | tour manager |
| Mira Evnine | ... | chief (as Myra C. Evnine) |
| Eva Geisler | ... | production assistant |
| Pete Hanlon | ... | backline technician |
| Lauri McCarthy | ... | COVID officer |
| Gabi Wilson | ... | production coordinator |
| Nate Yaccino | ... | backline technician |
Thanks
| Randall Wallace | ... | special thanks |