Other winners included Norwegian drama Blind, Danish horror When Animals Dream and Nick Cave doc 20,000 Days On Earth.
Yann Demange’s ’71 has won the best film award – the Golden Athena – at the 20th Athens International Film Festival (Sept 17-28).
The film, co-produced by Crab Apple Films, Protagonist Pictures and Warp Films, stars Jack O’Connell as a soldier left behind enemy lines in Belfast during the height of the Troubles.
It debuted at the Berlinale in February and more recently played at Toronto.
The Aiff awards ceremony also saw Eskil Vogt win the best director trophy for Norwegian drama Blind.
The film, which previously won awards at Berlin and Sundance (where it debuted), is about a recently blind woman who fears and fantasies begin to take over her life.
Blind marks Vogt’s directorial debut following a screenwriting career that has included Reprise (2006), Oslo, August 31st (2011) and Joachim Trier’s upcoming Louder Than Bombs. It was co-produced...
Yann Demange’s ’71 has won the best film award – the Golden Athena – at the 20th Athens International Film Festival (Sept 17-28).
The film, co-produced by Crab Apple Films, Protagonist Pictures and Warp Films, stars Jack O’Connell as a soldier left behind enemy lines in Belfast during the height of the Troubles.
It debuted at the Berlinale in February and more recently played at Toronto.
The Aiff awards ceremony also saw Eskil Vogt win the best director trophy for Norwegian drama Blind.
The film, which previously won awards at Berlin and Sundance (where it debuted), is about a recently blind woman who fears and fantasies begin to take over her life.
Blind marks Vogt’s directorial debut following a screenwriting career that has included Reprise (2006), Oslo, August 31st (2011) and Joachim Trier’s upcoming Louder Than Bombs. It was co-produced...
- 9/28/2014
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Steve McQueen’s 12 Years A Slave to open festival; director Peter Greenaway to receive Visionary Award.Scroll down for full line-up
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
Steve McQueen’s historic drama 12 Years a Slave is to open the Stockholm International Film Festival (Nov 6-17) and is nominated in the Stockholm Xxiv Competition.
Starring Chiwetel Ejiofor, the drama about free black man kidnapped from his family and sold into slavery in the 1850s debuted at Telluride and has received positive reactions throughout its festival tour of Toronto, New York and London among others.
It will be released in Sweden on Dec 20 by Ab Svensk Filmindustri.
Screenwriter John Ridley, who will be present during the festival, is nominated for the Aluminum Horse in the category Best Script.
McQueen’s Hunger won Best Directorial Debut at Stockholm in 2008.
Line-up
The 24th Siff includes more than 180 films from more than 50 countries.
As previously announced, the spotlight of this year’s festival is freedom but Chinese artist...
- 10/22/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
★★★☆☆ Michalis Konstantatos' debut feature and Lff contender Luton (2013) paints a disturbing portrait of contemporary Greece, whilst lacking little of the recent 'Weird Wave's' deadpan satire. The film begins with a sultry and incredibly uncomfortable close-up of a woman running on a treadmill. Her heavy breath is amplified by the camera's perturbing proximity, evoking a tight-chested degree of anxiety that will continue throughout this suffocating drama. Luton focuses on three seemingly different individuals. The first is the lady we're introduced to on the treadmill, a beautiful young trainee lawyer in her thirties.
The other two subjects are both male: one a wealthy high school student trapped within an autocratic domestic prison of manners and etiquette, the other a convenience store owner who we first observe staring at the phone sex adverts in the local newspaper. There seems to be nothing linking these three distinctly different individuals, each originating from different social,...
The other two subjects are both male: one a wealthy high school student trapped within an autocratic domestic prison of manners and etiquette, the other a convenience store owner who we first observe staring at the phone sex adverts in the local newspaper. There seems to be nothing linking these three distinctly different individuals, each originating from different social,...
- 10/21/2013
- by CineVue UK
- CineVue
Matthew McConaughey's film is great, Atom Egoyan's is terrible and Spain and Greece delineate Europe's human dysfunction
• San Sebastián report: Jake Gyllenhaal's double
• San Sebastián report: Beatlemania and horseplay
The San Sebastián film festival gave us this week the best and worst of what Hollywood acting had to offer. Matthew McConaughey's performance in Dallas Buyers Club – such a hit recently in Toronto – reconfirmed his startling career surge, giving a barnstormer turn from deep in the heart of Texas as the homophobic good ol' boy who has to think hard about his attitudes when he is diagnosed HIV positive. Aside from that, however, there was a terrible clunker from Atom Egoyan: Devil's Knot – a grisly mediocrity of a film: shallow, badly acted and pretty questionable.
It is based on the child murders in West Memphis in 1993 which led to unsafe convictions of three young men: goth...
• San Sebastián report: Jake Gyllenhaal's double
• San Sebastián report: Beatlemania and horseplay
The San Sebastián film festival gave us this week the best and worst of what Hollywood acting had to offer. Matthew McConaughey's performance in Dallas Buyers Club – such a hit recently in Toronto – reconfirmed his startling career surge, giving a barnstormer turn from deep in the heart of Texas as the homophobic good ol' boy who has to think hard about his attitudes when he is diagnosed HIV positive. Aside from that, however, there was a terrible clunker from Atom Egoyan: Devil's Knot – a grisly mediocrity of a film: shallow, badly acted and pretty questionable.
It is based on the child murders in West Memphis in 1993 which led to unsafe convictions of three young men: goth...
- 9/26/2013
- by Peter Bradshaw
- The Guardian - Film News
This morning at London's Odeon Leicester Square, the British Film Institute announced the full programme for the 57th BFI London Film Festival, a twelve-day extravaganza showcasing the very best in upcoming mainstream, world and experimental cinema. With British director Paul Greengrass' hijack thriller Captain Phillips and Disney's Saving Mr. Banks (both starring Tom Hanks) already announced as the opening and closing films, the stage was set for a whole raft of high profile Gala screenings and premieres, including the cream of 2013's international festival crop. Amongst these will be Alfonso Cuarón's Gravity, Steve McQueen's Twelve Years a Slave and the Coens' Inside Llewyn Davis.
This year's Lff will screen a total of 234 narrative and documentary features, including 22 World Premieres, 16 International Premieres, 29 European Premieres and 20 Archive films. A stellar line-up of directors, cast and crew are also expected to take part in career interviews, master classes and other special events.
This year's Lff will screen a total of 234 narrative and documentary features, including 22 World Premieres, 16 International Premieres, 29 European Premieres and 20 Archive films. A stellar line-up of directors, cast and crew are also expected to take part in career interviews, master classes and other special events.
- 9/4/2013
- by CineVue UK
- CineVue
The 57th BFI London Film Festival line-up has officially been revealed, and it is led by a slew of incredibly promising films, many of which have already been buzzing on the festival circuit, and a number of which will be making their debuts here in London.
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
- 9/4/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
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