Directed by
| Cameo Wood | ||
Writing Credits (in alphabetical order)
| Meg Turner | ||
Cast
 |
Alexandra Alvarez | ... | Rachel |
| Sara Tepper | ... | Elliot | |
Produced by
| Bill Bossert | ... | associate producer |
| Connie Jo Sechrist | ... | producer |
| Meg Turner | ... | associate producer |
Music by
| Matthew Pereira | ... | (composition by) |
Cinematography by
| Carrie Morgan Glassman | ||
Editing by
| Jen Bail | ||
Casting By
| Emily Cook | ||
Production Design by
| Sara Linville | ||
Costume Design by
| Lorraine Ely | ||
Makeup Department
| Hannah Coyoc | ... | makeup artist |
Second Unit Director or Assistant Director
| Nand Mahasuwan | ... | assistant director |
Art Department
| Mark Johnson | ... | set construction coordinator |
| Antonio Suave | ... | set dresser |
| Kate Triantafelow | ... | storyboard artist |
| Henry Von Dollen | ... | assistant production designer |
Sound Department
| Jose Castro | ... | sound mixer |
| Lien Do | ... | sound designer / sound editor |
| Matthew Pereira | ... | sound designer |
Visual Effects by
| Dustin Grissom | ... | visual effects artist |
| Maciej Stachowiak | ... | motion graphics artists |
| Ben Thatcher | ... | visual effects artist |
Camera and Electrical Department
| Taylor Balfour | ... | G&E Swing |
| Adam Hutsell | ... | Best Boy Electrician |
| Andrew Kendall | ... | best boy electric |
| Kevin Kisling | ... | Steadicam Operator |
| Danielle Mathias | ... | still photographer |
| Andy Poulsen | ... | G&E Swing |
| Parker Ronan | ... | first assistant camera |
| Ninef Sargis | ... | digital imaging technician |
| Justin R. Schultz | ... | Best Boy Grip |
| Bryan Sprow | ... | jib operator |
| Dana St. Amand | ... | key grip |
| James Swartz | ... | gaffer |
Script and Continuity Department
| Jessica Sheriff | ... | script supervisor |
Additional Crew
| Skylar Kardon | ... | stand-in |
| DuPont Octavius | ... | covid compliance officer |
| Michele Rick | ... | studio teacher |