Kwek's refreshing focus on his terrorized protagonists' pre-abduction lives keeps Unlucky Plaza afloat once it invests in generic ticking-clock thrills.
Kwek's critical view of his home country is certainly there, burning brightly, but Unlucky Plaza should be considered a small step for a promising socially-conscious filmmaker trying to connect his fury with the right kind of art.
Writer-director Ken Kwek means for the proceedings to be farcical, but seldom are they actually funny. A former journalist, he's quite observant of the clashes among the classes and cultures in this diverse society.
The multicultural milieu lends an initial boost as Mr. Kwek’s jokes and plot entanglements take potshots at life in Singapore, but all the air seeps out of this attempt at zippy, tabloid-nutty storytelling.