In the original script there was a character called 'Japanese Femme Fatale' whose wardrobe consisted of a nurse's outfit. Introducing this character turned out to be the first of many obstacles which the crew would encounter throughout a film shoot which proved to be quite an adventure. Already on the first day they wasted the whole morning waiting around for the Japanese actress who ended up calling to inform the crew that she wasn't going to make it. In the space of time they were made to wait, the chance to shoot a total of two scenes was lost (without any possibility of shooting them at a later date) not to mention the loss of a key character from screenplay. While still willing to go forward with the story -and hence the shoot- the director Sergi Rubió changed the script mentally, without going into detail, and asking for the crew to simply trust him: amongst other last minute improvisations Rubió filled in for the Japanese actress by changing the character from nurse to some type of spiritual guru, 'manager' of sorts to the Angel of Death played by Ellie Foumbi, an actress who was to become Sergi Rubió's right-hand in the context of all the short films he was to complete in New York City; neither late nor absent to any of his film shoots and ever present in his dreams.
This is an example of one of director Sergi Rubió's short films, one which contained a single previously recorded song as its' only soundtrack; the volume of which was never tweaked with and such was the case for so many of Rubió's short films which similarly opted for a sole soundtrack. This basic tendency would last until the 2006 and it wasn't until the 2012 when he began to explore the possibility of going back and actually changing the soundtracks to his various films.
One of the main privileges enjoyed by Rubió as a student of the New York Film Academy was being able to purchase as much unused Kodak Tri-X Reversal black and white 16mm film as he pleased.
Another quasi 'miracle' Rubió experienced as a student of the N.Y. F. Academy was having access to a large editing room, open 24 hours a day. His fellow students included, like himself, came from near and far, from different cultures and foreign countries, which made the space a virtual melting pot wherein students would share their works in progress, allowing him to see life through their eyes which in turn informed and influenced each others' training and/or creative process.